Baroque Collection

~ Release by The King’s Consort (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Dixit Dominus
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 1997-01-05 until 1997-01-07)
orchestra:
The King’s Consort (from 1997-01-05 until 1997-01-07)
conductor:
Robert King (conductor and harpsichordist) (from 1997-01-05 until 1997-01-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-01-05 until 1997-01-07)
recording of:
Dixit Dominus, RV 595: I. Dixit Dominus (from 1997-01-05 until 1997-01-07)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Dixit Dominus, RV 595
Antonio Vivaldi2:02
2Welcome as the dawn of day from Solomon
recording of:
Solomon, HWV 67: Act I, Scene II. Duet "Welcome as the dawn of day" (Solomon, Queen)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
part of:
Solomon, HWV 67: Act I
George Frideric Handel3:34
3Harelquinade and Aeolus from Wassermusik
recording of:
Ouverture-Suite, TWV 55:C3 "Hamburger Ebb und Fluth": VI. Harlequinade. Die scherzenden Tritonen
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite, TWV 55:C3 "Hamburger Ebb und Fluth"
recording of:
Ouverture-Suite, TWV 55:C3 "Hamburger Ebb und Fluth": VII. Der stürmende Aeolus
composer:
Georg Philipp Telemann (composer)
part of:
Ouverture-Suite, TWV 55:C3 "Hamburger Ebb und Fluth"
Georg Philipp Telemann3:15
4Who is like unto Thee, O Lord? from The Occasional Oratorio
recording of:
The Occasional Oratorio, HWV 62: Act III. “Who Is Like Unto Thee, O Lord?”
composer:
George Frideric Handel (German‐British baroque composer) (from 1746-01 until 1746-02)
part of:
The Occasional Oratorio, HWV 62: Act III
George Frideric Handel3:33
5Musette from The Occasional Oratorio
recording of:
The Occasional Oratorio, HWV 62: Act III. Symphony. Musette
composer:
George Frideric Handel (German‐British baroque composer) (from 1746-01 until 1746-02)
part of:
The Occasional Oratorio, HWV 62: Act III
George Frideric Handel4:40
6Gloria in excelsis Deo from Mass in B minor
orchestra:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
compilation of:
Mass in B minor, BWV 232: II. Gloria. Gloria in excelsis Deo by The King’s Consort, Robert King (conductor and harpsichordist) and Mass in B minor, BWV 232: II. Gloria. Et in terra pax hominibus by The King’s Consort, Robert King (conductor and harpsichordist)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach6:24
7Esurientes implevit from Magnificat
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 1994-08-07 until 1994-08-09)
soprano vocals:
Susan Gritton (soprano) (from 1994-08-07 until 1994-08-09) and Lisa Milne (soprano) (from 1994-08-07 until 1994-08-09)
orchestra:
The King’s Consort (from 1994-08-07 until 1994-08-09)
conductor:
Robert King (conductor and harpsichordist) (from 1994-08-07 until 1994-08-09)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1995)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1994-08-07 until 1994-08-09)
recording of:
Magnificat, RV 610a: 6. Esurientes implevit bonis (from 1994-08-07 until 1994-08-09)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Magnificat, RV 610a
Antonio Vivaldi1:48
8To God who made the radiant sun from Alexander Balus
recording of:
Alexander Balus, HWV 65: Act III. “To God Who Made the Radiant Sun”
lyricist:
Thomas Morell
composer:
George Frideric Handel (German‐British baroque composer) (from 1747-06-01 until 1747-07-04)
part of:
Alexander Balus, HWV 65: Act III
George Frideric Handel3:16
9Hear my prayer, o Lord
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort
orchestra and performer:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
recording of:
Hear My Prayer, O Lord, Z. 15
lyricist:
[anonymous] (special purpose artist)
composer:
Henry Purcell (Baroque composer)
part of:
Henry Purcell: An Analytical Catalogue of His Music (number: Z. 15)
Henry Purcell2:18
10Andante from Trio Sonata in D minor
instruments:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
arranger:
Robert King (conductor and harpsichordist)
recording of:
Triosonate Nr. 3 d-Moll, BWV 527: I. Andante (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Triosonate für Orgel Nr. 3 d-Moll, BWV 527: I. Andante
Johann Sebastian Bach4:50
11Oh! fair Cedaria
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
bass viol:
Mark Caudle (cellist and bass violist)
chamber organ:
Robert King (conductor and harpsichordist)
theorbo:
