Up the Bracket (2005 reissue)

~ Release by The Libertines (see all versions of this release, 14 available)

Annotation

Runout side A: MPO RTRADE LP 065 A¹
Runout side B: MPO RTRADE LP 065 B¹

Annotation last modified on 2022-05-11 10:16 UTC.

Tracklist

112" Vinyl
#TitleRatingLength
A1Vertigo
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Vertigo
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
A2Death on the Stairs
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Death on the Stairs
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 2003)
?:??
A3Horrorshow
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Horrorshow
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
A4Time for Heroes
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 6)
recording of:
Time for Heroes
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3.35?:??
A5Boys in the Band
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Boys in the Band
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4?:??
A6Radio America
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Radio America
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
B1Up the Bracket
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
part of:
NME: Greatest “Indie” Anthems Ever: 2007 (number: 47)
recording of:
Up the Bracket
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4.5?:??
B2Tell the King
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Tell the King
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
4?:??
B3The Boy Looked at Johnny
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
The Boy Looked at Johnny
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
B4Begging
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
Begging
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??
B5The Good Old Days
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
The Good Old Days
writer:
Carl Barât and Peter Doherty (Libertines)
?:??
B6I Get Along
engineer:
Nick Terry (sound engineer)
producer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Rough Trade Records Ltd. (in 2002)
recorded at:
RAK Studios in London (Greater London), England, United Kingdom (in 2002)
mixed at:
Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
recording of:
I Get Along
writer:
Carl Barât and Peter Doherty (Libertines)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
?:??

Credits

Release

engineer:Nick Terry (sound engineer)
producer:Mick Jones (The Clash/Big Audio Dynamite)
mastering:Ray Staff (British mastering engineer)
publisher:EMI Music Publishing Ltd. (PRS‐affiliated)
copyrighted (©) by and phonographic copyright (℗) by:Rough Trade Records Ltd.
pressed by:MPO (French pressing plant, manufacturing and distribution company)
recorded at:RAK Studios in London (Greater London), England, United Kingdom
mixed at and mastered at:Sony Music Studios (Whitfield Street studio, operating under this name from 1994–2004) in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/6418119 [info]