Baroque Gold: 100 Great Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD
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#TitleArtistRatingLength
1Trumpet Voluntary
producer:
Chris Hazell (in 1990-11)
brass:
Michael Laird Brass Ensemble
organ:
Peter Hurford (organist) (in 1990-11)
orchestra:
Michael Laird Brass Ensemble (in 1990-11)
arranger:
Peter Hurford (organist)
balance engineer:
Simon Eadon (classical music engineer) (in 1990-11)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1991)
recorded at:
Ratzeburger Dom in Ratzeburg, Schleswig-Holstein, Germany (in 1990-11)
recording of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary” - catch-all for arrangements) (in 1990-11)
composer:
Jeremiah Clarke (English baroque composer and organist)
arrangement of:
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
Jeremiah Clarke2:58
2La Sonnerie de Sainte-Geneviève du mont de Paris
producer:
Nicholas Parker (Production music composer) (in 1982-06)
violin:
Monica Huggett (violinist) (in 1982-06)
violin [Bass Viol]:
Christophe Coin (cellist) (in 1982-06)
orchestra:
Academy of Ancient Music (in 1982-06)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1982-06)
recording of:
Sonnerie de Ste. Geneviève du Mont-de-Paris (in 1982-06)
composer:
Marin Marais (French composer) (in 1723)
Marin Marais8:10
3Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:33
4Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part) (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Johann Sebastian Bach0:16
5Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
recording engineer:
Jonathan Stokes (engineer) (in 1993-03)
producer:
Chris Sayers (producer)
orchestra:
New London Consort (in 1993-03)
conductor:
Philip Pickett (musician) (in 1993-03)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1993-03)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1993-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach4:43
6Violin Concerto in F major, op. 8, no. 3, RV. 293 "L'autunno": I. Allegro (Ballo, e canto de' villanelli)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Alison Bury (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: I. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi5:01
7Violin Concerto in F major, op. 8, no. 3, RV. 293 "L'autunno": II. Adagio molto (Ubriachi dormienti)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Alison Bury (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: II. Adagio molto (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi2:19
8Violin Concerto in F major, op. 8, no. 3, RV. 293 "L'autunno": III. Allegro (La caccia)
producer:
Peter Wadland (producer)
guitar:
Nigel North (English lute player) (from 1982-11 until 1982-12)
solo violin:
Alison Bury (violinist) (from 1982-11 until 1982-12)
orchestra:
Academy of Ancient Music (from 1982-11 until 1982-12)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-11 until 1982-12)
balance engineer:
John Dunkerley (engineer) (from 1982-11 until 1982-12)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-11 until 1982-12)
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro (from 1982-11 until 1982-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:11
9Gloria in D major, RV589: I. Gloria in e majorxcelsis
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer)
choir vocals:
Christ Church Cathedral Choir, Oxford (in 1978-07)
orchestra:
Academy of Ancient Music (in 1978-07)
conductor:
Simon Preston (organist, conductor, composer) (in 1978-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1978-07)
recording of:
Gloria in D major, RV 589: I. Gloria in excelsis Deo (in 1978-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Gloria in D major, RV 589
Antonio Vivaldi32:24
10Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo
producer:
Chris Sayers (producer)
harpsichord:
Christophe Rousset (French harpsichordist & conductor) (from 1994-08-12 until 1994-08-14)
orchestra:
Academy of Ancient Music (from 1994-08-12 until 1994-08-14)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1994-08-12 until 1994-08-14)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1994-08-12 until 1994-08-14)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo (from 1994-08-12 until 1994-08-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
Johann Sebastian Bach2:52
11Samson, HWV 57: Let the bright seraphim
engineered in:
Watford, Hertfordshire, England, United Kingdom (from 2003-11-15 until 2003-11-24)
producer:
Andrew Cornall (engineer / producer) (from 2003-11-15 until 2003-11-24)
cello:
