The Complete Recordings

~ Release by Vaughan Williams; Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Concerto in C for Two Pianos and Orchestra: I. Toccata: Allegro moderato
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
recording of:
Concerto for Two Pianos and Orchestra in C major: I. Toccata: Allegro moderato (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1926)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: I. Toccata
part of:
Concerto for Two Pianos and Orchestra in C major
Ralph Vaughan Williams6:04
2Concerto in C for Two Pianos and Orchestra: II. Romanza: Lento
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
recording of:
Concerto for Two Pianos and Orchestra in C major: II. Romanza: lento (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1926)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: II. Romanza
part of:
Concerto for Two Pianos and Orchestra in C major
Ralph Vaughan Williams9:17
3Concerto in C for Two Pianos and Orchestra: III. Fuga chromatica: Allegro
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
partial recording of:
Concerto for Two Pianos and Orchestra in C major: III. Fuga chromatica con finale alla tedesca: Allegro (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1931)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
part of:
Concerto for Two Pianos and Orchestra in C major
Ralph Vaughan Williams4:39
4Concerto in C for Two Pianos and Orchestra: III. con finale alla tedesca
audio engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
piano:
Victor Babin (Russian-American pianist and composer) (from 1968-12-01 until 1968-12-02) and Vitya Vronsky (from 1968-12-01 until 1968-12-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1968-12-01 until 1968-12-02)
conductor:
Sir Adrian Boult (conductor) (from 1968-12-01 until 1968-12-02)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1968-12-01 until 1968-12-02)
partial recording of:
Concerto for Two Pianos and Orchestra in C major: III. Fuga chromatica con finale alla tedesca: Allegro (from 1968-12-01 until 1968-12-02)
composer:
Ralph Vaughan Williams (English composer) (in 1931)
arranger:
Joseph Cooper (pianist and broadcaster) (in 1946) and Ralph Vaughan Williams (English composer) (in 1946)
arrangement of:
Piano Concerto in C major: III. Fuga chromatica con Finale alla Tedesca
part of:
Concerto for Two Pianos and Orchestra in C major
Ralph Vaughan Williams5:46
5Job – A Masque for Dancing (1970): Scene I. Introduction –
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 1: Introduction (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams5:29
6Job – A Masque for Dancing (1970): Scene I. Saraband of the Sons of God
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 1: Saraband of the Sons of God (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams3:45
7Job – A Masque for Dancing (1970): Scene II. Satan’s Dance of Triumph
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 2: Satan's Dance of Triumph (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams3:28
8Job – A Masque for Dancing (1970): Scene III. Minuet of the Sons of Job and Their Wives
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 3: Minuet of the Sons of Job and Their Wives (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams4:00
9Job – A Masque for Dancing (1970): Scene IV. Job’s Dream –
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 4: Job's Dream (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams4:17
10Job – A Masque for Dancing (1970): Scene V. Dance of the Three Messengers
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 5: Dance of the Three Messengers (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams4:41
11Job – A Masque for Dancing (1970): Scene VI. Dance of Job’s Comforters
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 6: Dance of Job's Comforters (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams4:50
12Job – A Masque for Dancing (1970): Scene VII. Elihu’s Dance of Youth and Beauty –
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 7: Elihu's Dance of Youth and Beauty (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams3:47
13Job – A Masque for Dancing (1970): Scene VII. Pavane of the Sons of the Morning
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 7: Pavane of the Sons of the Morning (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams2:10
14Job – A Masque for Dancing (1970): Scene VIII. Galliard of the Sons of the Morning –
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 8: Galliard of the Sons of the Morning (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams2:21
15Job – A Masque for Dancing (1970): Scene VIII. Altar Dance –
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 8: Altar Dance (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams2:47
16Job – A Masque for Dancing (1970): Scene IX. Epilogue
audio engineer:
Michael Gray (UK classical recording engineer)
producer:
Christopher Bishop (conductor/producer)
orchestra:
London Symphony Orchestra (from 1970-08-11 until 1970-08-13)
conductor:
Sir Adrian Boult (conductor) (from 1970-08-11 until 1970-08-13)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1970-08-11 until 1970-08-13)
recording of:
Job, A Masque for Dancing, ballet: Scene 9: Epilogue (from 1970-08-11 until 1970-08-13)
composer:
Ralph Vaughan Williams (English composer)
part of:
Job, a Masque for Dancing
Ralph Vaughan Williams2:44
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