American Songbook Series: Waller / Razaf

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1I’m Crazy ’Bout My Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1931-03-05)
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-05)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-05)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-05) und Ted Lewis (am 1931-03-05)
Klavier:
Fats Waller (am 1931-03-05)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-05)
Kornett:
Muggsy Spanier (am 1931-03-05)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-05) und George Brunies (am 1931-03-05)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-05)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-05)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-05) und Muggsy Spanier (am 1931-03-05)
vocals:
Fats Waller (am 1931-03-05)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1931-03-05)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
Ted Lewis and His Band with Fats Waller3:10
2Louisiana
recorded in:
New York, New York, Vereinigte Staaten (am 1928-04-23)
vocals:
Bing Crosby (am 1928-04-23)
Orchester:
Paul Whiteman and His Orchestra (am 1928-04-23)
recording of:
Louisiana (am 1928-04-23)
Texter:
Andy Razaf und Bob Schafer
Komponist(in):
J.C. Johnson
Bing Crosby2:59
3(What Did I Do to Be So) Black and Blue
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-01)
vocals:
Ethel Waters (am 1930-04-01)
recording of:
Black and Blue (am 1930-04-01)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
Ethel Waters3:04
4A Porter’s Love Song to a Chambermaid
recorded in:
New York, New York, Vereinigte Staaten (am 1931-03-25)
alto saxophone:
Fred Skerritt (am 1931-03-25)
Gitarre:
Goldie Lucas (am 1931-03-25)
Klavier:
James P. Johnson (am 1931-03-25)
Kontrabass:
Richard Fullbright (am 1931-03-25)
Posaune:
Fernando Arbello (am 1931-03-25)
Schlagzeug:
Bill Beason (am 1931-03-25)
Tenorsaxophon:
Henry L. Jones (swing era reeds) (am 1931-03-25) und Bingie Madison (am 1931-03-25)
Trompete:
Ward Pinkett (am 1931-03-25)
vocals:
Andy Razaf (am 1931-03-25)
recording of:
A Porter's Love Song to a Chambermaid (am 1931-03-25)
Texter:
Andy Razaf
Komponist(in):
James P. Johnson
Andy Razaf3:27
5I’ve Got a Feeling I’m Falling
recorded in:
New York, New York, Vereinigte Staaten (am 1929-05-09)
vocals:
Annette Hanshaw (am 1929-05-09)
Orchester:
The New Englanders (am 1929-05-09)
recording of:
I’ve Got a Feeling I’m Falling (am 1929-05-09)
Texter:
Billy Rose (lyricist and Broadway producer)
Komponist(in):
Harry Link (US vaudeville actor & songwriter) und Fats Waller
Annette Hanshaw2:58
6Ain’tcha Glad?
recorded in:
New York, New York, Vereinigte Staaten (am 1933-10-18)
vocals:
Jack Teagarden (am 1933-10-18)
Orchester:
Benny Goodman and His Orchestra (am 1933-10-18)
recording of:
Ain't-Cha! Glad? (am 1933-10-18)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
Benny Goodman and His Orchestra feat. Jack Teagarden3:28
7Willow Tree
recorded in:
New York, New York, Vereinigte Staaten (am 1935-12-06)
alto saxophone:
Johnny Hodges (am 1935-12-06)
Klavier:
Teddy Wilson (am 1935-12-06)
Kontrabass:
Grachan Moncur II (bassist) (am 1935-12-06)
Trompete:
Bunny Berigan (am 1935-12-06)
vocals:
Mildred Bailey (am 1935-12-06)
recording of:
Willow Tree (am 1935-12-06)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
Mildred Bailey & Her Alley Cats3:20
8If It Ain’t Love
recorded in:
New York, New York, Vereinigte Staaten (am 1932-06-14)
Klavier:
Larry Murphy (am 1932-06-14)
vocals:
Larry Murphy (am 1932-06-14)
Orchester:
Joe Haymes and His Orchestra (am 1932-06-14)
recording of:
If It Ain’t Love
Verfasser(in):
Andy Razaf, Don Redman und Fats Waller
Joe Haymes & His Orchestra3:23
9Christopher Columbus
recorded in:
New York, New York, Vereinigte Staaten (am 1936-04-08)
Gitarre:
Al Casey (US jazz/soul guitarist) (am 1936-04-08)
Klavier:
Fats Waller (am 1936-04-08)
Kontrabass:
Charles Turner (US jazz bassist, active 1930s) (am 1936-04-08)
Rohrblattinstrumente:
Gene Sedric (am 1936-04-08)
Schlagzeug:
Arnold Boling (am 1936-04-08)
Trompete:
Herman Autrey (Jazz trumpet player) (am 1936-04-08)
vocals:
Fats Waller (am 1936-04-08)
recording of:
Christopher Columbus (am 1936-04-08)
Texter:
Andy Razaf
Komponist(in):
Leon “Chu” Berry
Fats Waller and His Rhythm2:56
10It’s You
recorded in:
New York, New York, Vereinigte Staaten (am 1931-07-15)
alto saxophone und Klarinette:
Jimmy Dorsey (am 1931-07-15)
Geige / Violine:
Joe Venuti (am 1931-07-15)
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1931-07-15)
Klavier:
Arthur Schutt (am 1931-07-15)
Kontrabass:
Joe Tarto (am 1931-07-15)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1931-07-15)
Schlagzeug:
Stan King (Big band-era drummer) (am 1931-07-15)
Trompete:
Manny Klein (am 1931-07-15)
vocals:
Boswell Sisters (am 1931-07-15)
recording of:
I'm Now Prepared to Tell the World (It's You) (am 1931-07-15)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
The Boswell Sisters3:05
11That’s What I Like ’Bout the South
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1937-03-31)
vocals:
Phil Harris (US singer, songwriter, jazz musician, actor and comedian) (am 1937-03-31)
Orchester:
Phil Harris and His Orchestra (am 1937-03-31)
recording of:
That’s What I Like ’Bout the South (am 1937-03-31)
Verfasser(in):
Andy Razaf
Phil Harris and His Orchestra2:50
12Stompin’ At the Savoy
recorded in:
New York, New York, Vereinigte Staaten (am 1936-06-12)
vocals:
Judy Garland (am 1936-06-12)
Orchester:
Bob Crosby and His Orchestra (am 1936-06-12)
recording of:
Stompin’ at the Savoy (am 1936-06-12)
Texter:
Andy Razaf
Komponist(in):
Benny Goodman (clarinetist and bandleader), Edgar Sampson und Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Judy Garland42:26
13Big Chief de Sota
recorded in:
New York, New York, Vereinigte Staaten (am 1936-05-25)
vocals:
Sterling Bose (am 1936-05-25) und Al Bowlly (am 1936-05-25)
Orchester:
Ray Noble and His Orchestra (am 1936-05-25)
recording of:
Big Chief de Soto (am 1936-05-25)
Texter:
Andy Razaf
Komponist(in):
Fernando Arbello
Ray Noble and His Orchestra3:31
14Honeysuckle Rose
vocals:
Lena Horne
recording of:
Honeysuckle Rose
Texter:
Andy Razaf (in 1928)
Komponist(in):
Fats Waller (in 1928)
publisher:
Intersong Music
Teil von:
New York, New York (1977 musical film soundtrack)
Teil von:
Thousands Cheer (1943 movie)
Lena Horne2:53
15Blue Turning Grey Over You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1946)
vocals:
Frankie Laine (in 1946)
Interpret(in):
Carl Fischer's Swingtet (in 1946)
recording of:
Blue, Turning Grey Over You (in 1946)
Texter:
