Total Recall (Original Motion Picture Soundtrack)

~ Release by Jerry Goldsmith (see all versions of this release, 9 available)

Annotation

℗ & © «2017 Quartet Records under exclusive license from Studio Canal»

Annotation last modified on 2024-02-04 20:43 UTC.

Tracklist

1▼Digital Media: The Film Score
#TitleRatingLength
1The Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:38
2First Meeting
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
First Meeting
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:11
3Secret Agent
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Secret Agent
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
0:54
4The Implant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Implant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:44
5Where Am I?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:07
6The Aftermath
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Aftermath
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
0:33
7Old Times Sake
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:03
8Clever Girl
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:34
9The Johnny Cab
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Johnny Cab
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:50
10Howdy Stranger / The Nose Job
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:54
11The Spaceport
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:50
12A New Face
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
A New Face (~1:32)
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:30
13The Mountain
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mountain
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:31
14Identification
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Identification
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:02
15Lies
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Lies
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:04
16Where Am I? Total Recall
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
4:00
17Swallow It
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Swallow It
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:06
18The Big Jump
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Big Jump
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:35
19Without Air
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Without Air
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:17
20Remembering
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:48
21The Mutant
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mutant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:16
22The Massacre
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Massacre
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:37
23Friends?
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Friends
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:39
24The Treatment
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Treatment
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:40
25The Reactor / The Hologram
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
5:39
26End of a Dream
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
End of a Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:49
27A New Life
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
2:25
28End Credits
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:49
29The Dream (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:34
30The Hologram (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
5:38
31The Big Jump (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Big Jump
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:36
32The Mutant (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Mutant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
3:18
33Clever Girl (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:34
34First Meeting (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
First Meeting
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
1:12
35The Treatment (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Treatment
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:33
36Where Am I? (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:58
37End of a Dream (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
End of a Dream
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
5:49
38A New Life (Original 1990 Soundtrack Album)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
2:26
39The Implant (Alternate Opening)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
The Implant
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
2:43
40Clever Girl (Original Performance)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
recording of:
Clever Girl
orchestrator:
Arthur Morton
composer:
Jerry Goldsmith (American score composer)
part of:
Total Recall (1990 film score)
4:33
41Mozart Divertimento in D
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
partial recording of:
Divertimento for String Quartet in D major, K. 125a/136 “Salzburg Symphony no. 1”
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1772)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 136) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 125a)
0:53
42Rubble City
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:19
43Mutant Dancing
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
4:36
44Running out of Air
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
3:02
45Rekall Commercial
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:52
46Environmental Source
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:09
47ESPN
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:13
48Saturn
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:31
49Mars
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
1:11
50Rekall Background
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:47
51Botco
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:10
52North West
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:35
53Rekall Commercial (Alternate)
recording engineer and mixer:
Bruce Botnick
producer:
Jerry Goldsmith (American score composer)
editor:
Ken Hall (music editor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Jerry Goldsmith (American score composer)
orchestrator:
Arthur Morton
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom
mixed at:
Studio One in Hollywood, Los Angeles, California, United States
0:51