David Miller (UK lutenist, theorbist and guitarist)
soprano vocals:
Barbara Bonney (soprano)
conductor:
Robert King (conductor and harpsichordist)
recording of:
Song, Z 402: "O! fair Cedaria, hide those eyes"
composer:
Henry Purcell (Baroque composer)
Henry Purcell5:09
12In Jehovah's awful sight from Deborah
engineer:
Philip Hobbs (engineer/producer) (from 1993-07-24 until 1993-08-04)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals [Deborah]:
Yvonne Kenny (Australian soprano) (from 1993-07-24 until 1993-08-04)
orchestra:
The King’s Consort (from 1993-07-24 until 1993-08-04)
conductor:
Robert King (conductor and harpsichordist) (from 1993-07-24 until 1993-08-04)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1993-07-24 until 1993-08-04)
recording of:
Deborah, HWV 51: Act II, No. V. Air "In Jehovah’s awful sight" (Deborah) (from 1993-07-24 until 1993-08-04)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Deborah, HWV 51: Act II
George Frideric Handel2:33
13In furore iustissimae irae
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Deborah York (from 1996-02-12 until 1996-02-14)
orchestra:
The King’s Consort (from 1996-02-12 until 1996-02-14)
conductor:
Robert King (conductor and harpsichordist) (from 1996-02-12 until 1996-02-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1996-02-12 until 1996-02-14)
recording of:
In furore iustissimae irae, RV 626: I. Aria "In furore iustissimae" (from 1996-02-12 until 1996-02-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (from 1722 until 1724)
part of:
In furore iustissimae irae, RV 626
Antonio Vivaldi4:38
14Alla Hornpipe from Water Music
recording of:
Water Music, Suite no. 2 in D major, HWV 349: 12. Alla hornpipe
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 2 in D major, HWV 349
George Frideric Handel2:58
15Be welcome then, great Sir
engineer:
Philip Hobbs (engineer/producer), Antony Howell (engineer) and Nicholas Parker (classical violinist, producer, engineer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
countertenor vocals:
James Bowman (UK countertenor)
orchestra:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
recording of:
Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir"
composer:
Henry Purcell (Baroque composer) (in 1683)
Henry Purcell3:34
16Country Dances from Water Music
partial recording of:
Water Music, Suite no. 3 in G major, HWV 350: 21. (Country Dance) / 22. (Country Dance) / 21. (Country Dance) da capo
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 3 in G major, HWV 350
George Frideric Handel1:29
17Erbarme dich from St Matthew Passion
violin:
David Woodcock (violinist)
alto vocals:
James Bowman (UK countertenor)
orchestra:
The King’s Consort
conductor:
Robert King (conductor and harpsichordist)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1999)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:28
18Overture to The Summer's Absence Unconcerned
recording of:
The summer's absence unconcerned we bear, Z. 337: Symphony
composer:
Henry Purcell (Baroque composer) (in 1682)
part of:
The summer's absence unconcerned we bear, Z. 337
Henry Purcell2:35
19La Réjouissance from Fireworks Music
recording engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
orchestra:
The King’s Consort (on 1989-01-16)
conductor:
Robert King (conductor and harpsichordist) (on 1989-01-16)
recorded at:
St. Barnabas Church (Woodside Park, Finchley, London N12) in Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (on 1989-01-16)
recording of:
Music for the Royal Fireworks, HWV 351: IV. La Réjouissance (on 1989-01-16)
composer:
George Frideric Handel (German‐British baroque composer) (in 1749)
part of:
Music for the Royal Fireworks, HWV 351
George Frideric Handel2:19
20Salvator noster
recording of:
Salvator noster à 15, Ch. 80 (Sacrae symphoniae, Liber 2)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 80)
part of:
Sacrae symphoniae, Liber 2
Giovanni Gabrieli4:13
21Dona nobis pacem from Mass in B minor
recording engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1996-09-27 until 1996-10-02)
orchestra:
The King’s Consort (from 1996-09-27 until 1996-10-02)
conductor:
Robert King (conductor and harpsichordist) (from 1996-09-27 until 1996-10-02)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1997)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 1996-09-27 until 1996-10-02)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:39