Lebendig begraben

~ Release by Othmar Schoeck; Dietrich Fischer‐Dieskau, Deutsches Symphonie‐Orchester Berlin, Fritz Rieger (see all versions of this release, 1 available)

Annotation

Recorded in 1962.

Annotation last modified on 2026-05-19 05:16 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Lebendig begraben, op. 40: No. 1. Wie poltert es! Abscheuliches Geröll
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 1. Wie poltert es! Abscheuliches Geroll (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck4:01
2Lebendig begraben, op. 40: No. 2. Da lieg’ ich denn, ohnmächtiger Geselle
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 2. Da lieg' ich denn, ohnmächtiger Geselle (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:19
3Lebendig begraben, op. 40: No. 3. Ha! was ist das?
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 3. Ha! was ist das? (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:10
4Lebendig begraben, op. 40: No. 4. Läg’ ich, wo es Hyänen gibt
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 4. Läg' ich, wo es Hyänen gibt (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck1:05
5Lebendig begraben, op. 40: No. 5. Horch! Stimmen und Geschrei
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 5. Horch! Stimmen und Geschrei (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:42
6Lebendig begraben, op. 40: No. 6. Als endlich sie den Sarg hier abgesetzt
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 6. Als endlich sie den Sarg hier abgesetzt (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:24
7Lebendig begraben, op. 40: No. 7. Horch, endlich zittert es durch meine Bretter
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 7. Horch, endlich zittert es durch meine Bretter! (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:34
8Lebendig begraben, op. 40: No. 8. Da hab’ ich gar die Rose aufgegessen
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 8. Da hab' ich gar die Rose aufgegessen (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck1:36
9Lebendig begraben, op. 40: No. 9. Zwölf hat’s geschlagen
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 9. Zwölf hat's geschlagen (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck1:39
10Lebendig begraben, op. 40: No. 10. Ja, hätt’ ich ein verlassnes Liebchen nun
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 10. Ja, hätt' ich ein verlassnes Liebchen nun (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:37
11Lebendig begraben, op. 40: No. 11. Wie herrlich wär’s, zerschnittner Tannenbaum
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 11. Wie herrlich wär's (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck3:16
12Lebendig begraben, op. 40: No. 12. Der erste Tannenbaum, den ich gesehn
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 12. Der erste Tannenbaum, den ich gesehn (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck5:01
13Lebendig begraben, op. 40: No. 13. Der schönste Tannenbaum, den ich gesehn
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 13. Der schönste Tannenbaum, den ich gesehn (in 1962-02)
lyricist:
Hermann Hesse (German‐Swiss poet, novelist, and painter) and Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck2:48
14Lebendig begraben, op. 40: No. 14. Und wieder schlägt’s
producer:
Hans Ritter
celesta:
Alfred Hecker (in 1962-02)
organ:
Wolfgang Meyer (organist, harpsichordist) (in 1962-02)
piano:
Felix Schröder (in 1962-02)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1962-02)
choir vocals:
Singchor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1962-02)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1962-02)
conductor:
Fritz Rieger (conductor) (in 1962-02)
balance engineer:
Harald Baudis (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1962-02)
recording of:
Lebendig begraben, op. 40: 14. Und wieder schlägt's ein Viertel erst (in 1962-02)
lyricist:
Gottfried Keller (Swiss writer, † 1890)
composer:
Othmar Schoeck (Swiss composer)
Othmar Schoeck5:10