Britten on Film

~ Pubblicazione di Benjamin Britten (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

This disc is also released in Britten: The complete works as disc 30 by Decca, also disc 10 in the stage works

Annotazione modificata l'ultima volta il 2017-01-29 16:25 UTC.

Elenco tracce

1CD
#TitoloValutazioneDurata
1Night Mail: Title Music
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
Night Mail
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:47
2Night Mail: Percussion Sequence
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
Night Mail
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:56
3Night Mail: End Sequence
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
Night Mail
compositore:
Benjamin Britten (English composer, conductor, and pianist)
4:11
4The Tocher (Rossini Suite): 1. Allegro brillante
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
Choir of King Edward's Boys School, Birmingham
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione di:
Rossini Suite: I. March. Allegro brillante
orchestratore:
Benjamin Britten (English composer, conductor, and pianist)
compositore:
Gioachino Rossini (composer)
editore:
Boosey & Hawkes Music Publishers, Ltd
1:54
5The Tocher (Rossini Suite): 2. Allegretto
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
Choir of King Edward's Boys School, Birmingham
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione di:
Rossini Suite: II. Canzonetta. Allegretto
orchestratore:
Benjamin Britten (English composer, conductor, and pianist)
compositore:
Gioachino Rossini (composer)
editore:
Boosey & Hawkes Music Publishers, Ltd
2:21
6The Tocher (Rossini Suite): 3. Allegretto
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
Choir of King Edward's Boys School, Birmingham
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione di:
Rossini Suite: III. Allegretto
orchestratore:
Benjamin Britten (English composer, conductor, and pianist)
compositore:
Gioachino Rossini (composer)
editore:
Boosey & Hawkes Music Publishers, Ltd
2:02
7The Tocher (Rossini Suite): 4. Bolero: Allegro moderato
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
Choir of King Edward's Boys School, Birmingham
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione di:
Rossini Suite: IV. Bolero. Allegro moderato
orchestratore:
Benjamin Britten (English composer, conductor, and pianist)
compositore:
Gioachino Rossini (composer)
editore:
Boosey & Hawkes Music Publishers, Ltd
2:01
8The Tocher (Rossini Suite): 5. Allegro con brio
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
Choir of King Edward's Boys School, Birmingham
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione di:
Rossini Suite: V. Allegro con brio
orchestratore:
Benjamin Britten (English composer, conductor, and pianist)
compositore:
Gioachino Rossini (composer)
editore:
Boosey & Hawkes Music Publishers, Ltd
1:23
9The King's Stamp: Part 1, Allegro molto alla marcia
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:39
10The King's Stamp: Part 1, Allegro: Opening Door
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
2:21
11The King's Stamp: Part 1, Allegretto: Messenger Boy
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:41
12The King's Stamp: Part 1, Lento ma non troppo: Entry To Lithograph Works
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:47
13The King's Stamp: Part 1, Allegro moderato: Stamp Factory - Machine Starts
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
2:48
14The King's Stamp: Part 2, Minuet: Andante Lento
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:56
15The King's Stamp: Part 2, Allegretto: Train Sequence
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:37
16The King's Stamp: Part 2, Allegretto: Parliament - The Stamp Bill
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:53
17The King's Stamp: Part 2, Allegro
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:12
18The King's Stamp: Part 2, Allegro moderato alla marcia
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:23
19Negroes - Music from GPO Film: Allegro appassionato - Title Music - 1. Allegro - "In the Middle Ages"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
3:01
20Negroes - Music from GPO Film: 2. Allegro - "Then the Portuguese and Spaniards"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:04
21Negroes - Music from GPO Film: 3. Allegro ritmico - "At the Mouth of the Senegal"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:04
22Negroes - Music from GPO Film: 4. Andante con moto - "To Sail From Africa to Jamaica"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:09
23Negroes - Music from GPO Film: "The Slaves Were the Absolute Property of Their Masters"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:58
24Negroes - Music from GPO Film: 5. Andante lento -"The More Advanced Thinkers in Europe"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:32
25Negroes - Music from GPO Film: 6. Andante con molto moto - "Still at Their Accustomed Hour"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
3:26
26Negroes - Music from GPO Film: 7. Allegro ritmico - "Coffee From the Blue Mountains"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di soprano solista:
Mary Carewe (British singer)
voce di tenore solista:
Daniel Auchincloss
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:55
27The Way to the Sea: Introduction
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:34
28The Way to the Sea: Romans
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:39
29The Way to the Sea: Alfred
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:48
30The Way to the Sea: "There Is, at This Point of the Haven"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
1:28
31The Way to the Sea: "The Eighteenth Century"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
1:19
32The Way to the Sea: "Nelson Has Gone"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:56
33The Way to the Sea: "169 Trains a Week"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:41
34The Way to the Sea: "The Line Waits"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
2:56
35The Way to the Sea: "Here Is a Harbour"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
3:01
36The Way to the Sea: "We Seek a Spectacle"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
1:16
37The Way to the Sea: Allegro molto - alla marcia
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione parziale di:
The Way to the Sea
compositore:
Benjamin Britten (English composer, conductor, and pianist)
1:55
38Telegrams
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
Choir of King Edward's Boys School, Birmingham
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
2:35
39Peace of Britain
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:33
40Men Behind the Meters: Title Music
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:22
41Men Behind the Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:35
42Men Behind the Meters: Allegro moderato: 1935 Sequence
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:20
43Coal Face: 1. Andante: "A Sterile Landscape"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:40
44Coal Face: 2. "Coal Mining Is the Basic Industry of Britain"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:11
45Coal Face: 3. Andante: "The Chief Coal-Producing Centres"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:42
46Coal Face: 4. "Yorkshire and Lancashire"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:01
47Coal Face: 5. Moderato: "The Temp'rature Often Reaches"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:29
48Coal Face: 6. Andante: "The Seven and a Half Hour Shift"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:48
49Coal Face: 7. Ad Libitum Sempre: "One Thirty A.M."
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:50
50Coal Face: 8. Allegro ma non troppo: "In Many Pits"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
1:05
51Coal Face: 9. Allegro molto: "The Shift Is Finished"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
strumenti e orchestra:
Birmingham Contemporary Music Group
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
2:03
52Coal Face: 10. "Making Up Coal Trains"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
2:27
53Coal Face: 11. Allegro: "Coal Mining Is the Basic Industry"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:14
54Coal Face: 12. Andante: "There Are the Miners"
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
cori:
City of Birmingham Symphony Chorus
voce di baritono solista:
Adam Green (baritone)
voce di tenore solista:
Daniel Auchincloss
voce parlata:
Simon Russell Beale (actor)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
0:29
55When You're Feeling Like Expressing Your Affection
tecnico:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work)
produttore:
Colin Matthews (English composer)
editor:
Emma Paffley
pianoforte :
Malcolm Wilson
voce di soprano solista:
Mary Carewe (British singer)
orchestra:
Birmingham Contemporary Music Group
direttore d'orchestra:
Martyn Brabbins (conductor)
registrata presso:
CBSO Centre in Birmingham, West Midlands, England, Regno Unito
registrazione di:
When You’re Feeling Like Expressing Your Affection
paroliere:
W. H. Auden
compositore:
Benjamin Britten (English composer, conductor, and pianist)
0:54