Where’er You Walk

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

A compilation from various Decca release, from the 1960s to 1980s.

Annotation last modified on 2012-10-01 12:02 UTC.

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Agnus Dei
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer)
producer:
Ray Minshull (record producer)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:48
2Panis Angelicus
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Renata Tebaldi (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Anton Guadagno (conductor)
arranger:
Douglas Gamley (film composer)
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
lyricist:
St. Thomas Aquinas
composer:
César Franck (Belgian‐born French composer) (in 1860)
part of:
Messe solennelle en la majeur, op. 12
César Franck3:52
3Hear My Prayer ... O for the wings of a Dove
soprano vocals:
Kirsten Flagstad (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
Hear My Prayer
composer:
Felix Mendelssohn (composer) (until 1844)
librettist:
William Bartholomew
premiered at:
Crosby Hall (Bishopsgate, London) in London (Greater London), England, United Kingdom (on 1845-01-08)
translated version of:
Hör mein Bitten (Hymne für Sopranstimme, Chor und Orgel)
Felix Mendelssohn11:58
4O divine Redeemer
soprano vocals:
Kirsten Flagstad (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Adrian Boult (conductor)
recording of:
Repentir (“O Divine Redeemer”)
composer:
Charles Gounod (French composer)
Charles‐François Gounod6:57
5Judex (Mors et Vita)
orchestra:
Richard Hickox Orchestra
conductor:
Richard Hickox (conductor)
recording of:
Mors et Vita: Pars secunda "Judicium": Judex: 4. Sedenti in Throno
composer:
Charles Gounod (French composer)
part of:
Mors et Vita: Pars secunda "Judicium"
Charles‐François Gounod4:35
6Ave Maria
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Renata Tebaldi (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Anton Guadagno (conductor)
arranger:
Douglas Gamley (film composer)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles‐François Gounod2:47
7Jesu, joy of man's desiring (Cantata, BWV 147)
producer:
Harley Usill
organ:
Peter White (English organist) (in 1958-10)
choir vocals:
Choir of St John’s College, Cambridge (in 1958-10)
conductor:
George Guest (organist and conductor) (in 1958-10)
chorus master:
George Guest (organist and conductor)
recorded at:
Chapel of St John's College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (in 1958-10)
recording of:
Jesu, Joy of Man’s Desiring (in 1958-10)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach7:28
8Fantasia in G, BWV 572
organ:
Gillian Weir (organist)
recording of:
Fantasia G-Dur, BWV 572 “Pièce d’Orgue”
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 572)
Johann Sebastian Bach9:10
9Schlafe, mein Liebster (Christmas Oratorio)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano) (in 1967-10)
orchestra:
Vienna Cantata Orchestra (in 1967-10)
conductor:
Henry Lewis (conductor) (in 1967-10)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1967-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach9:57
10Bist du bei mir (arr. Smith)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Vienna Cantata Orchestra
conductor:
Henry Lewis (conductor)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bachs Notenbibliothek (BNB) (number: BNB I/S/4), Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 508), Notebook for Anna Magdalena Bach (1725) (number: 25), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 508) and Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 508)
Johann Sebastian Bach3:28
11Erbarme dich mein Gott (St Matthew Passion)
violin:
Alfred Staar (Austrian violinist)
mezzo-soprano vocals:
Marilyn Horne (American operatic mezzo-soprano)
orchestra:
Vienna Cantata Orchestra
conductor:
Henry Lewis (conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1967-10)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:25
12Zion hört die Wächter singen (Cantata, BWV 140)
choir vocals:
Stuttgarter Hymnus-Chorknaben (Stuttgart Hymnus Boys' Choir) (in 1984-02)
tenor vocals:
Gösta Winbergh (tenor)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1984-02)
conductor:
Karl Münchinger (German conductor) (in 1984-02)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1984-02-01 until 1984-02-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach4:01