111 More Classic Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▶CD: Abbado – Chaliapin
2▶CD: Collins – Galway
3▶CD: Goebel – Knappertsbusch
4▶CD: Kleiber – Mravinsky
5▶CD: Mutter – Rostropovich
6▼CD: Seefried – Zimerman
#TitleArtistRatingLength
1Das Veilchen, K. 476
piano:
Erik Werba (pianist) (from 1957-10-07 until 1957-10-09)
soprano vocals:
Irmgard Seefried (soprano) (from 1957-10-07 until 1957-10-09)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (from 1957-10-07 until 1957-10-09)
recording of:
Song for Voice & Piano in G major, K. 476 “Das Veilchen”: “Ein Veilchen auf der Wiese stand” (from 1957-10-07 until 1957-10-09)
lyricist:
Johann Wolfgang von Goethe
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1785)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 476) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 476)
is based on:
Das Veilchen
Wolfgang Amadeus Mozart2:17
2La traviata: Act I. “Libiamo ne’lieti calici”
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Violetta]:
Renata Scotto (operatic soprano)
tenor vocals [Alfredo]:
Gianni Raimondi (Italian operatic tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Antonino Votto (conductor)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:09
3Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo - Adagio espressivo - Tempo I
piano:
Rudolf Serkin (pianist)
recording of:
Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo
composer:
Ludwig van Beethoven (German composer) (in 1820)
part of:
Sonata for Piano no. 30 in E major, op. 109
Ludwig van Beethoven3:56
4Zueignung, op. 10 no. 1
piano:
Richard Strauss (German composer) (in 1919, in 1921)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1919, in 1921)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1921)
recording of:
Zueignung, op. 10 no. 1 (for voice and piano) (in 1919)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss1:41
5La Bohème: Act I. “O soave fanciulla”
producer:
Wolfgang Lohse
soprano vocals:
Pierrette Alarie (French Canadian coloratura soprano) (from 1959-06-02 until 1959-06-05)
tenor vocals:
Léopold Simoneau (tenor) (from 1959-06-02 until 1959-06-05)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1959-06-02 until 1959-06-05)
conductor:
Lee Schaenen (conductor) (from 1959-06-02 until 1959-06-05)
balance engineer:
Harald Baudis (sound engineer) (from 1959-06-02 until 1959-06-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1959-06-02 until 1959-06-05)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (from 1959-06-02 until 1959-06-05)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:02
6Der Freischütz: Act III. “Was gleicht wohl auf Erden dem Jägervergnügen?”
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Sinopoli (conductor)
recording of:
Der Freischütz: Akt III. Nr. 15. Jägerchor „Was gleicht wohl auf Erden dem Jägervergnügen?“ (Chor) (Der Freischütz: The Huntsmen's Chorus)
composer:
Carl Maria von Weber (composer)
librettist:
Johann Friedrich Kind (German dramatist)
part of:
Der Freischütz: Akt III
Carl Maria von Weber2:48
7Mandoline
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
editor:
Walther Sommer
piano:
Dalton Baldwin (American pianist) (in 1961-05)
baritone vocals:
Gérard Souzay (baritone) (in 1961-05)
balance engineer:
Harald Baudis (sound engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1962)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1961-05)
recording of:
Mandoline, L. 29, CD 43 “Les donneurs de sérénades” (for voice and piano) (in 1961-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (on 1882-11-15)
dedicated to:
Marie-Blanche Vasnier
publisher:
Revue illustrée (in 1890-09)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 29) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 43)
Claude Debussy1:20
8Vesperae solennes de confessore in C major, K. 339: V. Laudate Dominum omnes gentes (Ps. 116/117)
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1957-11)
soprano vocals:
Maria Stader (soprano) (in 1957-11)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Gustav König (German conductor) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (in 1957-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart5:01
9Fine Knacks for Ladies
recording of:
The Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies"
composer:
John Dowland (composer and lutenist) (in 1600)
part of:
The Second Booke of Songs or Ayres
John Dowland1:49
