| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | La Bamba | Ritchie Valens | 4.75 | 2:08 |
| 2 | Everybody Loves to Cha‐Cha‐Cha | Sam Cooke | | 2:40 |
| 3 | I’ve Got to Do a Little Bit Better | Joe Tex | | 3:00 |
| 4 | This Is My Country | The Impressions | | 2:45 |
| 5 | Louie Louie | The Kingsmen | 3.8 | 2:45 |
| 6 | Brown Eyed Girl- recording engineer:
- Brooks Arthur (am 1967-03-28)
- Produzent(in):
- Bert Russell Berns
- Bassgitarre:
- Eric Gale (am 1967-03-28)
- Gitarre:
- Al Gorgoni (am 1967-03-28), Hugh McCracken (am 1967-03-28) und Van Morrison (am 1967-03-28)
- Orgel:
- Garry Sherman (am 1967-03-28)
- Schlagzeug:
- Gary Chester (am 1967-03-28)
- Hintergrundgesang:
- The Sweet Inspirations (am 1967-03-28)
- Sologesang:
- Van Morrison (am 1967-03-28)
- Interpret(in):
- Van Morrison (am 1967-03-28)
- phonographisches Urheberrecht (℗) von:
- Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (in 1967), Charly Records (in 1968) und Exile Productions Ltd. (in 1973)
- aufgenommen bei:
- A&R Recording Studio A in New York, New York, Vereinigte Staaten (am 1967-03-28) und A&R Recording Studio in New York, New York, Vereinigte Staaten (am 1967-04-07)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (Nummer: 71) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 109)
- recording of:
- Brown Eyed Girl (von 1967-03-28 bis 1967-04-07)
- Texter und Komponist(in):
- Van Morrison
- publisher:
- Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing , Universal Music Publishing Ltd. , Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) und Polygram Publishing AB (in 1992)
| Van Morrison | 3.5 | 3:05 |
| 7 | No Milk Today (live) | Peter Noone | | 3:06 |
| 8 | Shape of Things | The Yardbirds | | 2:26 |
| 9 | Man of the World | Fleetwood Mac | | 2:49 |
| 10 | Choker | Eric Clapton feat. Jimmy Page | | 1:25 |
| 11 | All or Nothing | Small Faces | | 3:04 |
| 12 | Pretty Belinda | Chris Andrews | | 2:40 |
| 13 | Long Live Love | Sandie Shaw | | 2:40 |
| 14 | Surfin’ Safari | The Beach Boys | | 1:58 |
| 15 | In Between | Flamin’ Groovies | | 2:40 |
| 16 | When a Man Loves a Woman- Produzent(in):
- Marlin Greene und Quin Ivy
- Farfisa-Orgel [farfisa organ]:
- Spooner Oldham (am 1966-02-17)
- Gitarre:
- Marlin Greene (am 1966-02-17)
- Kontrabass:
- Albert Lowe Jr. (am 1966-02-17)
- Schlagzeug:
- Roger Hawkins (am 1966-02-17)
- vocals:
- Percy Sledge (am 1966-02-17)
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (, in 1966) und Atlantic Recording Corporation (in 1966)
- aufgenommen bei:
- Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
- Teil von:
- Rolling Stone: 500 Greatest Songs of All Time (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (am 1966-02-17)
- Verfasser(in):
- Calvin Lewis, Percy Sledge und Andrew Wright
- publisher:
- Mijac Music, Warner Bros. Music Ltd. , Warner Chappell, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (vom 1966 bis heute), Pronto (in 1972) und Quinvy (in 1972)
| Percy Sledge | 4.35 | 2:56 |
| 17 | He’s So Fine | The Chiffons | 3.35 | 1:52 |
| 18 | Little Miss Understood | Rod Stewart | | 3:33 |
| 19 | Pictures of Matchstick Men | Status Quo | | 3:09 |
| 20 | Happy Together | The Turtles | 4.4 | 2:55 |
| 21 | The Letter- Produzent(in):
- Dan Penn
- phonographisches Urheberrecht (℗) von:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) und Atoll Music (in 1968)
- Teil von:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (Nummer: 357) und Rolling Stone: 500 Greatest Songs of All Time (Nummer: 364)
- recording of:
- The Letter (in 1967)
- Texter und Komponist(in):
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. und Warner Chappell Music
| The Box Tops | 4.15 | 1:55 |
| 22 | Wild Thing | The Troggs | 4.4 | 2:37 |
| 23 | Tell It Like It Is | Aaron Neville | | 2:40 |
| 24 | Stand by Me- recorded in:
- New York, New York, Vereinigte Staaten (am 1960-10-27)
- Produzent(in):
- Leiber and Stoller
- vocals:
- Ben E. King (am 1960-10-27)
- conductor:
- Stan Applebaum (am 1960-10-27)
- arranger:
- Stan Applebaum
- phonographisches Urheberrecht (℗) von:
- HHO Ltd. , WEA International Inc. (in 1960, in 1961), Atlantic Recording Corporation (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
- Teil von:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
- recording of:
- Stand by Me (am 1960-10-27)
- publisher:
- Mike Stoller
- Verfasser(in):
- Ben E. King, Jerry Leiber und Mike Stoller
- publisher:
- A.D.T. Enterprises, Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt , Melodie der Welt GmbH & Co. KG , Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music , Trio Music Co., Inc., Unichappell Music und Universal Music Publishing
| Ben E. King | 4.65 | 3:00 |
| 25 | Many Rivers to Cross | Jimmy Cliff | | 2:40 |