The Very Best of Buddy Holly and the Crickets

~ Pubblicazione di Buddy Holly (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1Peggy Sue Got Married
registrata a:
New York, New York, Stati Uniti (il 1958-12-05, il 1959-06-30)
produttore:
Jack Hansen
basso :
Sanford Bloch (Bass player) (il 1959-06-30)
batteria :
Panama Francis (US swing jazz drummer) (il 1959-06-30)
chitarra :
Donald Amone (il 1959-06-30)
chitarra acustica :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-12-05)
pianoforte :
Andrew Ackers (il 1959-06-30)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-12-05)
voce di accompagnamento:
The Ray Charles Singers (il 1959-06-30)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1959) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1959)
registrazione di:
Peggy Sue Got Married (dal 1958-12-05 al 1959-06-30)
compositore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
2:07
2Maybe Baby
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-09-29)
batteria :
Jerry Allison (il 1957-09-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29) e Niki Sullivan (il 1957-09-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-09-29)
voce di accompagnamento:
Bob Lapham (dal 1957-10-12 al 1957-10-14), Bill Pickering (dal 1957-10-12 al 1957-10-14) e John Pickering (vocalist and leader of The Picks) (dal 1957-10-12 al 1957-10-14)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (il 1957-09-29) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-10-12 al 1957-10-14)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 14)
registrazione di:
Maybe Baby (dal 1957-09-29 al 1957-10-14)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:04
3Early in the Morning
registrata a:
New York, New York, Stati Uniti (il 1958-06-19)
produttore:
Dick Jacobs (arranger, musician and bandleader)
basso :
Sanford Bloch (Bass player) (il 1958-06-19)
batteria :
Panama Francis (US swing jazz drummer) (il 1958-06-19) e Philip Kraus (il 1958-06-19)
chitarra :
George Barnes (il 1958-06-19), Al Chernet (il 1958-06-19) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-19)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-06-19)
sassofono tenore :
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (il 1958-06-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-19)
voce di accompagnamento:
The Helen Way Singers (il 1958-06-19), Theresa Merritt (il 1958-06-19), Maeretha Stewart (il 1958-06-19), Helen Way (il 1958-06-19) e Harriet Young (il 1958-06-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrazione cover di:
Early in the Morning (il 1958-06-19)
autore:
Bobby Darin e Woody Harris
editore:
Good Music Ltd., Royalty e United Artists Music Co., Inc.
52:08
4You're So Square (Baby, I Don't Care)
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
batteria :
Jerry Allison (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-12-19)
registrazione cover di:
(You’re So Square) Baby I Don’t Care (il 1957-12-19)
paroliere:
Jerry Leiber (nel 1957)
compositore:
Mike Stoller (nel 1957)
editore:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC e WB Music Corp. (1929–2019)
51:37
5Reminiscing
produttore:
Norman Petty
batteria :
Jerry Allison
chitarra basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
sassofono :
King Curtis (saxophonist)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1962)
registrazione di:
Reminiscing
paroliere e compositore:
King Curtis (saxophonist)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) e Nor-Va-Jak Music, Inc
2:01
6Valley of Tears
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter)
organo :
Norman Petty
pianoforte :
Vi Petty
voce:
Buddy Holly (1950s rock & roll singer‐songwriter)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1958)
registrazione cover di:
Valley of Tears
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
editore:
EMI Unart Catalog Inc., Francis, Day & Hunter e Travis Music Co.
42:09
7Learning the Game
produttore:
Norman Petty
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1966)
registrazione di:
Learning the Game
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Southern Music Pub. Co. Ltd.
2:02
8Look at Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
percussione [cardboard box] :
Jerry Allison (il 1957-12-19)
pianoforte :
Vi Petty (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-12-19)
registrazione di:
Look at Me (dal 1957-05 al 1957-07)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
52:05
9Fool's Paradise
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (nel 1958-02)
batteria :
Jerry Allison (nel 1958-02)
chitarra e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (nel 1958-02)
pianoforte :
Vi Petty (nel 1958-02)
voce di accompagnamento:
The Roses (American rock backing vocal trio) (nel 1958-02)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (nel 1958-02)
registrazione di:
Fool’s Paradise (nel 1958-02)
autore:
Sonny LeGlaire, Horace Linsley (songwriter) e Norman Petty
editore:
McCartney Music, Inc. e Southern Music Publ. Co. Ltd.
32:30
10Take Your Time
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter)
organo :
Norman Petty
voce:
Buddy Holly (1950s rock & roll singer‐songwriter)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrazione di:
Take Your Time
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
51:58
11Not Fade Away
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-27)
batteria :
Jerry Allison (il 1957-05-27, il 1957-05-29)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
contrabbasso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-27)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 107)
registrazione di:
Not Fade Away (il 1957-05-27)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
registrazione di:
Not Fade Away (il 1957-05-29)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
4.652:23
12Blue Monday
produttore:
Norman Petty
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1969)
registrazione cover di:
Blue Monday
autore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
editore:
Chappell Music (UK) e Chappell Music Ltd.
52:02
13Girl on My Mind
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-07-22)
