Star Trek III: The Search for Spock: Original Motion Picture Soundtrack (newly expanded edition)

~ Release by James Horner (see all versions of this release, 9 available)

Tracklist

1▼CD: Film Score
#TitleRatingLength
1Prologue and Main Title
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Prologue and Main Title (Star Trek III: The Search for Spock) (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
recording of:
Prologue and Main Title (Star Trek III: The Search for Spock) (from 1984-02 until 1984-02-29)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
6:32
2Klingons
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Klingons (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
recording of:
Klingons (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
5:59
3Spock’s Cabin
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Spock's Cabin
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
1:41
4The Klingon’s Plan
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
The Klingon's Plan
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
1:03
5The Mind‐Meld
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
The Mind Meld (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
The Mind Meld (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:32
6Stealing the Enterprise
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Stealing the Enterprise (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
recording of:
Stealing the Enterprise (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
8:42
7Grissom Destroyed
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Grissom Destroyed (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
recording of:
Grissom Destroyed (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
1:04
8Sunset on Genesis
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Sunset on Genesis (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
recording of:
Sunset on Genesis (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
2:18
9Spock Endures Pon Farr
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Spock Endures Pon Farr (from 1984-02-22 until 1984-02-24)
additional composer:
Alexander Courage
recording of:
Spock Endures Pon Farr (from 1984-02-27 until 1984-02-29)
additional composer:
Alexander Courage
3:05
10Bird of Prey Decloaks
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Bird of Prey Decloaks (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
Bird of Prey Decloaks (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:49
11A Fighting Chance to Live
engineer:
Bill Benton (engineer) and Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
A Fighting Chance to Live (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
recording of:
A Fighting Chance to Live (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
3:54
12Genesis Destroyed
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Genesis Destroyed (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
recording of:
Genesis Destroyed (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
2:44
13Returning to Vulcan
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
Returning to Vulcan (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
Returning to Vulcan (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:58
14The Katra Ritual
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
The Katra Ritual (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
The Katra Ritual (from 1984-02 until 1984-02-29)
orchestrator:
Greig McRitchie
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:31
15End Titles
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
End Titles (Star Trek III: The Search for Spock) (from 1984-02-22 until 1984-02-24)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
recording of:
End Titles (Star Trek III: The Search for Spock) (from 1984-02-27 until 1984-02-29)
orchestrator:
Greig McRitchie
additional composer:
Alexander Courage
composer:
James Horner (American score composer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
quotes music from:
Where No Man Has Gone Before (original Star Trek title theme)
6:19
16That Old Black Magic / Tangerine / I Remember You (Bar Source)
engineer:
Bill Benton (engineer) (task: Second Engineer)
producer:
James Horner (American score composer)
mixer:
Dan Wallin
editor:
Bob Badami
conductor:
James Horner (American score composer) (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recorded at:
Paramount Stage M in Los Angeles, California, United States (from 1984-02-22 until 1984-02-24, from 1984-02-27 until 1984-02-29)
recording of:
I Remember You (from 1984-02-22 until 1984-02-24)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
recording of:
Tangerine (1941 song) (from 1984-02-22 until 1984-02-24)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
That Old Black Magic (from 1984-02-22 until 1984-02-24)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
recording of:
I Remember You (from 1984-02-27 until 1984-02-29)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
recording of:
Tangerine (1941 song) (from 1984-02-27 until 1984-02-29)
lyricist:
Johnny Mercer
composer:
Victor Schertzinger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
recording of:
That Old Black Magic (from 1984-02-27 until 1984-02-29)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
10:32
2▶CD: 1984 Soundtrack Album