Andy Razaf
Komponist(in):
Thomas Waller (Fats Waller)
Frankie Laine3:01
16Memories of You
Orchester:
Vaughn Monroe and His Orchestra (am 1947-10-07)
recording of:
Memories of You (am 1947-10-07)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
Vaughn Monroe & His Orchestra3:18
17Ain’t Misbehavin’
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (am 1950-05-18)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
Sarah Vaughan3:00
18S’posin’
recorded in:
New York, New York, Vereinigte Staaten (in 1956)
alto saxophone:
Jerome Richardson (in 1956)
Klarinette:
Buster Bailey (clarinetist) (in 1956)
Klavier:
Dick Hyman (jazz pianist) (in 1956)
Schlagzeug:
Osie Johnson (in 1956)
Trompete:
Charlie Shavers (in 1956)
vocals:
Maxine Sullivan (jazz singer) (in 1956)
recording of:
S’posin’ (in 1956)
Texter:
Andy Razaf
Komponist(in):
Paul Denniker
publisher:
Mayfair Music Corp.
Maxine Sullivan3:18
19All That Meat and No Potatoes
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-27)
vocals:
Louis Armstrong (am 1955-04-27) und Velma Middleton (am 1955-04-27)
Orchester:
Louis Armstrong and His All Stars (am 1955-04-27)
recording of:
All That Meat and No Potatoes
Texter und Komponist(in):
Ed Kirkeby (also known as Ed Lloyd and Ted Wallace) und Fats Waller
Louis Armstrong & Velma Middleton5:19
20Jitterbug Waltz
recorded in:
New York, New York, Vereinigte Staaten (am 1957-11-20)
vocals:
Dinah Washington (am 1957-11-20)
Orchester:
Ernie Wilkins Orchestra (am 1957-11-20)
recording of:
Jitterbug Waltz (lyrics by Grean and Manners) (am 1957-11-20)
Texter:
Charles R. Grean und Maxine Manners
Komponist(in):
Fats Waller
Version von:
Jitterbug Waltz
Dinah Washington1:51
21You’re Lucky to Me
Gitarre:
Bucky Pizzarelli (in 1971)
Instrumente:
Don Lamond (in 1971)
Klarinette:
Johnny Mince (in 1971)
Klavier:
Dick Hyman (jazz pianist) (in 1971)
Kontrabass:
George Duvivier (in 1971)
Posaune:
Buddy Morrow (in 1971)
Trompete:
Rusty Dedrick (in 1971)
vocals:
Lee Wiley (in 1971)
arranger:
Rusty Dedrick
recording of:
You’re Lucky to Me (in 1971)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
Lee Wiley3:42
22Keeping Out of Mischief Now
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1964)
vocals:
Sammy Davis Jr. (in 1964)
Orchester:
Count Basie and His Orchestra (in 1964)
recording of:
Keepin’ Out of Mischief Now (in 1964)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
publisher:
Anne-Rachel Music Corp., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Razaf Music
Sammy Davis Jr.2:55
23Gee Baby, Ain’t I Good to You?
recorded in:
New York, New York, Vereinigte Staaten (in 1994)
Klavier:
Torrie Zito (in 1994)
vocals:
Helen Merrill (in 1994)
recording of:
Gee, Baby Ain’t I Good to You (in 1994)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
Helen Merrill2:49

Nennungen

Veröffentlichung

leitende(r) Produzent(in):Bruce Talbot
Partner-Produzent(in):Dennis Britton
Produzent(in):Dwight Blocker Bowers (Aufgabe: series)
assistierendes Editing:Amy Pickworth
mastering:Frank Abbey (engineer / producer)
design:Joe Yacinski
booklet editor:Jane Sapp
artwork:Ed Lee (design, photography, art direction) (Aufgabe: cover concept)
Allmusic:https://www.allmusic.com/album/release/mr0001459346 [Info]

Veröffentlichungsgruppe

Teil von:American Songbook Series (Reihenfolge: 14)