The Most Beautiful Melodies of the Century

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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Titelliste

1▶Kassette: Unforgettable Melodies / Golden Evergreens
2▼Kassette: Masters of Mood and Melody / Romantic Favourites
Nr.TitelKünstlerBewertungLänge
C1Embraceable You
instrumental recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Hill Bowen and His Orchestra2:32
C2Bess, You Is My Woman Now
Klavier:
Gordon Langford (English composer, arranger and pianist) und Ronnie Price
instrumental recording of:
Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp
basiert auf:
Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”
Ronnie Price and Gordon Langford with The Romantic Strings and Orchestra3:22
C3Night and Day
vocals:
The Stardust Voices
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
The Stardust Voices3:19
C4So in Love
vocals:
Lorna Dallas und Jim Smilie
conductor:
Gordon Langford (English composer, arranger and pianist)
phonographisches Urheberrecht (℗) von:
The Reader’s Digest Association Limited (not for release label use!) (in 1978)
recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Lorna Dallas and Jim Smilie with Orchestra conducted by Gordon Langford3:38
C5I Get a Kick Out of You
Klavier:
Frank Horrox
instrumental recording of:
I Get a Kick Out of You
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Frank Horrox, His Piano and Orchestra2:52
C6True Love
Klavier:
Ronnie Aldrich (pianist)
instrumental recording of:
True Love (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Ronnie Aldrich with Wally Stott and His Orchestra3:09
C7In the Still of the Night
instrumental recording of:
In the Still of the Night (Cole Porter song)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Daniel Michaels and His Orchestra2:55
C8Oh, What a Beautiful Mornin’
vocals:
Ivor Emmanuel
phonographisches Urheberrecht (℗) von:
The Reader’s Digest Association Limited (not for release label use!) (in 1961)
recording of:
Oh, What a Beautiful Mornin’ (Oklahoma!)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company, Williamson Music Ltd. und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
Ivor Emmanuel with Richard Benson and His Orchestra3:08
C9Smoke Gets in Your Eyes
Klavier:
Henry Mancini (US composer, conductor & arranger)
instrumental recording of:
Smoke Gets in Your Eyes
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Henry Mancini, His Piano and Orchestra2:44
C10Ol’ Man River
vocals:
Ivor Emmanuel
phonographisches Urheberrecht (℗) von:
The Reader’s Digest Association Limited (not for release label use!) (in 1961)
recording of:
Ol’ Man River (Show Boat)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
Komponist(in):
Jerome Kern (in 1927)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) und T.B. Harms Co. (am 1927-11-30)
Teil von:
Show Boat (1951 film)
Teil von:
Show Boat: Act I
Ivor Emmanuel with Richard Benson and His Orchestra3:28
C11Top Hat, White Tie and Tails
instrumental recording of:
Top Hat, White Tie and Tails (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
Teil von:
Top Hat (1935 film)
Johnny Gibbs and His Orchestra2:49
C12Cheek to Cheek
instrumental recording of:
Cheek to Cheek (from “Top Hat”)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Ken Thorne and His Orchestra2:53
C13Alexander’s Ragtime Band
instrumental recording of:
Alexander’s Ragtime Band
Texter und Komponist(in):
Irving Berlin (in 1911)
publisher:
Williamson Music, Inc.
Alan Copeland and His Orchestra3:27
C14My Heart Belongs to Daddy
vocals:
Julie Dawn
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Julie Dawn with Roland Shaw and His Orchestra3:00
D1La Mer
instrumental recording of:
La Mer
Texter:
Charles Trenet (in 1945)
Komponist(in):
Albert Lasry (French pianist, orchestra leader and composer) (in 1945) und Charles Trenet (in 1945)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Robert Bentley and His Orchestra2:58
D2Speak to Me of Love (Parlez‐moi d’amour)
Orchester:
Robert Bentley and His Orchestra
conductor:
Robert Bentley (conductor)
instrumental cover recording of:
Parlez‐moi d’amour
Texter:
Jean Lenoir
Verfasser(in):
Jean Bernard Neuberger
Komponist(in):
Jean Lenoir (in 1930)
