Fauré: Requiem / Ravel Ma Mere L'Oye

~ Veröffentlichung von Fauré, Ravel; Carlo Maria Giulini, Los Angeles Philharmonic, Philharmonia Orchestra (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Requiem, op. 48: I. Introït Et Kyrie
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: I. Introït et Kyrie (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:53
2Requiem, op. 48: II. Offertoire
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: II. Offertoire (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré9:45
3Requiem, op. 48: III. Sanctus
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: III. Sanctus (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:39
4Requiem, op. 48: IV. Pie Jesu
recording engineer:
Hans Weber (producer/engineer) (in 1986-03)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Produzent(in):
Joseph Szurly
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano) (in 1986-03)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
enthalten in:
CHAPTER IV PIE JESU (REST)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:05
5Requiem, op. 48: V. Agnus Dei
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: V. Agnus Dei et Lux Aeterna (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré7:08
6Requiem, op. 48: VI. Libera Me
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: VI. Libera me (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré5:51
7Requiem, op. 48: VII. In Paradisum
recording engineer:
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Günther Breest (producer for classical music)
Orgel:
Timothy Farrell (organist) (in 1986-03)
Baritongesang:
Andreas Schmidt (bass-baritone & teacher)
Chorgesang:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
Soprangesang:
Kathleen Battle (soprano)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, Vereinigtes Königreich (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
publisher:
Éditions Durand (1947–present)
enthalten in:
28 Days Later
Teil von:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:04
8Ma Mère l’Oye: I. Pavane de la Belle au Bois Dormant. Lent
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979-11)
recording of:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour orchestre) (in 1979-11)
Orchestrator(in):
Maurice Ravel (French composer) (in 1911)
Komponist(in):
Maurice Ravel (French composer) (von 1908 bis 1910)
Orchestrierung von:
Ma mère l’Oye: I. Pavane de la Belle au bois dormant (pour piano à quatre mains)
Teil von:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel1:54
9Ma Mère l’Oye: II. Petit Poucet. Très modéré
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979-11)
recording of:
Ma mère l’Oye: II. Petit poucet (pour orchestre) (in 1979-11)
Orchestrator(in):
Maurice Ravel (French composer) (in 1911)
Komponist(in):
Maurice Ravel (French composer) (von 1908 bis 1910)
Orchestrierung von:
Ma mère l’Oye: II. Petit poucet (pour piano à quatre mains)
Teil von:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:43
10Ma Mère l’Oye: III. Laideronnette, Impératrice des Pagodes. Mouvement de marche
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979-11)
recording of:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour orchestre) (in 1979-11)
Orchestrator(in):
Maurice Ravel (French composer) (in 1911)
Komponist(in):
Maurice Ravel (French composer) (von 1908 bis 1910)
Orchestrierung von:
Ma mère l’Oye: III. Laideronnette, impératrice des pagodes (pour piano à quatre mains)
Teil von:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:59
11Ma Mère l’Oye: IV. Les entretiens de la Belle et de la Bête. Mouvement de valse modéré
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979-11)
recording of:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour orchestre) (in 1979-11)
Orchestrator(in):
Maurice Ravel (French composer) (in 1911)
Komponist(in):
Maurice Ravel (French composer) (von 1908 bis 1910)
Orchestrierung von:
Ma mère l’Oye: IV. Les Entretiens de la Belle et de la Bête (pour piano à quatre mains)
Teil von:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel4:46
12Ma Mère l’Oye: V. Le jardin féerique. Lent et grave
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Los Angeles Philharmonic (in 1979-11)
conductor:
Carlo Maria Giulini (conductor) (in 1979-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Shrine Auditorium in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979-11)
recording of:
Ma mère l’Oye: V. Le Jardin féerique (pour orchestre) (in 1979-11)
Orchestrator(in):
Maurice Ravel (French composer) (in 1911)
Komponist(in):
Maurice Ravel (French composer) (von 1908 bis 1910)
Orchestrierung von:
Ma mère l’Oye: V. Le Jardin féerique (pour piano à quatre mains)
Teil von:
Ma mère l’Oye (suite pour orchestre)
Maurice Ravel3:46