The Ultimate Christmas Collection

~ Release by Michael W. Smith (see all versions of this release, 1 available)

Tracklist

1Digital Media: It’s a Wonderful Christmas
2Digital Media: Christmas
3Digital Media: Christmastime
#TitleRatingLength
1Happiest Christmas
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Bill Smith (US recording engineer)
mixer:
Al Schmitt
bass:
David Hungate
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Jerry Kimbrough
piano:
Shane Keister
vocals:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
orchestrator:
Ronn Huff
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
The Happiest Christmas
writer:
Ted Dicks (English composer) and Myles Rudge
3:08
2Jingle Bells
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Bill Smith (US recording engineer)
mixer:
Al Schmitt
bass:
Leland Sklar (bassist, session musician)
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Jerry Kimbrough
piano:
Shane Keister
background vocals:
Amy Joy Weimer, Lisa Cochran, Tim Davis (vocalist, singer, actor, studio singer, vocal arranger and former member of Heritage Singers) and Mark Ivey
vocals:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
background vocals arranger:
Tim Davis (vocalist, singer, actor, studio singer, vocal arranger and former member of Heritage Singers)
orchestrator:
Ronn Huff
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Kay Thompson’s Jingle Bells
arranger:
Johnny Mandel (American composer and arranger) and Kay Thompson
choir vocals arranger:
Mark Hayes (American composer and arranger, predominantly of Christian choral music)
arrangement of:
Jingle Bells
2:17
3Christmastime
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
programming:
Michael W. Smith (Christian pop-rock singer)
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Fred Paragana
mixer:
Bill Deaton
drums (drum set):
Steve Brewster (Nashville session drummer)
piano:
Michael W. Smith (Christian pop-rock singer)
choir vocals:
The American Boychoir and The Hollywood Presbyterian Choir
vocals:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
chorus master:
Fred Bock (organist, choir director, composer, arranger, and music publisher) and James Litton (conductor and choir master)
choir vocals arranger:
Tom Howard (Christian singer-songwriter)
orchestrator:
Tom Howard (Christian singer-songwriter)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]), Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (choir vocals [boychoir vocals]), CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra]) and Westlake D in West Hollywood, California, United States (choir vocals [adult choir vocals])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
Christmastime
lyricist and composer:
Michael W. Smith (Christian pop-rock singer)
4:16
4Welcome to Our World
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Todd Gunnerson
mixer:
Steve Bishir
piano:
Michael W. Smith (Christian pop-rock singer)
vocals:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
orchestrator:
Ronn Huff
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
cover recording of:
Welcome to Our World
writer:
Chris Rice (Christian singer)
3:28
5Hope of Israel
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Todd Gunnerson
mixer:
Steve Bishir
piano:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
orchestrator:
Ronn Huff
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
Hope of Israel
lyricist and composer:
Michael W. Smith (Christian pop-rock singer)
3:17
6Medley: Sing We Now of Christmas / O Come O Come Emmanuel / Emmanuel
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Todd Gunnerson
mixer:
Steve Bishir
bass:
Leland Sklar (bassist, session musician)
drums (drum set):
Paul Leim
piano:
Michael W. Smith (Christian pop-rock singer)
background vocals:
Chris Harris (US producer, writer and background vocalist), Wayne Kirkpatrick (American songwriter, musician and producer), Chris Rodriguez (Contemporary Christian singer) and Lori Wilshire
choir vocals:
The American Boychoir and The Hollywood Presbyterian Choir
vocals:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
chorus master:
Fred Bock (organist, choir director, composer, arranger, and music publisher) and James Litton (conductor and choir master)
arranger:
Michael W. Smith (Christian pop-rock singer)
orchestrator:
Ronn Huff and Carl Marsh (US orchestrator, arranger, composer and pianist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]), Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (choir vocals [boychoir vocals]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
medley including a recording of:
Emmanuel
composer:
Michael W. Smith (Christian pop-rock singer)
medley including a recording of:
O Come, O Come, Emmanuel (hymn)
composer:
[traditional] (special purpose artist)
arranger:
Thomas Helmore
translator:
Thomas Alexander Lacey
part of:
The New English Hymnal (hymn book) (number: 11)
arrangement of:
O Come, O Come Emmanuel (unknown version)
medley including a recording of:
Sing We Now of Christmas
writer:
[traditional] (special purpose artist)
translated version of:
Noël nouvelet
5:26
7O’ Christmas Tree
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Todd Gunnerson
mixer:
Steve Bishir
guitar:
Phil Keaggy
percussion:
Eric Darken
piano:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
arranger:
Michael W. Smith (Christian pop-rock singer)
orchestrator:
Carl Marsh (US orchestrator, arranger, composer and pianist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
O Christmas Tree (English version of German "O Tannenbaum")
lyricist:
Ernst Anschütz (in 1824)
composer:
[traditional] (special purpose artist)
