Triple J: Hottest 100 of Australian Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Never Tear Us Apart
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 1)
registrazione di:
Never Tear Us Apart
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
MCA Music Ltd., Stuffed Monkey e Warner/Chappell (Warner/Chappell Music, Inc.)
INXS?:??
2The Nosebleed Section
produttore:
Suffa
registrata presso:
triple j's One Night Stand - Gippsland, Victoria (2009-05-30)
diritti fonografici (℗) detenuti da:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 2016)
registrata presso e mixata presso:
X-Bred Production Studios in Adelaide, South Australia, Australia
campionamenti:
People in the Front Row di Melanie (US singer‐songwriter Melanie Safka)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 2) e Triple J’s Hottest 100: Twenty Years (2013) (numero: 4)
registrazione di:
Nosebleed Section
autore:
Barry Francis (Australian hip hop producer DJ Debris, member of Hilltop Hoods), Matt Lambert (Australian rapper and producer Suffa of Hilltop Hoods), Melanie Safka (US singer‐songwriter Melanie Safka) e Daniel Smith (Australian rapper aka Pressure)
Hilltop Hoods4?:??
3Untouched
programmazione, produttore e tecnico di missaggio:
Toby Gad (German songwriter, producer, pianist)
strumenti:
Toby Gad (German songwriter, producer, pianist)
voce:
The Veronicas
diritti fonografici (℗) detenuti da:
Sire Records e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 3), Billboard Year-End Hot 100 singles of 2009 (numero: 69) e Pitchfork Presents: The 100 Best Tracks of 2008 (numero: 87)
registrazione di:
Untouched
compositore:
Toby Gad (German songwriter, producer, pianist), Jessie Veronica e Lisa Veronica
The Veronicas4.35?:??
4Scar
basso elettrico :
Keith Christopher (American bassist)
batteria :
Dean Butterworth
chitarra :
Stuart Mathis (guitarist)
chitarra [electric & acoustic guitars] :
John Porter (producer and musician US and UK)
chitarra acustica :
Jay Newland (producer, engineer and mixer)
flicorno soprano :
Darrell Leonard
percussione :
Debra Dobkin
tastiera :
Jamie Muhoberac
violoncello elettrico :
Martin Tillman
voce:
Missy Higgins
diritti fonografici (℗) detenuti da:
Eleven: A Music Company (nel 2004)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 4)
registrazione di:
Scar
editore:
Missy Higgins
autore:
Kevin Griffin (member of Better Than Ezra) e Missy Higgins
editore:
Mushroom Music Pty. Ltd.
Missy Higgins3?:??
5Don't Dream It's Over
tecnico di registrazione:
Tchad Blake e Dennis Kirk
assistente tecnico:
Glen Holguin (engineer)
produttore:
Mitchell Froom
tecnico di missaggio:
Michael Frondelli
basso :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra elettrica [Gibson Les Paul Goldtop] e voce principale:
Neil Finn
chitarra elettrica [Tom Anderson “S” Style] :
Tim Pierce (US session guitarist)
congas , mbira [kalimba] e shaker :
Jorge Bermudez
organo e tastiera :
Mitchell Froom
voce di accompagnamento:
Noel Crombie, Jim Gilstrap, Andy Milton e Joe Satriani
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1986)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti e Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 5)
registrazione di:
Don’t Dream It’s Over
paroliere e compositore:
Neil Finn
editore:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 2)
Crowded House3.9?:??
6My Happiness
tecnico di registrazione e tecnico di missaggio:
Nick DiDia
produttore:
Nick DiDia e Powderfinger (Australian rock band)
diritti fonografici (℗) detenuti da:
Grudge Records Australia (nel 2000)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 6) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2000)
registrazione di:
My Happiness
autore:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug e Darren Middleton
editore:
Egg the Nest Music e Kobalt Music Publishing Australia P/L
Powderfinger4?:??
7Flame Trees
produttore:
Cold Chisel
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
tastiera :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 7)
registrazione di:
Flame Trees
autore:
Steve Prestwich e Don Walker (Australian musician and songwriter, member of Cold Chisel)
Cold Chisel?:??
8Khe Sanh
tecnico:
Alan Wright (engineer)
armonica (a bocca) :
Dave Blight
basso :
Phil Small
batteria :
Steve Prestwich
chitarra :
Ian Moss
chitarra acustica :
Peter Walker (Australian producer & engineer)
organo e pianoforte :
Don Walker (Australian musician and songwriter, member of Cold Chisel)
diritti fonografici (℗) detenuti da:
Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited), Cold Chisel Pty Ltd (nel 1991, nel 2001) e Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 8)
registrazione di:
Khe Sanh
paroliere e compositore:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
editore:
Rondor Music, Rondor Music (Australia) Pty Ltd e Universal Music Publishing Group, Pty. Ltd
Cold Chisel?:??
9How to Make Gravy
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 9)
registrazione di:
How to Make Gravy
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Sony/ATV Music Publishing
Paul Kelly?:??