Richard Tunnicliffe (cello and viol player) (from 2003-11-15 until 2003-11-24)
harpsichord:
Alastair Ross (organist and harpsichordist) (from 2003-11-15 until 2003-11-24)
theorbo:
Elizabeth Kenny (lutenist) (from 2003-11-15 until 2003-11-24)
trumpet:
David Blackadder (trumpet player) (from 2003-11-15 until 2003-11-24)
soprano vocals:
Renée Fleming (soprano) (from 2003-11-15 until 2003-11-24)
orchestra:
Orchestra of the Age of Enlightenment (from 2003-11-15 until 2003-11-24)
conductor:
Harry Bicket (harpsichordist, organist and conductor) (from 2003-11-15 until 2003-11-24)
balance engineer:
Tom Lazarus (from 2003-11-15 until 2003-11-24)
recorded at:
Watford Colosseum (fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 2003-11-15 until 2003-11-24)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman) (from 2003-11-15 until 2003-11-24)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel5:37
12Violin Concerto in E major, op. 8, no. 1, RV. 269 "La Primavera" (Arr. for Recorder): I. Allegro
engineer and mixer:
Philip Siney (sound engineer)
producer:
Alexander Van Ingen
editor:
Claire Hay and Alexander Van Ingen
solo sopranino recorder:
Lucie Horsch (flutist) (from 2016-07-07 until 2016-07-12)
recorded at:
Gerardus Majellakerk in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2016-07-07 until 2016-07-12)
recording of:
Le Printems de Vivaldi arrangé pour une Flute sans accompagnement: I. Allegro (for recorder, arr. Rousseau) (from 2016-07-07 until 2016-07-12)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
recorder arranger:
Jean‐Jacques Rousseau (in 1775)
arrangement of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro
part of:
Le Printems de Vivaldi arrangé pour une Flute sans accompagnement (for recorder, arr. Rousseau)
Antonio Vivaldi3:52
13Stabat Mater: I. Stabat Mater
engineer:
John Dunkerley (engineer)
producer:
Peter Wadland (producer) (in 1988-08)
editor:
Matthew Hutchinson (engineer / editor)
countertenor vocals:
James Bowman (UK countertenor) (in 1988-08)
soprano vocals:
Emma Kirkby (soprano) (in 1988-08)
orchestra:
Academy of Ancient Music (in 1988-08)
conductor:
Christopher Hogwood (conductor, harpsichordist) (in 1988-08)
balance engineer:
John Dunkerley (engineer) (in 1988-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1988-08)
recording of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa (in 1988-08)
composer:
Giovanni Battista Pergolesi (composer)
part of:
Stabat Mater for soprano, alto, strings and basso continuo
Giovanni Battista Pergolesi4:29
14Venus & Adonis (Ed. Bruce Wood for the Early English opera Society): Overture
producer:
Chris Sayers (producer) (in 1992-09)
orchestra:
New London Consort (in 1992-09)
conductor:
Philip Pickett (musician) (in 1992-09)
balance engineer:
Simon Eadon (classical music engineer) (in 1992-09)
recording of:
Venus and Adonis: Overture (in 1992-09)
composer:
John Blow (English composer) (until 1683)
part of:
Venus and Adonis
John Blow4:32
15Christmas Oratorio, BWV 248: No. 10, Sinfonia
producer:
Peter Wadland (producer)
orchestra:
Academy of Ancient Music (from 1982-06 until 1982-07)
conductor:
Christopher Hogwood (conductor, harpsichordist) (from 1982-06 until 1982-07)
balance engineer:
John Dunkerley (engineer)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1982-06 until 1982-07)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (from 1982-06 until 1982-07)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:17
16"Wachet auf, ruft uns die Stimme" Cantata, BWV 140: "Wachet auf, ruft uns die Stimme"
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Karl-August Naegler (balance engineer)
oboe:
Richard Earle (oboist) (in 1990-03) and Anthony Robson (oboist) (in 1990-03)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1990-03)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1990-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1990-03)
balance engineer:
Ulrich Vette (engineer)
recorded at:
St. Andrews Church (Fontmell Magna) in Dorset, England, United Kingdom (in 1990-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (in 1990-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:17
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Credits

Release

manufactured in:Czechia
copyrighted (©) by and phonographic copyright (℗) by:Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2017)
licensed to:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only)
Discogs:https://www.discogs.com/release/11504560 [info]
ASIN:DE: B06Y1Q1XVF [info]
discography entry:http://www.deccaclassics.com/au/cat/4832158 [info]