translator:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
translated version of:
O Tannenbaum (O Fir Tree, original German version)
3:53
8Christmas Waltz
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Bill Smith (US recording engineer)
mixer:
Al Schmitt
bass:
David Hungate
drums (drum set):
Harold Jones (jazz drummer)
guitar:
Jerry Kimbrough
piano:
Shane Keister
background vocals:
Amy Joy Weimer, Lisa Cochran, Tim Davis (vocalist, singer, actor, studio singer, vocal arranger and former member of Heritage Singers) and Mark Ivey
vocals:
Sandi Patty and Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
background vocals arranger:
Tim Davis (vocalist, singer, actor, studio singer, vocal arranger and former member of Heritage Singers)
orchestrator:
Shane Keister
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]), CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra]) and Gaither Studios (fka Pinebrook Recording Studio) in Alexandria, Indiana, United States (lead vocals [Sandi Patty])
mixed at:
Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
The Christmas Waltz
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Barton Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA), EMI Music Publishing (WP) Ltd., Producers Music Publishing Co., Quaytor Productions LLC, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), WB Music Corp. (1929–2019), WC Music Corp., Westminster Music Ltd., Windswept Pacific Music Ltd., ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:00
9We Three Kings
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer and mixer:
Steve Bishir
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Todd Gunnerson
piano:
Michael W. Smith (Christian pop-rock singer)
arranger:
Michael W. Smith (Christian pop-rock singer)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
We Three Kings
lyricist and composer:
John Henry Hopkins, Jr. (composer, “We Three Kings”)
part of:
Roud Folk Song Index (number: 24751)
3:23
10Medley: Away in a Manger / Child in the Manger
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Fred Paragano
mixer:
Bill Deaton
choir vocals:
The American Boychoir
vocals:
Anna Smith (daughter of Michael W. Smith) and Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
chorus master:
James Litton (conductor and choir master)
arranger:
Michael W. Smith (Christian pop-rock singer)
choir vocals arranger:
Tom Howard (Christian singer-songwriter)
orchestrator:
Tom Howard (Christian singer-songwriter)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]), Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (choir vocals [boychoir vocals]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
medley including a recording of:
Away in a Manger (aka “Cradle Song” composed by William J. Kirkpatrick)
additional lyricist:
Charles Hutchinson Gabriel (in 1892)
lyricist:
[anonymous] (special purpose artist)
composer:
William James Kirkpatrick (hymn-writer) (in 1895)
part of:
Roud Folk Song Index (number: 25304)
is based on:
Sweet Afton (set to music by Jonathan E. Spilman, 1837)
translated version of:
Y Preseb
medley including a recording of:
Child in a Manger
lyricist and composer:
[traditional] (special purpose artist)
is based on:
Bunessan (Scottish hymn tune)
5:06
11Carols Sing
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
keyboard:
Blair Masters and Michael W. Smith (Christian pop-rock singer)
piano:
Michael W. Smith (Christian pop-rock singer)
choir vocals:
The American Boychoir and The Hollywood Presbyterian Choir
chorus master:
Fred Bock (organist, choir director, composer, arranger, and music publisher) and James Litton (conductor and choir master)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (choir vocals [boychoir vocals])
cover recording of:
Carols Sing
lyricist:
Martha Puckett and Paul Puckett
composer:
Martha Puckett
2:14
12Medley: I Saw Three Ships / Joy to the World
assistant recording engineer:
Hank Nirider and Charlie Warrick
recording engineer:
Steve Bishir, Douglas Blair (engineer) (other instruments [orchestra, at Abbey Road Studios]), Erik Jordan (engineer) (other instruments [orchestra, at CTS Studios]), Alex Marcou (other instruments [orchestra, at Abbey Road Studios]) and Mark Tucker (engineer) (other instruments [orchestra, at CTS Studios])
additional engineer:
Russ Long (engineer), Gary Paczosa and Jess Sutcliffe
co-producer:
Michael W. Smith (Christian pop-rock singer)
producer:
Brown Bannister
assistant mixer:
Hank Nirider
mixer:
Steve Bishir
Great Highland bagpipe [Highland pipes], tin whistle [tinwhistle] and uilleann pipes:
Jerry O’Sullivan
percussion:
Eric Darken
piano:
Michael W. Smith (Christian pop-rock singer)
orchestra:
The London Session Orchestra
arranger:
Michael W. Smith (Christian pop-rock singer)
orchestrator:
Carl Marsh (US orchestrator, arranger, composer and pianist)
concertmaster:
Gavyn Wright (UK violinist, conductor)
phonographic copyright (℗) by:
Reunion Records, Inc. (in 1998)
produced for:
RBI Productions
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (other instruments [orchestra]) and CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (other instruments [orchestra])
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
medley including a instrumental recording of:
I Saw Three Ships
lyricist and composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 700)
medley including a instrumental recording of:
Joy to the World (Christmas carol)
lyricist:
Isaac Watts (hymn writer) (in 1719)
composer:
George Frideric Handel (German‐British baroque composer)
arranger:
Lowell Mason (in 1839)
5:37

Credits

Release

ASIN:US: B002QHGHMU [info]