10Somebody That I Used to Know
tecnico di registrazione:
Wally De Backer (chitarra basso)
produttore:
Wally De Backer
assistente tecnico di missaggio:
Wally De Backer
tecnico di missaggio:
François Tétaz (Australian film composer)
campionatore [guitar, flutes, percussion and synth samples] :
Wally De Backer
chitarra basso :
Lucas Taranto
voce di accompagnamento e voce principale:
Kimbra (New Zealand singer-songwriter) e Wally De Backer
diritti fonografici (℗) detenuti da:
Samples ’n’ Seconds Records (nel 2011) e Samples ’n’ Seconds Records Pty Ltd (nel 2011)
registrata presso:
Lucas' Loungeroom in Melbourne, Victoria, Australia (basso) e The Barn in Merricks, Shire of Mornington Peninsula, Victoria, Australia (basso)
mixata presso:
Moose Mastering in Richmond, Queensland, Australia
campionamenti:
Seville di Luiz Bonfá
video musicali:
Somebody That I Used to Know di Gotye feat. Kimbra (New Zealand singer-songwriter)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 10), Billboard Year-End Hot 100 singles of 2012 (numero: 1), MIA Award: Song of the Year (numero: 2011), Billboard Decade End Chart: Adult Contemporary Songs (2010s) (numero: 8), Grammy Award: Best Pop Duo/Group Performance nominees (numero: 2013 winner), Triple J’s Hottest 100: Twenty Years (2013) (numero: 9), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 24), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2011), Billboard: Greatest of All Time Hot 100 Songs (numero: 36), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 49), Stereogum: The 200 Best Songs of the 2010s (numero: 161) e Indie 88: Top 500 Indie Rock Songs (numero: 404)
registrazione di:
Somebody That I Used to Know
paroliere:
Walter De Backer
compositore:
Luiz Bonfá e Walter De Backer
editore:
J. Albert & Son Pty. Ltd., Kobalt Music Publishing Australia Pty Ltd, Op Shop Songs Pty Ltd., Songs of Kobalt Music Publishing, Unichappell Music, Inc. e Warner/Chappell Music Australia Pty. Ltd.
parte di:
Matuschkes Lieblinge 2011
Gotye featuring Kimbra4.15?:??
11Sweet Disposition
produttore:
Jim Abbiss
chitarra :
Simon Nygaard
voce di accompagnamento:
Joseph Greer
diritti fonografici (℗) detenuti da:
EuropaCorp (nel 2014)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 11) e Indie 88: Top 500 Indie Rock Songs (numero: 489)
registrazione di:
Sweet Disposition
autore:
Dougy Mandagi e Lorenzo Sillitto
The Temper Trap3.65?:??
12Am I Ever Gonna See Your Face Again
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1976)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 12)
registrazione di:
Am I Ever Gonna See Your Face Again?
paroliere e compositore:
John Brewster, Rick Brewster e Doc Neeson
editore:
BMG AM Pty Limited e J. Albert & Son Pty. Ltd.
The Angels?:??
13Thunderstruck
tecnico di registrazione aggiunto:
Ken Lomas e Ian Taylor (rock producer/engineer)
assistente tecnico:
Brian Dobbs (US metal producer/engineer) e Sean Leonard (Irish engineer)
tecnico e tecnico di missaggio:
Mike Fraser (Canadian record producer, engineer and mixer)
produttore:
Bruce Fairbairn
batteria [drums] :
Chris Slade
chitarra [lead guitar] :
Angus Young (member of AC/DC)
chitarra [rhythm guitar] :
Malcolm Young (guitar player for AC/DC)
chitarra basso :
Cliff Williams
voce:
Brian Johnson (AC/DC lead singer)
diritti fonografici (℗) detenuti da:
Leidseplein Presse B.V. (not for release label use!) (nel 1990)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 13), The Downloader’s Music Source Book (numero: 116) e BILLIONS CLUB
registrazione di:
Thunderstruck
autore:
Angus Young (member of AC/DC) e Malcolm Young (guitar player for AC/DC)
editore:
J. Albert & Son (USA) Inc. e J. Albert & Son Pty. Ltd.
AC/DC4.35?:??
14These Days
tecnico di registrazione e tecnico di missaggio:
Nick DiDia
produttore:
Nick DiDia e Powderfinger (Australian rock band)
diritti fonografici (℗) detenuti da:
Grudge Records Australia (nel 2000)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 14), Triple J’s Hottest 100: Twenty Years (2013) (numero: 8) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1999)
registrazione di:
These Days
autore:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug, Darren Middleton e Powderfinger (Australian rock band)
editore:
Mushroom Music (Mushroom label’s publishing company)
Powderfinger4?:??
15You're the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.1?:??
16Innerbloom
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 16)
registrazione di:
Innerbloom
autore:
RÜFÜS DU SOL (Australian band, fka RÜFÜS)
RÜFÜS DU SOL?:??