10La Bohème: Act II. “Quando m’en vo”
soprano vocals [Musetta]:
Rita Streich (soprano)
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Ernst Märzendorfer (conductor)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:21
11Die lustige Witwe: Act III. Duett “Lippen schweigen”
baritone vocals [Danilo]:
Bo Skovhus (baritone)
soprano vocals [Hanna]:
Cheryl Studer (soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
Die lustige Witwe: Akt III. Nr. 15. Duett „Lippen schweigen” … „Bei jedem Walzerschritt” (Hanna, Danilo) (Ballsirenen-Walzer)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt III
Franz Lehár2:26
12Don Giovanni, K.527: Act II. “Deh! vieni alla finestra”
solo baritone vocals [Don Giovanni]:
Bryn Terfel (bass‐baritone opera singer) (from 1994-08 until 1994-09)
orchestra:
Metropolitan Opera Orchestra (from 1994-08 until 1994-09)
conductor:
James Levine (US conductor and pianist) (from 1994-08 until 1994-09)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (from 1994-08 until 1994-09)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1994-08 until 1994-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
13Palestrina: Prelude to Act I. Ruhig (Andante)
recording of:
Palestrina - Musical Legend in Three Acts: Prelude to Act I. Ruhig (Andante) (version for concert performance)
composer:
Hans Pfitzner (German composer)
version of:
Palestrina: 1. Akt. Vorspiel
part of:
Palestrina: 3 Vorspiele (versions for concert performance)
Hans Pfitzner7:27
1412 Etudes, op. 10: no. 3 in E major “Tristesse”
producer:
Wolfgang Lohse
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-05)
recording of:
Étude in E major, op. 10 no. 3: Lento ma non troppo (in 1965-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 16) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 74)
part of:
Études, op. 10
Fryderyk Chopin4:03
15Piano Sonata no. 2 in B‐flat minor, op. 35: IV. Finale. Presto
piano:
Yuja Wang (pianist) (in 2008-11)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 2008-11)
recording of:
Sonata for Piano no. 2 in B‐flat minor, op. 35: IV. Finale. Presto (in 2008-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Sonata for Piano no. 2 in B‐flat minor, op. 35 “Funeral March”
Fryderyk Chopin1:28
16An die Musik, D. 547, op. 88/4
producer:
Hans Ritter
piano:
Hubert Giesen (pianist) (from 1966-07-02 until 1966-07-05)
tenor vocals:
Fritz Wunderlich (operatic tenor) (from 1966-07-02 until 1966-07-05)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1966-07-02 until 1966-07-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1966)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1966-07-02 until 1966-07-05)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (in 1966-07)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:21
17Fantasía para un gentilhombre for Guitar and Small Orchestra: I. Villano y Ricercare. Adagietto - Andante moderato
classical guitar [Spanish guitar]:
Narciso Yepes (classical guitarist)
orchestra:
English Chamber Orchestra
conductor:
Luis Antonio García Navarro (conductor)
recording of:
Fantasía para un gentilhombre: I. Villano y ricercare
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1954)
part of:
Fantasía para un gentilhombre
Joaquín Rodrigo4:52
18Harp Concerto in E minor, op. 182: II. Adagio
harp:
Nicanor Zabaleta (harpist) (in 1962-10)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1962-10)
conductor:
Ernst Märzendorfer (conductor) (in 1962-10)
recorded at:
UFA-Tonstudio in Berlin, Germany (in 1962-10)
recording of:
Concert e-moll für Harfe mit Orchester, op. 182: II. Adagio (in 1962-10)
composer:
Carl Reinecke (composer) (in 1884)
part of:
Concert e-moll für Harfe mit Orchester, op. 182
Carl Reinecke5:20
19Ballade no. 3 in A‐flat major, op. 47
engineer:
Helmut Burk
producer:
Helmut Burk and Hanno Rinke (in 1987-07)
piano:
Krystian Zimerman (pianist) (in 1987-07)
balance engineer:
Helmut Burk (in 1987-07)
recorded at:
Rudolf‐Oetker‐Halle in Bielefeld, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (in 1987-07)
recording of:
Ballade no. 3 in A‐flat major, op. 47 (in 1987-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1841)
dedicated to:
Pauline de Noailles
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 4), Works of Fryderyk Chopin by opus number (number: op. 47) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 136)
part of:
Ballades (Chopin’s Four Ballades)
Fryderyk Chopin7:27