25 Jaar Top 40 Hits, Deel 1: ’65–’68

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Note: track 1-20 is incorrectly credited to to "Wilson" but it is in fact written by Neil Diamond.
Track 1-6 is misspelled as "Mr. Tamborine Man".
(p) 1989 (c) EVA. Marketed by EVA.

Compiled in association with: BMG, CBS, CNR, EMI, Phonogram, Polydor, Virgin, WEA
Arista, Atlantic, Capitol, Cube, Decca, Deram, Indisc, London, MCA, Mercury Motown, Philips, Pye

Special thanks to: Stichting Nederlandse Top 40 and EVA v.o.f.

Mastering Digipro-Brussels
Design: Hotline - Maarssen

Rights Society: BIEM/STEMRA
Matrix / Runout (CD1): DURECO NORGE [01] 6198901-1
Other (CD1 (In Mould Ring, Variant 1, Mirrored)): EGVA CD 03
Other (CD1 (In Mould Ring, Variant 2)): none
Matrix / Runout (CD2): DURECO NORGE 6198901-2 [01]
Other (CD2 (In Mould Ring, Mirrored)): EGVA CD 03

Annotazione modificata l'ultima volta il 2023-11-18 21:00 UTC.

Elenco tracce

1CD
2CD
#TitoloArtistaValutazioneDurata
1Hey Joe
registrazione cover di:
Hey Joe
paroliere e compositore:
Billy Roberts (songwriter)
editore:
Carlin Music Corp, Sony/ATV Melody, Third Palm Music e Third Story Music, Inc.
The Jimi Hendrix Experience3:24
2Na Na Na
registrazione di:
Na Na Na
autore:
Theo van Es e Jan Versteegen (The Shoes)
The Shoes2:22
3A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.13:58
4Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:25
5San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:56
6Excerpt From a Teenage Opera
registrazione di:
Theme From “A Teenage Opera”
paroliere e compositore:
Keith Hopkins e Mark Wirtz
Keith West4:41
7MassachusettsBee Gees32:23
8From the Underworld
Herd3:16
9Soul Man
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-08-10)
produttore:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) e Jim Stewart (US producer, founder for Stax & Volt Records)
strumenti:
Booker T. & the MG’s (nel 1967) e The Mar‐Keys Horns (nel 1967)
voce principale:
Sam Moore (singer, ex “Sam and Dave”) (nel 1967) e David Prater (soul artist) (nel 1967)
diritti fonografici (℗) detenuti da:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 458)
registrazione di:
Soul Man (il 1967-08-10)
autore:
Isaac Hayes (nel 1967) e David Porter (US soul musician, producer & songwriter) (nel 1967)
editore:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (nel 1986) e Walden Music Corp. (publisher) (nel 1986)
Sam & Dave4.52:36
10Zabadak
registrazione di:
Zabadak
compositore:
Alan Blaikley e Ken Howard (English songwriter, one half of the songwrting team Ken Howard & Alan Blaikley, author and television director)
Dave Dee, Dozy, Beaky, Mick & Tich3:52
11Nights in White Satin
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.55:38
12Ballad of Bonnie and Clyde
registrazione di:
The Ballad of Bonnie and Clyde
paroliere:
Peter Callander
compositore:
Mitch Murray
editore:
Intune Ltd. (publisher)
Georgie Fame2:53
13The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:41
14Congratulations
registrazione di:
Congratulations
paroliere e compositore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Al Gallico Music Corp. e Peter Maurice Music Co. Ltd.
Cliff Richard2:30
15Rain and Tears
esecutore:
Aphrodite’s Child (Greek psychedelic rock band) (nel 1968)
registrazione di:
Rain and Tears (nel 1968)
paroliere:
Boris Bergman (lyricist)
compositore:
Johann Pachelbel (composer)
arrangiatore:
E. Papathanassiou (Greek composer of electronic, new age and classical)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Intersong (publisher)
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
si basa su:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Aphrodite’s Child43:12
16Need Your Love So BadFleetwood Mac3:50
17With a Little Help From My Friends
diritti fonografici (℗) detenuti da:
Cube Records (nel 1968)
registrazione cover di:
With a Little Help From My Friends
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
ATV (Northern Songs Catalog), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs Ltd. (, nel 1967), Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP) (dal 1967 a oggi)
Joe Cocker54:54
18White Room
registrazione di:
White Room
autore:
Pete Brown (UK poet & producer, with Cream and Jack Bruce) e Jack Bruce
editore:
BG Publishing, Casserole Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dratleaf Music Ltd., Unichappell Music, Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music, Inc.
sub-editore:
Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Cream4:54
19Hair
registrazione di:
Hair (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
parte di:
Hair (1967 musical)
Zen2:05
20Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.452:27

Accreditamenti

Pubblicazione

tecnico di mastering:Digipro-Brussels (Belgian branch of the design and mastering studio Digipro)
Discogs:https://www.discogs.com/release/722064 [info]

Gruppo di pubblicazioni

parte di:25 Jaar Top 40 Hits (Edison) (numero: 1) (ordine: 1)
Discogs:https://www.discogs.com/master/101978 [info]