17Tomorrow
tecnico di registrazione e tecnico di missaggio:
Kevin Shirley (producer & mixer)
produttore:
Kevin ‘Caveman’ Shirley (producer & mixer)
diritti fonografici (℗) detenuti da:
Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1994) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1995)
registrata presso:
Festival Studio in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia
mixata presso:
Eclipse Studio in Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 17)
registrazione di:
Tomorrow
paroliere e compositore:
Ben Gillies e Daniel Johns
editore:
Kobalt Music Publishing Ltd. (UK), Tinia Flab Music, Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1995), Sony/ATV Music Publishing Australia Pty Ltd. (dal 1997-10-14 al 2020-12-15) e Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) (dal 2020-12-15 a oggi)
Silverchair4.1?:??
18Beds Are Burning
supporto artisti & repertorio (A&R):
S. Ralbovsky
assistente tecnico:
Kathy Naunton (editor)
tecnico:
Guy Gray
produttore:
Warne Livesey e Midnight Oil (Australian rock band)
basso :
Peter Gifford
batteria [drums] :
Rob Hirst
chitarra :
Jim Moginie e Martin Rotsey
corno francese :
Jeremy Smith (Horns)
tastiera :
Warne Livesey e Jim Moginie
trombone :
Glad Reed
violoncello :
John Ockwell (Cello Artist)
diritti fonografici (℗) detenuti da:
Midnight Oil (Australian rock band) (nel 1987)
diritti fonografici (℗) detenuti da:
Midnight Oil Ents Pty Ltd (nel 1987) e Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1987)
registrata presso:
Alberts Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 18) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 95)
registrazione di:
Beds Are Burning
autore:
Peter Garrett, Rob Hirst e Jim Moginie
editore:
Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Sprint Music Pty. Ltd.
Midnight Oil4.5?:??
19The Less I Know the Better
tecnico di registrazione, produttore e tecnico di missaggio:
Kevin Parker (Australian singer and producer)
strumenti e voce:
Kevin Parker (Australian singer and producer)
diritti fonografici (℗) detenuti da:
Modular Recordings (Australian label) (nel 2015)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 19), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2020 (Of the Decade)) e Indie 88: Top 500 Indie Rock Songs (numero: 338)
registrazione di:
The Less I Know the Better
paroliere e compositore:
Kevin Parker (Australian singer and producer)
editore:
BMG Chrysalis (may be used as an imprint, trade name of BMG Rights Management in the US/UK/SE), BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation) e Sony/ATV (Australia)
Tame Impala4.35?:??
20Big Jet Plane
tecnico:
Tom Bailey (engineer)
co-produttore:
Govinda Doyle
produttore:
Angus & Julia Stone
tecnico di missaggio:
Kieran Kelly
batteria [drums] :
Glen Absolum
viola :
John Metcalfe (UK‐based composer, arranger and violist)
violino :
Louisa Fuller (violinist) e Sally Herbert (violinist, composer, and conductor)
violoncello :
Chris Worsey (cellist)
arrangiatore archi [string] :
Sally Herbert (violinist, composer, and conductor)
diritti fonografici (℗) detenuti da:
Angus and Julia Stone (nel 2009)
lavorazione tecnica effettuata presso:
Strongroom in Shoreditch, Hackney, London (Greater London), England, Regno Unito
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 20) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2010)
registrazione di:
Big Jet Plane
autore:
Angus Stone e Julia Stone
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Angus & Julia Stone4?:??
21Down Under
tecnico:
Jim Barbour e Peter McIan
tecnico aggiunto:
Paul Ray (70s/80s US engineer)
produttore:
Peter McIan
basso :
John Rees
batteria :
Jerry Speiser (drummer for Men at Work)
chitarra :
Ron Strykert
legni e tastiera :
Greg Ham (member of Men at Work)
voce:
Colin Hay
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1981, nel 1982), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1982) e Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (nel 1986)
registrata presso:
Richmond Recorders in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 21) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 96)
registrazione di:
Down Under (Men at Work song, “Do you come from a land down under?”)
paroliere:
Colin Hay
compositore:
Colin Hay e Ron Strykert
editore:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Men at Work3.95?:??
22To Her Door
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 22)
registrazione di:
To Her Door
paroliere e compositore:
Paul Kelly (Australian singer/songwriter)
editore:
Mushroom Music Publishing e Sony/ATV Music Publishing
The Coloured Girls3?:??
23Are You Gonna Be My Girl
assistente tecnico:
Evil Chris
tecnico:
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
tecnico aggiunto:
Greg Gordon (producer/engineer)
produttore e tecnico di missaggio:
Brooklyn’s own Dave Sardy (American score composer)
editor:
Greg Gordon (producer/engineer)
batteria :
Chris Cester
chitarra :
Cam Muncey e Nic Cester
chitarra aggiunto:
Brooklyn’s own Dave Sardy (American score composer)
chitarra basso :
Mark Wilson (Bass player for Jet)
voce:
Cam Muncey, Chris Cester e Nic Cester
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2003), Real Horrorshow Pty. Ltd. (nel 2003) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2003)
registrata presso:
Larrabee East in Los Angeles, California, Stati Uniti e Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
video musicali:
Are You Gonna Be My Girl di Jet (Australian garage rock band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 23), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2003), Sean Michaels: The Top 30 Songs of 2003 (numero: runner-up) e Indie 88: Top 500 Indie Rock Songs (numero: 364)
registrazione di:
Are You Gonna Be My Girl
autore:
Nic Cester e Cameron Muncey
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.7?:??
