After Hours

~ Veröffentlichung von Gary Moore (alle Versionen dieser Veröffentlichung ansehen, 11 vorhanden)

Anmerkung

Tray inlay:
Catalog# printed as CDV 2684 (262 558)

Anmerkung zuletzt geändert am 2018-07-12 12:48 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Cold Day in Hell
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
recording of:
Cold Day in Hell
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore44:28
2Don’t You Lie to Me (I Get Evil)
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
cover recording of:
Don’t You Lie to Me
Texter und Komponist(in):
Hudson Whittaker
Gary Moore32:30
3Story of the Blues
assistierende(r) Techniker(in):
Andy Baker (recording engineer from the UK with Westside Studios), Robin Barclay (engineer), Alex Firla (Engineer), Ellen Fitton, Steve Fitzmaurice (Irish mixer, songwriter and producer), Ed Goldberg (engineer) und Matt Lane (engineer)
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Gregg Jackman
Bass:
Bob Daisley, Johnny B. Gaydon und Will Lee (US jazz/rock bassist)
Horn:
Martin Drover, Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love, Frank Mead, The Memphis Horns und Nick Payn
Keyboard:
Tommy Eyre
Oboe:
Richard Morgan (Oboe player, New Philharmonia Orch)
Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Schlagzeug:
Anton Fig und Graham Walker (UK drummer)
Hintergrundgesang:
Carol Kenyon und Linda Taylor (UK pop, disco, funk singer)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Tommy Eyre und Gary Moore (Thin Lizzy, blues guitar)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, BearTracks Studios in New York, Vereinigte Staaten, Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten, Outside Studios in Oxfordshire, England, Vereinigtes Königreich, Sountec Studios in Connecticut, Vereinigte Staaten und Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Story of the Blues
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore36:41
4Since I Met You Baby
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
Gast-Gitarre und Gast Sologesang:
B.B. King
Gitarre und Sologesang:
Gary Moore (Thin Lizzy, blues guitar)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1992)
cover recording of:
Since I Met You Baby
Texter und Komponist(in):
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
BMG Platinum Songs, Bonuswise Ltd. und Unichappell Music, Inc.
recording of:
Since I Met You Baby
Texter und Komponist(in):
Ivory Joe Hunter (American rhythm and blues singer, songwriter and pianist)
publisher:
BMG Platinum Songs, Bonuswise Ltd. und Unichappell Music, Inc.
Gary Moore & B.B. King3.652:53
5Separate Ways
assistierende(r) Techniker(in):
Andy Baker (recording engineer from the UK with Westside Studios), Robin Barclay (engineer), Alex Firla (Engineer), Ellen Fitton, Steve Fitzmaurice (Irish mixer, songwriter and producer), Ed Goldberg (engineer) und Matt Lane (engineer)
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
Bass:
Bob Daisley, Johnny B. Gaydon und Will Lee (US jazz/rock bassist)
Horn:
Martin Drover, Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love, Frank Mead, The Memphis Horns und Nick Payn
Keyboard:
Tommy Eyre
Oboe:
Richard Morgan (Oboe player, New Philharmonia Orch)
Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Schlagzeug:
Anton Fig und Graham Walker (UK drummer)
Hintergrundgesang:
Carol Kenyon und Linda Taylor (UK pop, disco, funk singer)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Tommy Eyre und Gary Moore (Thin Lizzy, blues guitar)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, BearTracks Studios in New York, Vereinigte Staaten, Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten, Outside Studios in Oxfordshire, England, Vereinigtes Königreich, Sountec Studios in Connecticut, Vereinigte Staaten und Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
recording of:
Separate Ways
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore54:55
6Only Fool in Town
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
recording of:
Only Fool in Town
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore43:53
7Key to Love
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
cover recording of:
Key to Love
Texter und Komponist(in):
John Mayall
Gary Moore21:59
8Jumpin’ at Shadows
assistierende(r) Techniker(in):
Andy Baker (recording engineer from the UK with Westside Studios), Robin Barclay (engineer), Alex Firla (Engineer), Ellen Fitton, Steve Fitzmaurice (Irish mixer, songwriter and producer), Ed Goldberg (engineer) und Matt Lane (engineer)
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
Bass:
Bob Daisley, Johnny B. Gaydon und Will Lee (US jazz/rock bassist)
Horn:
Martin Drover, Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love, Frank Mead, The Memphis Horns und Nick Payn
Keyboard:
Tommy Eyre
Oboe:
Richard Morgan (Oboe player, New Philharmonia Orch)
Saiteninstrumente:
Gavyn Wright (UK violinist, conductor)
Schlagzeug:
Anton Fig und Graham Walker (UK drummer)
Hintergrundgesang:
Carol Kenyon und Linda Taylor (UK pop, disco, funk singer)
Blechblasinstrumente arranger und Saiteninstrumente arranger:
Tommy Eyre und Gary Moore (Thin Lizzy, blues guitar)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich, BearTracks Studios in New York, Vereinigte Staaten, Carriage House Studios in Stamford, Connecticut, Vereinigte Staaten, Outside Studios in Oxfordshire, England, Vereinigtes Königreich, Sountec Studios in Connecticut, Vereinigte Staaten und Studio Guillaume Tell in Suresnes, Hauts-de-Seine, Île-de-France, Frankreich
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Jumping at Shadows
Texter und Komponist(in):
Duster Bennett
Gary Moore4.354:21
9The Blues Is Alright
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
Gast-Gitarre:
Albert Collins (US blues guitarist/vocalist/harmonica)
cover recording of:
The Blues Is Alright
Texter und Komponist(in):
Milton Campbell (US blues singer and guitarist Milton Campbell)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gary Moore35:45
10The Hurt Inside
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
recording of:
The Hurt Inside
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore45:54
11Nothing’s the Same
Techniker(in):
Haydn Bendall (producer and engineer), Peter Hodgson (Engineer) und Ian Taylor (rock producer/engineer)
Produzent(in):
Gary Moore (Thin Lizzy, blues guitar) und Ian Taylor (rock producer/engineer)
Mix:
Ian Taylor (rock producer/engineer)
recording of:
Nothing’s the Same
Texter und Komponist(in):
Gary Moore (Thin Lizzy, blues guitar)
Gary Moore5:05