We'll Meet Again

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Love Is the Sweetest Thing
vocals:
Al Bowlly (am 1932-09-08)
Orchester:
Ray Noble and His New Mayfair Dance Orchestra (am 1932-09-08)
recording of:
Love is the Sweetest Thing (am 1932-09-08)
Texter und Komponist(in):
Ray Noble
Al Bowlly3:20
2The White Cliffs of Dover
Sologesang:
Vera Lynn (am 1942-03-20)
vocals:
Vera Lynn
Orchester:
Jay Wilbur and His Band (am 1942-03-20)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1942)
recording of:
(There’ll Be Bluebirds Over) The White Cliffs of Dover (am 1942-03-20)
Texter:
Nat Burton (US songwriter)
Komponist(in):
Walter Kent
publisher:
Shapiro, Bernstein & Co., Inc. und Walter Kent Music Co.
Vera Lynn3:21
3We Must Stick Together
Geraldo and His Orchestra3:02
4Run Rabbit RunFlanagan and Allen2:46
5Whispering Grass
recording of:
Whispering Grass
Verfasser(in):
Doris Fisher und Fred Fisher
publisher:
Campbell Connelly & Co. Ltd., EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated) und Universal Music Corp. (USA, affiliated with ASCAP)
The Ink Spots2:43
6Kiss Me Goodnight, Sergeant Major
vocals:
Arthur Askey (comedian)
conductor:
Ronnie Munro
recording of:
Kiss Me Goodnight, Sergeant Major (in 1939-11)
Verfasser(in):
Art Noel (songwriter) und Don Pelosi
Teil von:
Roud Folk Song Index (Nummer: 16962)
Arthur Askey2:54
7Perfidia
recording of:
Perfidia
Texter und Komponist(in):
Alberto Domínguez
Ray Eberle3:21
8There’ll Always Be EnglandJoe Loss & His Orchestra3:03
9Lili Marlene
recording of:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Texter:
Hans Leip (von 1915-04-03 bis 1937)
Komponist(in):
Norbert Schultze (in 1937)
recording of:
Lili Marlene (English lyrics by Tommie Connor)
Texter:
Hans Leip (von 1915-04-03 bis 1937)
Komponist(in):
Norbert Schultze (in 1937)
Übersetzer:
Tommie Connor (English songwriter)
publisher:
Peter Maurice Music Co. Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
übersetzte Version von:
Lili Marleen (Lied eines jungen Wachtpostens, original German version)
Anne Shelton2:46
10I’ve Got My Eyes on You
Leslie "Hutch" Hutchinson2:33
11You’ll Never Know
Dick Haymes2:40
12Bet Me Daddy, Eight to the Bar
vocals:
The Andrews Sisters (am 1940-08-28)
Orchester:
Vic Schoen and His Orchestra (am 1940-08-28)
recording of:
Beat Me Daddy, Eight to the Bar (1940 song) (am 1940-08-28)
Verfasser(in):
Hughie Prince, Don Raye und Eleanore Sheehy
The Andrews Sisters2:52
13Ma, I Miss Your Apple Pie
recording of:
Ma, I Miss Your Apple Pie
Verfasser(in):
John Jacob Loeb (in 1941) und Carmen Lombardo (in 1941)
Ambrose and His Orchestra3:21
14Yours
Bob Eberly & Helen O’Connell3:14
15Sing as We Go
Gracie Fields2:28
16At the Woodchopper’s Ball
recording of:
Woodchopper’s Ball
Komponist(in):
Joe Bishop und Woody Herman
Teil von:
The Real Book (compilation of jazz standards, volume I)
Woody Herman3:16
17Adolf
Ambrose and His Orchestra3:05
18(We’re Gonna Hang Out) The Washing on Siegfried LineFlanagan and Allen2:46
19Darn That Dream
recording of:
Darn That Dream
Texter:
Eddie DeLange (in 1939)
Komponist(in):
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
Teil von:
Swingin’ the Dream
Mildred Bailey2:56
20In the Mood
The King Sisters3:27
21I’m Going to Get Lit Up
recording engineer:
Gordon Davidson (engineer, Abbey Road Studios) und Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistierende(r) Techniker(in):
Neil Dawes, Moisés Garcia und Jeff Gartenbaum
Produzent(in):
Thomas Newman (American score composer)
Mix:
Shinnosuke Miyazawa (engineer)
Editing:
Peter Clarke (music editor), Larry Mah und Shinnosuke Miyazawa (engineer)
Sologesang:
Carroll Gibbons (am 1943-04-19)
Interpret(in):
Savoy Orpheans (British 1920s jazz orchestra) (am 1943-04-19)
mixed at:
416 Studio in Culver City, California (Kalifornien), Vereinigte Staaten
recording of:
I’m Gonna Get Lit Up (am 1943-04-19)
Orchestrator(in):
J.A.C. Redford
Verfasser(in):
Hubert Gregg (in 1943)
Komponist(in):
Thomas Newman (American score composer)
Carroll Gibbons & His Orchestra2:33
22You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-30)
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
conductor:
Paul Weston (am 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (am 1942-07-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Dinah Shore2:54
23The Old Black Magic
Skip Nelson3:04
24Pennsylvania 6-5000
recording of:
Pennsylvania 6‒5000 (PEnnsylvania 6‒5000)
Texter:
Carl Sigman
Komponist(in):
Jerry Gray (US big band arranger and conductor)
geschrieben bei:
Hotel Pennsylvania in New York, New York, Vereinigte Staaten (in 1940)
The Glenn Miller Orchestra33:15
25Lambeth Walk
recording of:
The Lambeth Walk
Texter:
Douglas Furber (in 1937) und L. Arthur Rose (playwright and lyricist) (in 1937)
Komponist(in):
Noel Gay (in 1937)
publisher:
Cinephonic Music Co., Ltd. und Richard Armitage Ltd
Teil von:
Roud Folk Song Index (Nummer: 25672)
Eddie Cantor & Ambrose’s Orchestra2:28

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Veröffentlichung

ASIN:UK: B004UBBMWU [Info]