24Walking on a Dream
tecnico di registrazione e tecnico di missaggio:
Peter Mayes
tecnico di registrazione aggiunto:
Chris Vallejo
co-produttore:
Peter Mayes
produttore:
Donnie Sloan
diritti fonografici (℗) detenuti da:
Nick Littlemore (nel 2008)
diritti fonografici (℗) detenuti da:
The Sleepy Jackson Pty Ltd. (nel 2008)
video musicali:
Walking on a Dream di Empire of the Sun
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 24), triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (numero: 4), Pitchfork Presents: The 100 Best Tracks of 2008 (numero: 96) e Indie 88: Top 500 Indie Rock Songs (numero: 146)
registrazione di:
Walking on a Dream
paroliere:
Nick Littlemore e Jonathan Sloan
compositore:
Jonathan Sloan e Luke Steele
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Music Publishing Australia Pty Ltd. e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Empire of the Sun3.9?:??
25Throw Your Arms Around Me
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 25)
registrazione di:
Throw Your Arms Around Me
autore:
John Archer (guitarist in Hunters & Collectors), Geoff Crosby, Doug Falconer, Jack Howard (trumpeter), Robert Miles (recording/mixing engineer), Mark Seymour e Michael Waters
editore:
IRS Music, Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Hunters & Collectors?:??
26Never Be Like You
produttore:
Flume (Australian DJ and producer)
tecnico di missaggio:
Eric J. Dubowsky e Harley Streten (Australian DJ and producer)
diritti fonografici (℗) detenuti da:
Future Classic (nel 2016)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 26), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2016) e Billboard Year-End Hot 100 singles of 2016 (numero: 60)
registrazione di:
Never Be Like You
paroliere:
Alessia de Gasperis Brigante (Canadian singer/songwriter)
compositore:
Alessia de Gasperis Brigante (Canadian singer/songwriter), Geoffrey Earley (American singer/songwriter, producer, rapper, and multi‐instrumentalist) e Harley Streten (Australian DJ and producer)
editore:
Artist 101 Publishing Group, Future Classic Publishing Pty. Ltd. e Songs Music Publishing
Flume featuring kai3.55?:??
27Can't Get You Out of My Head
programmazione degli strumenti:
Rob Davis (songwriter/producer was in Mud)
tecnico e tecnico di missaggio:
Tim Orford
produttore:
Rob Davis (songwriter/producer was in Mud) e Cathy Dennis
chitarra elettrica e tastiera :
Rob Davis (songwriter/producer was in Mud)
voce di accompagnamento e voce principale:
Kylie Minogue
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2001) e KDB Pty Limited (nel 2001)
è stato produttore per:
19 Productions
video musicali:
Can’t Get You Out of My Head di Kylie Minogue
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 27), Billboard Year-End Hot 100 singles of 2002 (numero: 45) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 207)
registrazione di:
Can’t Get You Out of My Head
paroliere:
Cathy Dennis
compositore:
Rob Davis (songwriter/producer was in Mud)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Toxic Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal‐MCA Music Publishing (US), Universal/MCA Music Limited (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Kylie Minogue3.95?:??
28Straight Lines
tecnico di registrazione:
Nick Launay
assistente produttore:
Scott Horscroft (Australian producer) e Paul Mac (Australian musician, producer and remixer)
produttore:
Daniel Johns e Nick Launay
assistente tecnico di missaggio:
Giancarlo Gallo
tecnico di missaggio:
David Bottrill (producer / mixer)
diritti fonografici (℗) detenuti da:
Eleven: A Music Company (nel 2007)
registrata presso:
Seedy Underbelly Studio in Los Angeles, California, Stati Uniti
mixata presso:
Metalworks Recording Studio in Toronto, Ontario, Canada
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 28)
registrazione di:
Straight Lines
paroliere:
Daniel Johns
compositore:
Julian Hamilton (Austrailian singer-songwriter and keyboardist) e Daniel Johns
editore:
Big Fat Llama Music, EMI Music Publishing Australia Pty Ltd. (not for release label use!) e Sony/ATV Music Publishing Australia
Silverchair4.15?:??
29Under the Milky Way
assistente tecnico:
Duane Seykora
tecnico:
Shep Lonsdale
produttore:
The Church, Greg Ladanyi e Waddy Wachtel
tecnico di missaggio:
Greg Ladanyi, Shep Lonsdale e Waddy Wachtel
basso e voce principale:
Steve Kilbey
batteria :
Richard Ploog
chitarra :
Peter Koppes e Marty Willson-Piper
synclavier :
Awesome Welles
tastiera :
Greg Kuehn
diritti fonografici (℗) detenuti da:
The Church (nel 2009)
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1987, nel 1988) e The Church Pty Limited (nel 1988, nel 2005)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 29) e VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 84)
registrazione di:
Under the Milky Way
autore:
Karin Jansson e Steve Kilbey
editore:
Campbell Connelly (Australia) P/L, Funzalo Music Ltd., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Music Sales Corporation (American copyright holder in both popular and classical music) e Universal/MCA Music Publishing Pty Ltd
The Church4.35?:??
