Radio 2 Top 2000 (Editie 2006)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Every Time I Think of You
recording engineer und Produzent(in):
Ron Nevison
assistierende(r) Techniker(in):
Mike Clink
Bass:
Jack Conrad (producer and songwriter)
Gitarre:
Wally Stocker
Klavier:
Kevin Kelly (piano, organ, accordion player)
Perkussion und Schlagzeug:
Tony Brock
Hintergrundgesang:
Diana Lee (credited mostly for backing vocals, does soprano too), Myrna Matthews und Marti McCall (session vocalist)
Sologesang:
John Waite
conductor:
Jimmy Haskell
Blechblasinstrumente [horns] arranger und Saiteninstrumente arranger:
Jimmy Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978, in 1979) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979)
recording of:
Every Time I Think of You
Verfasser(in):
Jack Conrad (producer and songwriter) (in 1978) und Ray Kennedy (singer, songwriter, and record producer based in L.A.) (in 1978)
publisher:
Ensign Music Corporation, Hudson Bay Music, Seven Summits Music und X‐Ray Music
The Babys4.353:59
2Perfect Day
Produzent(in):
David Bowie (English singer‐songwriter) und Mick Ronson (British guitarist)
Sologesang:
Lou Reed (in 1972-08)
arranger:
David Bowie (English singer‐songwriter), Lou Reed und Mick Ronson (British guitarist)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1972) und RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 334)
recording of:
Perfect Day (in 1972-08)
Texter und Komponist(in):
Lou Reed
publisher:
EMI Music Ltd., Oakfield Avenue Music, Oakfield Avenue Music Ltd. und Screen Gems–EMI Music Ltd.
Lou Reed4.33:41
3Like a Rolling Stone
recorded in:
New York, New York, Vereinigte Staaten (am 1965-06-15)
Produzent(in):
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.) (von 1965-07-15 bis 1965-07-16)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 4) und Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 16)
recording of:
Like a Rolling Stone (am 1965-06-15)
Texter und Komponist(in):
Bob Dylan (in 1965)
publisher:
M. Witmark & Sons, Sony/ATV Music Publishing (UK) Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) (von 1965 bis 1993) und Special Rider Music (vom 1993 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
adaptations:
Olet yksin taas
Bob Dylan4.456:08
4Verdronken vlinder
vocals:
Boudewijn de Groot
recording of:
Verdronken vlinder
Texter:
Lennaert Nijgh
Komponist(in):
Boudewijn de Groot
Boudewijn de Groot42:24
5Nine Million Bicycles
Techniker(in):
Steve Sale
Produzent(in):
Mike Batt
Bass:
Tim Harries
flute:
Adrian Brett
Geige / Violine:
Mike Darcy
Gitarre:
Jim Cregan (producer & member of Family), Katie Melua und Chris Spedding
Instrumente:
The Irish Film Orchestra
Klavier:
Mike Batt
Schlagzeug [drums]:
Henry Spinetti
Trompete:
Dominic Glover (composer, writer, trumpet, flugelhorn and brass)
vocals:
Katie Melua
conductor:
Mike Batt
arranger:
Mike Batt
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2015)
recording of:
Nine Million Bicycles
Texter und Komponist(in):
Mike Batt
publisher:
Dramatico
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Katie Melua2.853:13
6Why
recording of:
Why?
Texter und Komponist(in):
Arnold Mühren
The Cats4:01
7It’s a Long Way There
recorded in:
Melbourne, Victoria, Australien (von 1975-06 bis 1975-07)
Produzent(in):
Little River Band und Glenn Wheatley
Akustikgitarre:
Graham Goble (von 1975-06 bis 1975-07)
Bass:
Roger McLachlan (von 1975-06 bis 1975-07)
Gitarre:
Beeb Birtles (von 1975-06 bis 1975-07) und Rick Formosa (von 1975-06 bis 1975-07)
Schlagzeug:
Derek Pellicci (von 1975-06 bis 1975-07)
vocals:
Beeb Birtles (von 1975-06 bis 1975-07), Graham Goble (von 1975-06 bis 1975-07) und Glenn Shorrock (von 1975-06 bis 1975-07)
Saiteninstrumente arranger:
Rick Formosa
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1975, in 1982) und EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1999)
produced for:
Tumbleweed Productions
recording of:
It’s a Long Way There (von 1975-06 bis 1975-07)
geschrieben in:
Australien (in 1972)
Texter und Komponist(in):
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band4:10
8At Seventeen
Techniker(in):
Larry Alexander (producer/engineer), Brooks Arthur und Russ Payne
Produzent(in):
Brooks Arthur
Akustikgitarre:
Al Gorgoni (guitarist, composer, arranger, and producer), Janis Ian und Dave Snider (guitarist)
Flügelhorn:
Burt Collins
klassiche Gitarre:
Sal DiTroia und Janis Ian
Kontrabass:
Richard Davis (American jazz bassist)
Schlagzeug und Perkussion:
Barry Lazarowitz
Ventilposaune:
Alan Raph
Sologesang:
Janis Ian
Horn arranger:
Janis Ian
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1975)
recording of:
At Seventeen
Texter und Komponist(in):
Janis Ian (in 1974)
publisher:
EMI Blackwood Music Inc. und Mine Music Ltd.
