Original Album Classics

~ Release by Duke Ellington (see all versions of this release, 1 available)

Tracklist

1▶CD: Hi-Fi Ellington Uptown
2▶CD: Such Sweet Thunder
3▼CD: Black Brown and Beige
#TitleArtistRatingLength
1Part I
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson8:17
2Part II
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson6:14
3Part III (Light)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson6:26
4Part IV (Come Sunday)
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-05)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (in 1958-02)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson7:58
5Part V (Come Sunday)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
solo violin:
Ray Nance (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson3:46
6Part VI (23rd Psalm)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
double bass:
Jimmy Woode (on 1958-02-11)
drums (drum set):
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
William “Cat” Anderson (on 1958-02-11), Harold “Shorty” Baker (on 1958-02-11), Ray Nance (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson3:08
7Track 360 (a.k.a. Trains) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
Duke Ellington & His Orchestra feat. Mahalia Jackson2:05
8Blues in Orbit (a.k.a. Tender) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Blues in Orbit
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington & His Orchestra feat. Mahalia Jackson2:42
9Part I (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson6:49
10Part II (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson6:38
11Part III (a.k.a. Light) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson3:08
12Part IV (a.k.a. Come Sunday) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Come Sunday (1958 revision with lyrics) (from 1958-02-04 until 1958-02-12)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson2:23
13Part V (a.k.a. Come Sunday) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson5:51
14Part VI (23rd Psalm) (alternate take)
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson1:59
15Studio Conversation
Duke Ellington & His Orchestra feat. Mahalia Jackson0:07
16Come Sunday (From Black, Brown & Beige) (a cappella)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
vocals:
Mahalia Jackson (from 1958-02-04 until 1958-02-12)
recording of:
Come Sunday (1958 revision with lyrics) (from 1958-02-04 until 1958-02-12)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington & His Orchestra feat. Mahalia Jackson5:47
17[silence]
[unknown]0:06
4▶CD: Anatomy of a Murder
5▶CD: First Time! The Count Meets the Duke

Credits

Release group

part of:Original Album Classics (Sony Music anthology series) (order: 4)