30The Horses
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1990), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1990), Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 1990) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 30)
registrazione cover di:
The Horses
autore:
Walter Becker e Rickie Lee Jones
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia Pty Ltd, Mushroom Music Pty. Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd e Universal/MCA Music Publishing Pty Ltd
Daryl Braithwaite?:??
31Highway to Hell
tecnico di registrazione:
Mark Dearnley
assistente tecnico:
Kevin Dallimore (engineering)
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Tony Platt (UK engineer and producer)
batteria :
Phil Rudd
chitarra :
Angus Young (member of AC/DC) e Malcolm Young (guitar player for AC/DC)
chitarra basso :
Cliff Williams
voce:
Bon Scott (AC/DC member)
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1979)
registrata presso:
Roundhouse Studios in London (Greater London), England, Regno Unito
mixata presso:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 31), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 10), The Downloader’s Music Source Book (numero: 108), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 254)
registrazione di:
Highway to Hell
paroliere e compositore:
Bon Scott (AC/DC member), Angus Young (member of AC/DC) e Malcolm Young (guitar player for AC/DC)
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son (USA) Inc. e J. Albert & Son Pty. Ltd.
AC/DC4.35?:??
32Torn
produttore:
Phil Thornalley
tecnico di missaggio:
Nigel Godrich (English record producer)
voce principale:
Natalie Imbruglia
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (dal 1997 a oggi) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1997)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 32), Cachitos Nochevieja 2022 (numero: 60) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 333)
registrazione cover di:
Torn
paroliere:
Anne Preven
compositore:
Scott Cutler, Anne Preven e Phil Thornalley
editore:
BMG Music Publishing Australia Pty Ltd, BMG Music Publishing Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), PolyGram Music Publishing Ltd., Universal Music Publishers MGB Australia Pty Ltd e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Natalie Imbruglia4.1?:??
33One Crowded Hour
produttore:
Eric Drew Feldman e Glenn Richards
tecnico di missaggio:
Mark Howard (producer/recording engineer, New Orleans/Los Angeles based)
chitarra , tastiera e voce principale:
Glenn Richards
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 2006)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 33) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2006)
registrazione di:
One Crowded Hour
autore:
Glenn Richards
Augie March3?:??
34Booster Seat
produttore:
Dave Parkin
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 34)
registrazione di:
Booster Seat
autore:
Ashton Hardman-Le Cornu, Caleb Harper, Kieran Lama e Peppa Lane
Spacey Jane4?:??
35Great Southern Land
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 35)
registrazione di:
Great Southern Land
paroliere e compositore:
Iva Davies
editore:
EMI Songs Australia e EMI Songs Australia Pty. Ltd.
Icehouse2?:??
36Treaty (Radio Mix)
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 36)
registrazione di:
Treaty
autore:
Peter Garrett, Stuart Kellaway, Paul Kelly (Australian singer/songwriter), Banula Marika, Witiyana Marika, Milkayngu Mununggurr, Cal Williams, Geoffrey Gurrumul Yunupingu e Mandawuy Yunupingu
editore:
Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing, Sony/ATV Music Publishing e Yothu Yindi Music
Yothu Yindi?:??
37Back in Black
assistente tecnico:
Benjamin Armbrister e Jack Nuber
tecnico:
Tony Platt (UK engineer and producer) (dal 1980-04 al 1980-05)
produttore:
Robert John “Mutt” Lange (Robert John Lange)
tecnico di missaggio:
Brad Samuelsohn
batteria :
Phil Rudd (dal 1980-04 al 1980-05)
chitarra [lead guitar] :
Angus Young (member of AC/DC) (dal 1980-04 al 1980-05)
chitarra [rhythm guitar] :
Malcolm Young (guitar player for AC/DC) (dal 1980-04 al 1980-05)
chitarra basso :
Cliff Williams (dal 1980-04 al 1980-05)
voce principale:
Brian Johnson (AC/DC lead singer) (dal 1980-04 al 1980-05)
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1980) e Leidseplein Presse B.V. (not for release label use!) (nel 1980)
registrata presso:
Compass Point Studios in Nassau, Bahamas (dal 1980-04 al 1980-05)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 37), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 1), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 2), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 17), BILLIONS CLUB, The Downloader’s Music Source Book (numero: 102) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 187)
registrazione di:
Back in Black (dal 1980-04 al 1980-05)
autore:
Brian Johnson (AC/DC lead singer), Angus Young (member of AC/DC) e Malcolm Young (guitar player for AC/DC)
editore:
J. Albert & Son, J. Albert & Son (USA) Inc., J. Albert & Son Pty. Ltd., J. Albert Ltd. (nel 1980), Marks Music (nel 1980) e Zomba Management and Publishers Ltd. (nel 1980)
AC/DC4.5?:??
38Better Be Home Soon
tecnico di registrazione:
Tchad Blake
produttore:
Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
basso elettrico [bass] :
Nick Seymour (Nicholas More Seymour)
batteria :
Paul Hester (Australian drummer for Crowded House/Split Enz)
chitarra e voce principale:
Neil Finn
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1988)
mixata per:
Fast Forward Productions, Ltd.