publisher:
Éditions Meridian und Éditions Semi (SEMI Société)
Robert Bentley and His Orchestra3:03
D3Medley: Torna a Surriento / Santa Lucia
medley including a instrumental recording of:
Santa Lucia (original traditional Neapolitan song)
Texter und Komponist(in):
[traditional] (special purpose artist)
Übersetzer:
Teodoro Cottrau (composer)
medley including a instrumental recording of:
Torna a Surriento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
Robert Bentley and His Orchestra3:39
D4Volare
instrumental recording of:
Volare (Nel blu dipinto di blu) (English lyrics)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Hill Bowen and His Orchestra3:08
D5September Song
instrumental recording of:
Knickerbocker Holiday: September Song
Texter:
Maxwell Anderson
Komponist(in):
Kurt Weill (composer)
publisher:
Hampshire House Publishing Corp., Warner/Chappell (Warner/Chappell Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Chappell & Co. (in 1938), TRO-Hampshire House Publishing Corp. (in 1938) und Crawford Music Corp. (am 1938-09-24)
Teil von:
Knickerbocker Holiday (Kurt Weill musical)
Douglas Gamley and His Orchestra3:32
D6Let It Be Me
instrumental recording of:
Let It Be Me
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Mann Curtis
publisher:
BMG Music Publishing France, EMA-Suisse, Leeds Music Corp., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
übersetzte Version von:
Je t’appartiens
Perry Botkin Jr and His Orchestra2:13
D7If You Go Away
instrumental recording of:
If You Go Away
Texter und Komponist(in):
Jacques Brel
Übersetzer:
Rod McKuen
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) und Intersong Paris S.A.
übersetzte Version von:
Ne me quitte pas (original French version)
Pete King and His Orchestra2:17
D8My Way
instrumental recording of:
My Way (Frank Sinatra song)
Texter:
Paul Anka (Canadian singer, songwriter and actor)
Komponist(in):
Claude François und Jacques Revaux
vorher zugeschrieben zu:
Gilles Thibaut
Übersetzer:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
übersetzte Version von:
Comme d’habitude
Christian Colombier and His Orchestra4:25
D9It’s Now or Never
instrumental recording of:
It’s Now or Never
Texter:
Wally Gold und Aaron Schroeder (1950s~1960s US songwriter)
Komponist(in):
Eduardo Di Capua
publisher:
A. Schroeder, Carlin Music Corporation, Cherry River Music, Chrysalis Music (music publisher, ASCAP-affiliated), Gladys Music, Gladys Music Inc., Rachel’s Own Music und Williamson Music Company
Version von:
’O sole mio
Leslie Lewis and His Orchestra2:08
D10Medley: Under Paris Skies / Petite Waltz
medley including a recording of:
Petite Waltz
Komponist(in):
Joe Heyne (Belgian 20th century varieté band leader)
medley including a instrumental recording of:
Under Paris Skies (English version of “Sous le ciel de Paris”)
Texter:
Jean Dréjac
Komponist(in):
Hubert Giraud
Übersetzer:
Kim Gannon
publisher:
Choudens Paul (DE)
übersetzte Version von:
Sous le ciel de Paris (Under Paris Skies, original French version)
Hill Bowen and His Orchestra3:04
D11What Now My Love?
Klavier:
Ronnie Price
instrumental recording of:
What Now My Love
Texter:
Pierre Delanoë
Komponist(in):
Gilbert Bécaud
Übersetzer:
Carl Sigman
publisher:
BMG Songs, Inc., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music), Remick Music Corp. und Warner Chappell Music, Inc.
übersetzte Version von:
Et maintenant
Ronnie Price with The Romantic Strings and Orchestra2:39
D12Yesterday When I Was Young
instrumental recording of:
Yesterday When I Was Young
Texter und Komponist(in):
Charles Aznavour
Übersetzer:
Herbert Kretzmer
übersetzte Version von:
Hier encore
Syd Dale and His Orchestra2:45
D13As Time Goes By
Klavier:
Henry Mancini (US composer, conductor & arranger)
instrumental recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Henry Mancini, His Piano and Orchestra2:23
D14Three Coins in the Fountain
instrumental recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1954 winner)
Malcolm Lockyer and His Orchestra2:30
3▶Kassette: A World of Melody / Movie Magic
4▶Kassette: Timeless Favourites / Today’s Golden Memories

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von:The Reader’s Digest Association Limited (not for release label use!) (in 1985)