Annotation

Recorded using the 128x oversampling A to D Mark III and Mark IV converters with ultra analog modules and vacuum tube equipment built by George Kaye. Track 9 is recorded using new 20-bit high-resolution technology.

Annotation modifiée en dernier le 2022-05-25 01:37 UTC.

Liste de pistes

1CD
noTitreArtisteÉvaluationDurée
1Africando
Ana Caram3:44
2Out of This World
producteur :
John Baylor
mixeur :
Paul Grupp
batterie :
Russ Kunkel (session drummer)
clavier et percussions :
Victor Feldman (jazz musician)
guitare acoustique et voix principale :
Livingston Taylor
guitare basse :
Scott Edwards (bassist)
voix d’accompagnement :
Tom Kelly (songwriter), Livingston Taylor et Tom Funderburk
orchestrateur :
Jimmie Haskell
premier violon :
Sid Sharp
droits phonographiques (℗) par :
CBS, Inc. (US broadcasting company; file no releases here!) (le 1980)
enregistré à :
Westlake Sound (former name of Westlake Recording Studios) dans Los Angeles, California (Californie), États-Unis (du 1979-06 au 1980-03)
mixé à :
The Record Plant (aka “Record Plant” Los Angeles) dans Hollywood, Los Angeles, California (Californie), États-Unis
recording of :
Out of This World (Livingston Taylor/Maggie Taylor)
auteur :
Livingston Taylor et Maggie Taylor (songwriter, ex‐wife of Livingston Taylor)
éditeur :
Bandier Family Music, EMI Jemaxal Music Inc., H & R Lastrada Music, Koppelman Family Music, Morgan Creek Music (work publisher), R2M Publishing (ASCAP), R2M Publishing H. & R. Lastrada Music, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (jusqu’au 2021-06-30) et ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (du 2021-07-01 à ce jour)
Livingston Taylor2:41
3Wave
Leny Andrade5:50
4The Four Seasons: Winter
Connecticut Early Music Festival Ensemble3:27
5Grandmother
ingénieur du son :
Bob Katz (American engineer)
sonorisateur :
David Merrill (recording engineer at Master Sound Astoria; also bass player)
alto :
Juliet Haffner
basse :
David Finck
guitare :
Anthony Coote, George Naha et Rebecca Pidgeon
percussions :
Gary Burke
piano :
Joel Diamond (US producer and songwriter)
syntétiseur :
Mitch Margold
violon :
Robert Chausow et Laura Seaton
violoncelle :
Erik Friedlander (American cellist and composer)
voix :
Rebecca Pidgeon
voix d’accompagnement :
Anthony Coote, Carolyn Kallis (Carolyn "Coco" Kallis), Paul Miller, Elise Morris et Stephanie Smothers
arrangeur :
Joel Diamond (US producer and songwriter)
arrangeur de voix :
Rebecca Pidgeon
enregistré à :
MasterSound Studios dans Astoria, New York, New York, États-Unis (du 1994-02-12 au 1994-02-15)
recording of :
Grandmother
parolier et compositeur :
Rebecca Pidgeon
éditeur :
Blue Mountain Music Ltd.
Rebecca Pidgeon6:25
6Battery Park
Orquesta Nova5:08
7I Cover the Waterfront
Laverne Butler6:07
8Horse I Used to Ride
Sara K.4:26
9Con Alma
Fred Hersch5:57
10Num Pagode Em Planaltina
Badi Assad4:42
11Ave Verum Corpus (Mozart)
Westminster Choir3:39
12Announcement / Artificial Stereo demonstration
John Henry1:26
13Mono Mike
John Henry0:38
14Artificial Stereo
John Henry0:46
15XY Cardioid Technique
John Henry0:40
16XY and added ambience
John Henry0:43
17XY with increased ambience
John Henry0:45
18Crossed Figure 8’s
John Henry0:47
19Spaced Pair of Omnis
John Henry0:42
20Three Spaced Omnis
John Henry0:44
21Announcement
John Henry0:15
22Piano against the wall of the studio
John Henry0:25
23Piano in the middle of the studio
John Henry0:16
24Announcement
John Henry0:24
25Drum Set recorded in a dry studio
John Henry1:00
26Drum set in a live studio
John Henry0:52
27Drum set with artificial reverberation
John Henry0:46
28Natural stereo imaging
John Henry1:44
29Artificial stereo imaging
John Henry1:28
30Introduction to compressors
John Henry0:58
31Jazz group with compression
John Henry0:15
32Jazz group without compression
John Henry0:15
33New 20-bit High-Resolution Technology
John Henry2:05
34Violin recorded with "dirty" power
John Henry0:24
35Violin recorded with "clean" power
John Henry0:25
3620-bit, all digital recording
John Henry0:44
3720-bit recording made from analog tape
John Henry0:45
38Equipment and Cable Burn-in Signal
John Henry1:07
39Volume Level Warning
John Henry0:09
40Music at -30 dB into 16 bit system
John Henry0:45
41Music at -30 dB into 20 bit with high resolution dither
John Henry0:42
42Fade to noise, no dither
John Henry0:19
43Fade to noise, flat dither
John Henry0:30
44Fade to noise, high resolution dither
John Henry0:32
45Volume Level Warning
John Henry0:06