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 38)
registrazione di:
Better Be Home Soon
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Australia P/L, Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., Mushroom Music Publishing, Mushroom Publishing e Roundhead Music (BMI) (Neil Finn)
Crowded House3.5?:??
39Reckless
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Mark Opitz
batteria :
Graham "Buzz" Bidstrup (dal 1981-03 al 1981-04) e John Watson (Australian drummer, manager & label owner) (dal 1981-03 al 1981-04)
chitarra :
Simon Binks (dal 1981-03 al 1981-04) e James Reyne (dal 1981-03 al 1981-04)
sassofono :
Andrew Thompson (Australian saxophonist) (dal 1981-03 al 1981-04)
tastiera :
James Reyne (dal 1981-03 al 1981-04)
voce:
Guy McDonough (dal 1981-03 al 1981-04) e James Reyne (dal 1981-03 al 1981-04)
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!) (nel 1983)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia (dal 1981-03 al 1981-04)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 39)
registrazione di:
Reckless (Don't Be So...) (dal 1981-03 al 1981-04)
paroliere e compositore:
James Reyne
editore:
Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. e Wheatley Music Pty Ltd.
Australian Crawl?:??
40Covered in Chrome
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 40)
registrazione di:
Covered in Chrome
autore:
Violent Soho
Violent Soho3?:??
41Prisoner of Society
assistente tecnico di registrazione e assistente tecnico:
Matt Voight
tecnico di registrazione e tecnico:
Lindsay Gravina (engineer & guitarist)
produttore:
Lindsay Gravina (engineer & guitarist) e The Living End (Australian punk band)
tecnico di missaggio:
Jerry Finn
diritti fonografici (℗) detenuti da:
The Living End Pty. Ltd. (nel 1997, nel 1998)
registrata presso:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia
mixata presso:
Conway Studios in Hollywood, Los Angeles, California, Stati Uniti
video musicali:
Prisoner of Society (US version) (film clip) di The Living End (Australian punk band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 41) e Triple J’s Hottest 100: Twenty Years (2013) (numero: 20)
registrazione di:
Prisoner of Society
paroliere e compositore:
Chris Cheney (The Living End frontman)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. e EMI Music Publishing (do not use as a release label!)
The Living End3.65?:??
42Magnolia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 42)
registrazione di:
Magnolia
paroliere e compositore:
David Le’aupepe
Gang of Youths3?:??
43Joker & the Thief
tecnico:
Ryan Castle
produttore e tecnico di missaggio:
David Sardy (American score composer)
editor:
Andy Brohard
mixata presso:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 43)
registrazione di:
Joker & the Thief (dal 2005-06 al 2005-09)
autore:
Myles Heskett, Chris Ross (Australian bassist/keyboardist for Wolfmother & The Slew) e Andrew Stockdale
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing (use ONLY if no country‐specific information is available)
Wolfmother3.55?:??
44Into My Arms
assistente tecnico di registrazione:
Paul Hicks e Paul Wright (UK recording engineer)
tecnico di registrazione:
Paul Corkett
produttore:
Nick Cave & the Bad Seeds e Flood (British producer Mark Ellis)
assistente tecnico di missaggio:
Chris Scard
tecnico di missaggio:
Flood (British producer Mark Ellis)
basso :
Martyn P. Casey
pianoforte :
Nick Cave (Australian singer‐songwriter, musician and score composer)
voce:
Nick Cave (Australian singer‐songwriter, musician and score composer)
diritti fonografici (℗) detenuti da:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (nel 1997)
registrata in aggiunta presso:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1996-07)
mixata presso:
The Church Studios in London (Greater London), England, Regno Unito (nel 1996-09)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 44)
registrazione di:
Into My Arms
paroliere e compositore:
Nick Cave (Australian singer‐songwriter, musician and score composer)
editore:
Mushroom Music Pty. Ltd., Mute Song (international) e Mute Song Ltd.
Nick Cave & the Bad Seeds4.15?:??
45Eagle Rock
basso :
Wayne Duncan (Australian musician)
batteria :
Gary Young (Australian drummer)
chitarra :
Ross Hannaford e Ross Wilson (Australian singer-songwriter, guitarist and producer)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1971), Sparmac (nel 1971), Wizard (Australian rock) (nel 1971), Wizard Records (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1998)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 45)
registrazione di:
Eagle Rock
autore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Daddy Cool?:??
46Shooting Stars
produttore e tecnico di missaggio:
Bag Raiders (AU)
voce:
Rhys Taylor
diritti fonografici (℗) detenuti da:
Modular Recordings (Australian label) (nel 2010)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 46)
registrazione di:
Shooting Stars
paroliere e compositore:
Christopher John Stracey e Jack Glass
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Bag Raiders4.5?:??
47Solid Rock
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1982, nel 1997) e Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 1982)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 47)
registrazione di:
Solid Rock (Sacred Ground)
autore:
Shane Howard (Australian singer / songwriter)
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Goanna?:??
