The Very Best of Diana Krall

~ Veröffentlichung von Diana Krall (alle Versionen dieser Veröffentlichung ansehen, 8 vorhanden)

Anmerkung

602517415928 and 9787880875584 are the limited edition (+ bundled bonus dvd).
Whether it was released only in Europe or not is yet unconfirmed.

Anmerkung zuletzt geändert am 2008-07-24 06:03 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1'S Wonderful
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
Bass:
Christian McBride (American jazz bassist)
Gitarre:
Dori Caymmi (the son) (in 2001)
Klavier:
Diana Krall (in 2001)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
vocals:
Diana Krall (in 2001)
Orchester:
Los Angeles Session Orchestra (in 2001)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-06-03 bis 2001-06-04)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-06-05 bis 2001-06-07)
cover recording of:
’S Wonderful (in 2001)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und WB Music Corp. (1929–2019)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
4:26
2Peel Me a Grape
Assistent recording engineer:
Lawrence Manchester
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
Koji Egawa
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Christian McBride (American jazz bassist)
phonographisches Urheberrecht (℗) von:
GRP Records, Inc. (do not use as a release label!) und Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Peel Me a Grape
Texter und Komponist(in):
Dave Frishberg
5:50
3Pick Yourself Up
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
John Clayton (US jazz and classical double bassist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Pick Yourself Up (from “Swing Time”)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jerome Kern
Teil von:
Swing Time (film)
3:01
4Frim Fram Sauce
recording engineer:
Al Schmitt (von 1995-10-03 bis 1995-10-08)
Produzent(in):
Tommy LiPuma
Mix:
Al Schmitt
Gitarre:
Russell Malone (von 1995-10-03 bis 1995-10-08)
Klavier und Sologesang:
Diana Krall (von 1995-10-03 bis 1995-10-08)
Kontrabass:
Paul Keller (bass) (von 1995-10-03 bis 1995-10-08)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1995-10-03 bis 1995-10-08)
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
The Frim‐Fram Sauce (von 1995-10-03 bis 1995-10-08)
Texter:
Redd Evans (in 1945)
Komponist(in):
Joe Ricardel (in 1945)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
5:01
5You Go to My Head
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
6:47
6Let’s Fall in Love
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
John Clayton (US jazz and classical double bassist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
Vibraphon:
Larry Bunker
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Fall in Love
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
4:19
7The Look of Love
Assistent recording engineer:
Aya Takemura (von 2001-01-22 bis 2001-01-27), Chris Clark (engineer) (von 2001-03-09 bis 2001-03-11) und Richard Lancaster (von 2001-03-09 bis 2001-03-11)
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
John Hendrickson (Music engineer, mixer)
Bass:
Christian McBride (American jazz bassist)
Gitarre:
Romero Lubambo (in 2001)
Klavier:
Diana Krall (in 2001)
Perkussion:
Luis Conte (percussionist) (in 2001)
Schlagzeug:
Peter Erskine (US jazz drummer) (in 2001)
vocals:
Diana Krall (in 2001)
Orchester:
London Symphony Orchestra (von 2001-03-09 bis 2001-03-11)
conductor:
Claus Ogerman (in 2001)
arranger:
Claus Ogerman
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 2001-01-22 bis 2001-01-27) und Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 2001-03-09 bis 2001-03-11)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 2001-03-19 bis 2001-03-23)
cover recording of:
The Look of Love (in 2001)
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
4:41
8East of the Sun (and West of the Moon)
cover recording of:
East of the Sun (and West of the Moon)
Texter und Komponist(in):
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. und Chappell & Co.
5:46
9I’ve Got You Under My Skin
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Ben Wolfe
Schlagzeug:
Lewis Nash (American jazz drummer)
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
I’ve Got You Under My Skin
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
6:09
10All or Nothing at All
Assistent recording engineer:
Lawrence Manchester
recording engineer und Mix:
Al Schmitt
Produzent(in):
Tommy LiPuma
assistierende(r) Mix:
Koji Egawa
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
Christian McBride (American jazz bassist)
phonographisches Urheberrecht (℗) von:
GRP Records, Inc. (do not use as a release label!) und Verve Music Group (now known as Verve Label Group; not for release label use!)
aufgenommen bei:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
mixed at:
Bill Schnee Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
All or Nothing at All
Texter:
Jack Lawrence (US songwriter)
Komponist(in):
Arthur Altman und Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. und Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:33
11Only the Lonely
cover recording of:
Only the Lonely
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Cahn Music Company, Cherry Lane Music Publishing Company Inc., DreamWorks Songs, Imagem Music LLC, Imagem Sounds, Maraville Music Corp. und Van Heusen Music Corp.
4:16
12Let’s Face the Music and Dance
Produzent(in):
Tommy LiPuma und Johnny Mandel (American composer and arranger)
Gitarre:
Russell Malone
Klavier und Sologesang:
Diana Krall
Kontrabass:
John Clayton (US jazz and classical double bassist)
Schlagzeug:
Jeff Hamilton (jazz drummer)
conductor:
Eddie Karam und Johnny Mandel (American composer and arranger)
arranger:
Johnny Mandel (American composer and arranger)
cover recording of:
Let’s Face the Music and Dance (from “Follow the Fleet”)
Texter und Komponist(in):
Irving Berlin (in 1936)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp. und Williamson Music Company
Teil von:
Follow the Fleet (1936 film)
5:17
13The Heart of Saturday Night
cover recording of:
(Looking for) The Heart of Saturday Night
Texter und Komponist(in):
Tom Waits
4:06
14Little Girl Blue
Produzent(in):
Diana Krall und Tommy LiPuma
Mix:
Al Schmitt
Gitarre:
Anthony Wilson (guitarist and composer)
Klavier:
Diana Krall (in 2006)
Kontrabass [bass]:
John Clayton (US jazz and classical double bassist) (in 2006)
Schlagzeug:
Jeff Hamilton (jazz drummer) (in 2006)
vocals:
Diana Krall (in 2006)
arranger:
Diana Krall
recording of:
Little Girl Blue (in 2006)
Texter:
Lorenz Hart (in 1935)
Komponist(in):
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jumbo
5:38
15Fly Me to the Moon
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
5:44