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly) (il 1956-07-22)
batteria :
Jerry Allison (il 1956-07-22)
chitarra :
Sonny Curtis (il 1956-07-22) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-07-22)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-07-22)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1958)
registrazione di:
Girl on My Mind (il 1956-07-22)
autore:
Don Guess (best known for his association with Buddy Holly)
editore:
Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
52:18
14Love Me
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-01-26)
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly) (il 1956-01-26)
chitarra [lead guitar] :
Sonny Curtis (il 1956-01-26)
chitarra [rhythm guitar] :
Grady Martin (country/rockabilly guitarist) (il 1956-01-26)
percussione :
Doug Kirkham (il 1956-01-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-01-26)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1956) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1956)
registrazione di:
Love Me (Buddy Holly Song) (il 1956-01-26)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
2:07
15Baby Won't You Come Out Tonight
produttore:
Norman Petty
batteria :
Jerry Allison
chitarra :
Sonny Curtis
chitarra basso :
Don Guess (best known for his association with Buddy Holly)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1983)
registrazione di:
Baby, Won't You Come Out Tonight
paroliere e compositore:
Don Guess (best known for his association with Buddy Holly)
editore:
Universal Cedarwood Publishing
1:54
16Rock-A-Bye Rock
registrata a:
Clovis, New Mexico, Stati Uniti (dal 1956-02 al 1956-04)
tecnico di registrazione:
Norman Petty (dal 1956-02 al 1956-04)
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1956-02 al 1956-04)
chitarra :
Sonny Curtis (dal 1956-02 al 1956-04) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-02 al 1956-04)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1956-02 al 1956-04)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1983)
registrazione di:
Rock-a-Bye Rock (dal 1956-02 al 1956-04)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
2:24
17Send Me Some Lovin'
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) e Niki Sullivan
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly)
voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrazione cover di:
Send Me Some Lovin’
paroliere:
Leo Price
compositore:
John Marascalco
editore:
ATV Music Corp., Robin Hood Music Co. e Sony/ATV Songs LLC
2:35
18Moondreams
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1960)
registrazione cover di:
Moondreams
autore:
Norman Petty
editore:
Wren Music Co.
2:41
19You've Got Love
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (dal 1957-09-27 al 1957-09-28)
batteria :
Jerry Allison (dal 1957-09-27 al 1957-09-28)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1957-09-28) e Niki Sullivan (dal 1957-09-27 al 1957-09-28)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-09-27 al 1958-09-28)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-09-28 al 1957-11-27)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, Stati Uniti (dal 1957-09-27 al 1957-09-28) e Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-09-28 al 1957-11-27)
registrazione di:
You’ve Got Love (dal 1957-09-27 al 1957-11-27)
autore:
Roy Orbison, Norman Petty e Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
42:07
20Ready Teddy
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) e Niki Sullivan
pianoforte :
Vi Petty
voce:
Buddy Holly (1950s rock & roll singer‐songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1958)
registrazione cover di:
Ready Teddy
paroliere e compositore:
Robert “Bumps” Blackwell e John Marascalco
editore:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC e Venice Music, Inc.
1:33
21You're the One
produttore:
Norman Petty
voce di accompagnamento:
The Fireballs (USA 1960s surf rock band)
esecutore:
Slim Corbin e Waylon Jennings (US country musician)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
registrazione di:
You’re the One
autore:
Slim Corbin, Buddy Holly (1950s rock & roll singer‐songwriter) e Waylon Jennings (US country musician)
editore:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
2:03
22You Are My One Desire
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly)
chitarra :
Grady Martin (country/rockabilly guitarist)
pianoforte :
Floyd Cramer
sassofono tenore :
Dutch McMillin (saxophonist)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1956) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1956)
registrazione di:
You Are My One Desire
autore:
Don Guess (best known for his association with Buddy Holly) e Jack Neal
editore:
Palace Music, Unichappell Music, Inc. e Valley Music Ltd (publisher)
2:23
23Changing All Those Changes
produttore:
Norman Petty
basso :
Don Guess (best known for his association with Buddy Holly)
batteria :
Jerry Allison
chitarra :
Sonny Curtis
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1983)
registrazione di:
I’m Changing All These Changes
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Cedarwood Music e Cedarwood Pub. Co., Inc.
1:41
24That Makes It Tough
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1960)
registrazione di:
That Makes It Tough
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Southern Music (publisher)
2:28
25It's Too Late
produttore:
Norman Petty
batteria :
Jerry Allison (dal 1957-05 al 1957-07)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1957-05 al 1957-07)
voce di accompagnamento:
The Picks (American vocal Quartet that backed Buddy Holly) (dal 1957-05 al 1957-07)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1957-05 al 1957-07)
registrazione cover di:
It’s Too Late (dal 1957-05 al 1957-07)
paroliere e compositore:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
editore:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. e Unichappell Music, Inc.
52:25

Accreditamenti

Pubblicazione

fabbricata a:Europa
design:Peacock (art direction, design)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 2008)
Discogs:https://www.discogs.com/release/5465027 [info]
ASIN:UK: B001OBWY9O [info]