48Riptide
produttore:
John Castle, James Keogh (Australian singer-songwriter) e Edwin White (Australian musician and producer)
voce:
Vance Joy (Australian singer-songwriter)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 48), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013), Billboard Year-End Hot 100 singles of 2015 (numero: 71), Indie 88: Top 500 Indie Rock Songs (numero: 72) e BILLIONS CLUB
registrazione di:
Riptide
paroliere e compositore:
James Keogh (Australian singer-songwriter)
editore:
Mushroom Music Pty. Ltd. e WB Music Corp. (1929–2019)
Vance Joy3.6?:??
49It's Nice to Be Alive
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 49)
registrazione di:
It's a Nice Day to Be Alive
paroliere:
C.Loco, Landslyde, Point Blanc (Malaysian born Chinese rapper, member of Poetic Ammo) e Yogi B (Malaysian rapper)
compositore:
Yogi B (Malaysian rapper)
Ball Park Music?:??
50Holy Grail
diritti fonografici (℗) detenuti da:
Human Frailty Pty. Ltd. (nel 1992)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 50)
registrazione di:
Holy Grail
autore:
John Archer (guitarist in Hunters & Collectors), Doug Falconer, Barry Palmer (Australian Guitarist), Mark Seymour e Jeremy Smith (bass (Hunters & Collectors))
editore:
Mushroom Music Publishing
Hunters & Collectors3?:??
51Brother
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 51)
registrazione di:
Brother (Matt Corby song)
autore:
Matt Corby
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Matt Corby?:??
52The Special Two
batteria :
Dean Butterworth
chitarra acustica e chitarra elettrica :
Stuart Mathis (guitarist)
contrabbasso [upright bass] :
Carlos Cordova
percussione :
Debra Dobkin
tastiera :
Jamie Muhoberac
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 52)
registrazione di:
The Special Two
paroliere e compositore:
Missy Higgins
Missy Higgins3?:??
53Better in Blak
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 53)
registrazione di:
Better in Blak
paroliere e compositore:
Alexander Burnett, Oliver Horton (English electronic producer) e Thelma Plumbe
editore:
Sony Music Publishing Allegro (Australia)
Thelma Plum4?:??
54I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.5?:??
55My People
tecnico di missaggio:
John Fields (“Strawberry” – producer)
diritti fonografici (℗) detenuti da:
Modular Recordings (Australian label) (nel 2007, nel 2008)
mixata presso:
Seedy Underbelly in Los Angeles, California, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 55)
registrazione di:
My People
paroliere e compositore:
Julian Hamilton (Austrailian singer-songwriter and keyboardist) e Kim Moyes
editore:
EMI Music Publishing (do not use as a release label!) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
The Presets4.35?:??
56Working Class Man
produttore:
Jonathan Cain
tecnico di missaggio:
Jonathan Cain e Jim Gaines
batteria :
Tony Brock
chitarra :
Dave Amato
chitarra basso :
Randy Jackson (former bassist with Journey and American Idol judge)
tastiera :
Jonathan Cain
voce di accompagnamento:
Dave Amato, Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel) e Jonathan Cain
voce principale:
Jimmy Barnes (Australian rock singer-songwriter, frontman of Cold Chisel)
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1985)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 56)
registrazione di:
Working Class Man
paroliere e compositore:
Jonathan Cain
editore:
Chappell & Co., Inc. (USA), Frisco Kid Music (publisher), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Australia Pty. Ltd.
Jimmy Barnes?:??
57Wish You Well
assistente tecnico:
Claire Lewis (mostly credited as assistant engineer)
tecnico e tecnico di missaggio:
Tchad Blake
produttore:
Tchad Blake e Bernard Fanning
chitarra :
Bernard Fanning
voce:
Bernard Fanning
diritti fonografici (℗) detenuti da:
Dew Process (nel 2005) e Universal Music Australia (see annotation before using) (nel 2005)
mixata presso e lavorazione tecnica effettuata presso:
Real World Studios in Box, Wiltshire, England, Regno Unito
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 57) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2005)
registrazione di:
Wish You Well
paroliere e compositore:
Bernard Fanning
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) e Universal Music Publishing MGB Australia
Bernard Fanning3?:??
58Frontier Psychiatrist
produttore:
Bobbydazzler
tecnico di missaggio:
Bobbydazzler e Tony Espie
arrangiatore:
Bobbydazzler
diritti fonografici (℗) detenuti da:
Modular Recordings (Australian label) (nel 2000)
campionamenti:
(You Are) My Way of Life di Bert Kaempfert & His Orchestra, A Gray Line Tour of Historic Boston (B-side) di The Gray Line (sightseeing tour company) e Frontier Psychiatrist di Wayne and Shuster
video musicali:
Frontier Psychiatrist (music video) di The Avalanches (Australian electronic music group)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 58)
registrazione di:
Frontier Psychiatrist
autore:
Robbie Chater, Dexter Fabay (Dexter Fabay), Bert Kaempfert (German orchestra leader, producer and songwriter), Herbert Rehbein, Darren Seltmann e Carl Sigman
The Avalanches4.35?:??
