147. Lo mejor de las cantatas de Bach

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt, Gustav Leonhardt (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cantata 147, coral "Jesus bleibet meine Freude"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:37
2Cantata 140, coral "Zion hört die Wächter singen"
choir vocals:
Kinderchor Bad Tölz
tenor vocals:
Kurt Equiluz (tenor) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:58
3Cantata 170, aria "Vernügte Ruh' beliebte Seelenlust"
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
contralto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
Johann Sebastian Bach6:16
4Cantata 106 "Actus tragicus", sonatina (molto adagio)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1978-02-15 until 1980-01-07)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1978-02-15 until 1980-01-07)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1978-02-15 until 1980-01-07)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (from 1978-02-15 until 1980-01-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
Johann Sebastian Bach2:36
5Cantata 8, coro "Liebster Gott, wenn werd ich sterben?"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
choir vocals:
King's College Choir Cambridge (in 1971-01)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (in 1971-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (in 1971-01)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (in 1971-01)
recorded at:
Amsterdam (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1971-01)
recording of:
Kantate, BWV 8 "Liebster Gott, wenn werd ich sterben?": I. Coro "Liebster Gott, wenn werd ich sterben?" (in 1971-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-09-24)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1724)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Caspar Neumann
part of:
Kantate, BWV 8.2 "Liebster Gott, wenn werd ich sterben?" (2nd version)
Johann Sebastian Bach5:48
6Cantata 152, duetto (andante) "Wie soll ich dich, Liebster der Seelen, umfassen?"
bass vocals:
Thomas Hampson (baritone)
treble vocals:
Christoph Wegmann
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn": VI. Duetto (Soprano, Basso) "Wie soll ich dich, Liebster der Seelen, umfassen?"
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-12-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
Salomon Franck
part of:
Kantate, BWV 152 "Tritt auf die Glaubensbahn"
Johann Sebastian Bach4:22
7Cantata 12, sinfonia
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1971-12-08 until 1971-12-15)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:22
8Cantata 180, coro "Schmücke dich, o liebe Seele"
choir vocals:
Collegium Vocale Gent (from 1987-01-09 until 1987-01-12) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1987-01-09 until 1987-01-12)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-09 until 1987-01-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-09 until 1987-01-12)
chorus master:
Heinz Hennig (conductor) (from 1987-01-09 until 1987-01-12) and Philippe Herreweghe (Belgian conductor) (from 1987-01-09 until 1987-01-12)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-09 until 1987-01-12)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (from 1987-01-09 until 1987-01-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
Johann Sebastian Bach7:28
9Cantata 95, aria "Ach, schlage doch bald, selge Stunde"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach5:58
10Cantata 137, aria "Lobe den Herren, der alles so herrlich regieret"
contralto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren": II. Aria (Alt) "Lobe den Herren, den mächtigen König der Ehren"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Joachim Neander (in 1680)
part of:
Kantate, BWV 137 "Lobe den Herren, den mächtigen König der Ehren"
Johann Sebastian Bach3:20
11Cantata 198, coro "Lass, Fürstin, lass noch einen Strahl"
harpsichord:
Siebe Henstra (harpsichordist)
choir vocals:
Collegium Vocale Gent and Knabenchor Hannover (Hanover Boys' Choir, German boys choir)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble)
conductor:
Gustav Leonhardt (conductor, harpsichordist)
chorus master:
Heinz Hennig (conductor) and Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl": I. Coro "Laß, Fürstin, laß noch einen Strahl"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1727-10-17)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
lyricist:
Johann Christoph Gottsched
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Johann Christoph Gottsched (in 1727)
part of:
Kantate, BWV 198 "Laß, Fürstin, laß noch einen Strahl"
Johann Sebastian Bach6:12
12Cantata 182, sonata
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“: I. Sonata
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1714-03-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
librettist:
[anonymous] (special purpose artist)
version of:
Kantate, BWV 182 "Himmelskönig, sei willkommen" Appendix: I. Sonata
part of:
Kantate, BWV 182 „Himmelskönig, sei willkommen“
Johann Sebastian Bach2:30
13Cantata 42, aria "Jesus ist ein Schild der Seinen"
bass vocals:
Ruud van der Meer (operatic bass) (from 1974-02 until 1974-12)
orchestra:
Concentus Musicus Wien (from 1974-02 until 1974-12)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-02 until 1974-12)
recorded at:
Palais Rasumovsky in Wien (Vienna), Austria (from 1974-02 until 1974-12)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Basso) "Jesus ist ein Schild der Seinen" (from 1974-02 until 1974-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach3:32
14Cantata 147, aria "Bereite dir, Jesu, noch itzo die Bahn"
choir vocals:
Kinderchor Bad Tölz
treble vocals:
Allan Bergius (boy soprano, classical cellist and conductor) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach5:02
15Cantata 11, coral "Wann soll es doch geschehen"
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
Johann Sebastian Bach4:35