Handel: The Greatest Hits

~ Release by George Frideric Handel (see all versions of this release, 1 available)

Tracklist

1▶CD

2▼CD
#	Title	Artist	Rating	Length
1	Messiah: Sinfony vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 1. Symphony composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:19
2	Messiah: Comfort ye vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:39
3	Messiah: Every valley vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:38
4	Messiah: And the Glory of the Lord vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		2:53
5	Messiah: Thus saith the Lord vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		1:39
6	Messiah: But who may abide vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 6. Air “But who may abide” composer: George Frideric Handel (German‐British baroque composer) version of: Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		3:20
7	Messiah: Behold! A Virgin shall conceive vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		0:25
8	Messiah: O Thou, that tellest vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		5:11
9	Messiah: For unto us vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		4:17
10	Messiah: Pastorale orchestra: Smithsonian Concerto Grosso conductor: Antal Doráti (conductor) recording of: Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		1:06
11	Messiah: Hallelujah choir vocals: Royal Choral Society (The Royal Choral Society) and Royal Philharmonic Chorus orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” composer: George Frideric Handel (German‐British baroque composer) (in 1741) librettist: Charles Jennens part of: Messiah, HWV 56: Part II	Georg Friedrich Händel		3:54
12	Messiah: My Redeemer liveth vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		6:06
13	Messiah: The trumpet shall sound vocals: Royal Choral Society (The Royal Choral Society) orchestra: Royal Philharmonic Orchestra recording of: Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		4:35
14	Organ Concerto no. 13: Larghetto organ: Johann Biber (organist, an Alfred Scholz pseudonym) and Eberhard Kraus (organist, harpsichordist and composer) solo pipe organ: Johann Biber (organist, an Alfred Scholz pseudonym) orchestra: Camerata Romana (an Alfred Scholz pseudonym) and Münchener Kammerorchester (Munich Chamber Orchestra) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Georg Hlinka (conductor, an Alfred Scholz pseudonym) recording of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: I. Larghetto composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”	Georg Friedrich Händel		2:27
15	Organ Concerto no. 13: Allegro organ: Johann Biber (organist, an Alfred Scholz pseudonym) and Eberhard Kraus (organist, harpsichordist and composer) solo pipe organ: Johann Biber (organist, an Alfred Scholz pseudonym) orchestra: Camerata Romana (an Alfred Scholz pseudonym) and Münchener Kammerorchester (Munich Chamber Orchestra) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Georg Hlinka (conductor, an Alfred Scholz pseudonym) recording of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: II. Allegro composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”	Georg Friedrich Händel		3:32
16	Organ Concerto no. 13: Larghetto organ: Johann Biber (organist, an Alfred Scholz pseudonym) and Eberhard Kraus (organist, harpsichordist and composer) solo pipe organ: Johann Biber (organist, an Alfred Scholz pseudonym) orchestra: Camerata Romana (an Alfred Scholz pseudonym) and Münchener Kammerorchester (Munich Chamber Orchestra) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Georg Hlinka (conductor, an Alfred Scholz pseudonym) recording of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: III. Larghetto composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”	Georg Friedrich Händel		3:16
17	Organ Concerto no. 13: Allegro organ: Johann Biber (organist, an Alfred Scholz pseudonym) and Eberhard Kraus (organist, harpsichordist and composer) solo pipe organ: Johann Biber (organist, an Alfred Scholz pseudonym) orchestra: Camerata Romana (an Alfred Scholz pseudonym) and Münchener Kammerorchester (Munich Chamber Orchestra) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Georg Hlinka (conductor, an Alfred Scholz pseudonym) recording of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”: IV. Allegro composer: George Frideric Handel (German‐British baroque composer) part of: Organ Concerto no. 13 in F major, HWV 295 “The Cuckoo and the Nightingale”	Georg Friedrich Händel		3:23
18	Concerto Grosso no. 3: Larghetto cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra and Slovenská filharmónia (Slovak Philharmonic) conductor: Pavol Bagin and Oliver von Dohnányi (conductor) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in E minor, op. 6 no. 3, HWV 321	Georg Friedrich Händel		1:37
19	Concerto Grosso no. 3: Andante cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra and Slovenská filharmónia (Slovak Philharmonic) conductor: Pavol Bagin and Oliver von Dohnányi (conductor) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in E minor, op. 6 no. 3, HWV 321	Georg Friedrich Händel		1:47
20	Concerto Grosso no. 3: Allegro cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra and Slovenská filharmónia (Slovak Philharmonic) conductor: Pavol Bagin and Oliver von Dohnányi (conductor) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in E minor, op. 6 no. 3, HWV 321	Georg Friedrich Händel		2:56
21	Concerto Grosso no. 3: Polonaise (Andante) cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra and Slovenská filharmónia (Slovak Philharmonic) conductor: Pavol Bagin and Oliver von Dohnányi (conductor) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise, andante composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in E minor, op. 6 no. 3, HWV 321	Georg Friedrich Händel		4:33
22	Concerto Grosso no. 3: Allegro ma non troppo cello: Jozef Podhoranský violin: Quido Hölbling (violinist) and Anna Hölblingová (violinist) orchestra: Bratislava Chamber Orchestra and Slovenská filharmónia (Slovak Philharmonic) conductor: Pavol Bagin and Oliver von Dohnányi (conductor) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro ma non troppo composer: George Frideric Handel (German‐British baroque composer) (in 1739) part of: Concerto grosso in E minor, op. 6 no. 3, HWV 321	Georg Friedrich Händel		2:04
23	Aria for Harp harp: Anna Lelkes cover recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) composer: George Frideric Handel (German‐British baroque composer) (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II recording of: Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena) (ended) composer: George Frideric Handel (German‐British baroque composer) (in 1711) librettist: Giacomo Rossi part of: Rinaldo, HWV 7a: Atto II	Georg Friedrich Händel		3:36

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Discogs:	https://www.discogs.com/release/5707502 [info]
ASIN:	US: B000003QWR [info]
Allmusic:	https://www.allmusic.com/album/release/mr0002735365 [info]

Handel: The Greatest Hits

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