Silence is Golden

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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#TitoloArtistaValutazioneDurata
1(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
2What’s Going On
produttore:
Marvin Gaye
tecnico di missaggio:
Lawrence Miles (il 1971-05-06)
percussione [box drum] , pianoforte e voce principale:
Marvin Gaye (il 1971-05-06)
strumenti:
Detroit Symphony Orchestra (il 1971-05-06) e The Funk Brothers (il 1971-05-06)
voce di accompagnamento:
Lem Barney (il 1971-05-06), Mel Farr (il 1971-05-06) e Marvin Gaye (il 1971-05-06)
direttore d'orchestra:
David Van dePitte (il 1971-05-06)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1971)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1971-05-06)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 4), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 102) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
What’s Going On (il 1971-05-06)
paroliere e compositore:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) e Marvin Gaye
editore:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd. e Stone Agate Music Corp.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye4.23:51
3Do You Know the Way to San Jose
registrazione di:
Do You Know the Way to San Jose
paroliere:
Hal David (nel 1968)
compositore:
Burt Bacharach (nel 1968)
editore:
Blue Seas Music, Inc. e JAC Music Co., Inc.
Dionne Warwick2:55
4Summer Breeze
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e T-Neck Records, Inc. (for copyrights use only; for release labels, use “T-Neck”) (nel 1973)
edit di:
Summer Breeze di The Isley Brothers
registrazione cover di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Isley Brothers43:07
5Oh Happy Day
registrazione di:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
paroliere:
Philip Doddridge
compositore:
Edward Francis Rimbault (nel 1854)
arrangiatore:
Edwin Hawkins (nel 1967)
editore:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) e EMI United Partnership Ltd.
arrangiamento di:
Oh Happy Day
versione di:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers45:06
6Hey Joe (You Shot Your Woman Down)
Tim Rose4:52
7Aquarius / Let the Sunshine In (The Flesh Failures)
The 5th Dimension3:51
8Everybody’s Talkin’
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967)
prima pubblicazione:
Everybody’s Talkin’ di Nilsson (US singer-songwriter)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 51)
registrazione cover di:
Everybody’s Talkin’
paroliere e compositore:
Fred Neil
editore:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music e Third Story Music, Inc.
Harry Nilsson3.92:43
9Where Have All the Flowers Gone?
registrazione di:
Where Have All the Flowers Gone
paroliere e compositore:
Pete Seeger (nel 1955-10)
paroliere aggiunto:
Joe Hickerson (nel 1960-05)
editore:
Sanga Music, Inc. e The Bicycle Music Company (part of Concord Bicycle Music since 2015/04/01, overseeing publishing and rights management) (nel 1961)
Pete Seeger31:54
10Judy
John Renbourn1:54
11I Can’t Let Maggie Go
produttore:
P. Blumsom
batteria :
Peter Kircher (English rock/pop drummer)
chitarra :
Colin Hare
chitarra basso :
Ray Cane
voce principale:
Pete Dello
registrazione di:
I Can’t Let Maggie Go
paroliere e compositore:
Pete Dello
editore:
Ambassador Music Ltd.
Honeybus2:54
12Elusive Butterfly
registrazione di:
Elusive Butterfly
paroliere e compositore:
Bob Lind
editore:
Metric Music Ltd.
Bob Lind2:49
13Good Morning Starshine
registrazione di:
Good Morning Starshine (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Catalogue Partnership
parte di:
Hair (1967 musical)
Oliver53:37
14Angie
produttore:
Bill Leader
registrazione cover di:
Angi
compositore:
Davey Graham (British folk guitarist)
Bert Jansch3:08
15Shiloh Town
Tim Hardin3:09
16One
registrazione di:
One (nel 1968-03)
paroliere e compositore:
Harry Nilsson (US singer-songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Australia Pty. Ltd.
Harry Nilsson42:54
17Me and Bobby McGee
tecnico:
Phil Macy (50s-70s engineer)
produttore:
Paul Rothchild
batteria :
Clark Pierson (il 1970-09-25)
bonghi e congas ospite :
Bobbye Hall (il 1970-09-25)
bonghi ospite e congas ospite :
Bobbye Hall
chitarra :
John Till (rock guitarist) (il 1970-09-25)
chitarra acustica e voce principale:
Janis Joplin (il 1970-09-25)
chitarra basso :
Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25)
organo :
Ken Pearson (il 1970-09-25)
pianoforte :
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25)
tamburello ospite :
Sandra Crouch (il 1970-09-25)
voce di accompagnamento:
Phil Badella (il 1970-09-25), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (il 1970-09-25), Brad Campbell (bassist, member of Full Tilt Boogie) (il 1970-09-25), John Cooke (il 1970-09-25), Janis Joplin (il 1970-09-25), Vince Mitchell (il 1970-09-25), Ken Pearson (il 1970-09-25), Clark Pierson (il 1970-09-25) e John Till (rock guitarist) (il 1970-09-25)
esecutore:
Full Tilt Boogie (il 1970-09-25)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (il 1970-09-25)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 31) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 148)
registrazione cover di:
Me and Bobby McGee (il 1970-09-25)
paroliere e compositore:
Fred Foster e Kris Kristofferson
editore:
Combine Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Songs Ltd. e Keith Prowse Music Publishing Co. Ltd.
Janis Joplin4.34:29
18New World in the Morning
Roger Whittaker2:24
19Let’s Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men3:35
20Bringing on Back the Good Times
registrazione di:
Bringing on Back the Good Times
autore:
John Cokell e Phillip Goodhand-Tait
Love Affair3:25

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