Janis Ian4.254:42
9Versailles
recording of:
Versailles
Verfasser(in):
David Fairstein und Frédéric Mercier
White Soxx4:26
10American Woman
Assistent recording engineer:
Ed Schnabl und Russ Vestuto
recording engineer:
Brian Christian
Produzent(in):
Jack Richardson
arranger:
The Guess Who (Canadian rock band)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1969, in 1970) und BMG Music (in 1970)
aufgenommen bei:
RCA's Mid-America Recording Center (Chicago, 1935-1969) in Chicago, Illinois, Vereinigte Staaten
Bearbeitung von:
American Woman (original stereo mix) von The Guess Who (Canadian rock band)
recording of:
American Woman
Verfasser(in):
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale (original bassist for The Guess Who) und Garry Peterson (Canadian drummer for The Guess Who)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Bug Music Ltd., Bug Music, Inc., Cirrus Musik, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dunbar Music Inc., Hello Mr. Wilson, Shilleagh Music, Unichappell Music und Unichappell Music, Inc.
The Guess Who4.23:48
11Twilight Zone
Produzent(in):
Shell Schellekens
produced for:
Red Bullet Productions
recording of:
Twilight Zone
Texter und Komponist(in):
George Kooymans
publisher:
Nada Music (Dutch publisher) (in 1982) und Snamyook Music (publisher associated with George Kooymans) (in 1982)
Golden Earring44:37
12Dreadlock Holiday
Techniker(in):
Keith Bessey, Eric Stewart und Tony Spath
Produzent(in):
Graham Gouldman und Eric Stewart
Mix:
Eric Stewart
Agogô, Conga, cowbell, Marimba, Timbales und triangle:
Paul Burgess (UK rock drummer)
Bassgitarre, cabasa und Hintergrundgesang und Sologesang:
Graham Gouldman
E-Gitarre:
Rick Fenn und Graham Gouldman
Hybrid-Piano und Maracas / Rumba-Rasseln:
Eric Stewart
Orgel:
Rick Fenn und Eric Stewart
Schlagzeug und Tamburin:
Stuart Tosh
Synthesizer [Yamaha Cs80]:
Duncan Mackay (UK keyboardist/synthesizerist)
Hintergrundgesang:
Rick Fenn, Eric Stewart und Stuart Tosh
arranger:
10cc
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (not for release label use!) (in 1978)
aufgenommen bei und mixed at:
Strawberry Studios South in Dorking, Surrey, England, Vereinigtes Königreich
Musikvideos:
Dreadlock Holiday von 10cc
recording of:
Dreadlock Holiday
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. und St. Anne’s Music Ltd.
10cc4.654:26
13Cocaine
Produzent(in):
Audie Ashworth
phonographisches Urheberrecht (℗) von:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1976)
recording of:
Cocaine (in 1976)
Texter und Komponist(in):
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale3.352:52
14To Make My Life Beautiful
recording of:
To Make My Life Beautiful
Texter und Komponist(in):
Alex Harvey (American country singer of the early 70s)
Alex Harvey3:21
15They Don't Play That Lovesong Anymore
Produzent(in):
Martin Duiser
arranger:
Hans Hollestelle
phonographisches Urheberrecht (℗) von:
Arcade (Brussels-based branch of Dutch "Arcade" label that served the Benelux market; this is not an imprint!) (in 1985) und BMG Ariola Benelux BV (not for release label use!) (in 1987)
mixed at:
Soundpush II in Blaricum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
cover recording of:
They Don’t Play Our Love Song Anymore
Texter und Komponist(in):
Mike d’Abo (English singer‐songwriter, former frontman of Manfred Mann)
Anita Meyer3:39
16That Ole Devil Called Love
vocals:
Alison Moyet
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1985)
Musikvideos:
That Ole Devil Called Love von Alison Moyet
cover recording of:
That Ole Devil Called Love
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Alison Moyet33:03
17Never Ever
recording of:
Never Ever
Verfasser(in):
Robert Jazayeri (aka Esmail or Afshin Jazayeri), Shaznay Lewis und Sean Mather (US DJ and producer Sean Mather)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rickidy Raw Productions Inc. und STL Songs Ltd.
All Saints4:58
18Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:23
19You Needed Me
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978) und EMI Music Canada (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 63)
recording of:
You Needed Me (in 1978)
Texter und Komponist(in):
Randy Goodrum
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Ironside Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Australia Pty. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Anne Murray4.653:38
20The Family Tree
live recording of:
The Family Tree
Verfasser(in):
Kipp Lennon, Mark Lennon (lead singer of Venice), Michael Lennon und John Vester
Venice3:49
2▶CD
3▶CD: Bonus Disc Top 2000 Anderstalig

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Veröffentlichung

hergestellt in:Europa
design:The Partners (design studio in Amsterdam, Netherlands)
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:EMI Catalogue Marketing (in 2006)
Discogs:https://www.discogs.com/release/7125061 [Info]