59Need You Tonight
assistente tecnico:
Paula Jones (Australian audio engineer, producer)
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain e Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1987, nel 1997), PolyGram International Music B.V. (not for release label use!) (nel 1987) e Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (nel 1999)
mixata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito
video musicali:
Need You Tonight (music video) di INXS
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 59), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 16) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 114)
registrazione di:
Need You Tonight
paroliere e compositore:
Andrew Farriss (in band INXS) e Michael Hutchence
editore:
Muziekuitgeverij Artemis B. V., Tol Muziek, WB Music Corp. (1929–2019), XL Publishing Pty. Ltd., 101 Muziek (publisher) (nel 1987) e Chardonnay Investments Ltd. (nel 1987)
INXS4.15?:??
60Let Me Down Easy
assistente tecnico:
Josh Pearson (Josh Dives, Producer & engineer at Sonar Music)
tecnico:
Adrian Breakspear
tecnico aggiunto:
Peter Holz, David Le’aupepe e Lewis Mitchell (Sydney-based producer and engineer)
produttore:
Adrian Breakspear e Gang of Youths
tecnico di missaggio:
Peter Katis
basso :
Max Dunn
batteria :
Donnie Borzestowski (drummer of Gang of Youths)
chitarra :
Jung Kim e David Le’aupepe
chitarra [lead] :
Joji Malani (aka Pei)
pianoforte e voce principale:
David Le’aupepe
tastiera :
Jung Kim
arrangiatore archi :
David Le’aupepe
arrangiatore corno :
Darryl Carthew (Trumpet player), Justin Kearin, David Le’aupepe e Joji Malani (aka Pei)
diritti fonografici (℗) detenuti da:
Mosy Recordings (nel 2015)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 60)
registrazione di:
Let Me Down Easy
paroliere e compositore:
David Le’aupepe
Gang of Youths3?:??
61Talk Is Cheap
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 61) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2014)
registrazione di:
Talk Is Cheap
autore:
Nick Murphy (aka Chet Faker)
Chet Faker3.5?:??
62Australia Street
produttore:
Dylan Adams (engineer and producer from Sydney), Patrick Cornwall e Dann Hume
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 62)
registrazione di:
Australia Street
autore:
Patrick Cornwall, Seamus Coyle, Dylan Frost, Eric da Silva Gruener ('Sticky Fingers'), Taras Hrubyj-Piper e Daniel Neurath
Sticky Fingers3.65?:??
63I Was Only 19 (A Walk in the Light Green)
diritti fonografici (℗) detenuti da:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (nel 1983), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1983) e Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1983)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 63)
registrazione di:
I Was Only 19 (A Walk in the Light Green)
paroliere e compositore:
John Schumann
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e Universal/MCA Music Publishing Pty Ltd
Redgum?:??
64Cosby Sweater
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 64)
registrazione di:
Cosby Sweater
autore:
Demetrius Christopholus, Barry Francis (Australian hip hop producer DJ Debris, member of Hilltop Hoods), John Kelman, Matt Lambert (Australian rapper and producer Suffa of Hilltop Hoods) e Daniel Smith (Australian rapper aka Pressure)
Hilltop Hoods3?:??
65Confidence
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 65) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2018)
registrazione di:
Confidence
autore:
Ocean Alley
Ocean Alley3.65?:??
66Power and the Passion
tecnico e tecnico di missaggio:
Nick Launay
produttore:
Nick Launay e Midnight Oil (Australian rock band)
diritti fonografici (℗) detenuti da:
Midnight Oil (Australian rock band) (nel 1997)
registrata presso:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (nel 1982-09)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 66)
registrazione di:
Power and the Passion (nel 1982-09)
autore:
Peter Garrett, Rob Hirst e Jim Moginie
editore:
Sony/ATV Music Publishing e Sprint Music Pty. Ltd.
Midnight Oil4?:??
67! (The Song Formerly Known As)
assistente tecnico di registrazione:
Argonaut (Australian engineer Jason Gendrolious)
tecnico di registrazione:
Magoo (Australian producer Lachlan Goold) e Regurgitator
diritti fonografici (℗) detenuti da:
Warner Music Australia (AU subsidiary of Warner Music International since 1988) (nel 1997)
registrata presso:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia
video musicali:
! (The Song Formerly Known As) (music video) di Regurgitator
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 67)
registrazione di:
! (The Song Formerly Known As)
paroliere e compositore:
Quan Yeomans
autore:
Sylvester Levay e Stephan Prager (songwriter, aka Michael Kunze)
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!)
Regurgitator3?:??
68Chemical Heart
tecnico di registrazione:
Phil McKellar (Australian producer and engineer) (dal 2001-09 al 2001-11)
assistente tecnico:
Evan McHughan
produttore:
Phil McKellar (Australian producer and engineer)
tecnico di missaggio:
D. Sardy (American score composer)
viola :
Deborah Lander (violist) (dal 2001-09 al 2001-11)
violino :
Adrian Keating (dal 2001-09 al 2001-11) e Nguyen Bui (Japanese classical violinist and concermaster) (dal 2001-09 al 2001-11)
violoncello :
Kate Morgan (dal 2001-09 al 2001-11)
direttore d'orchestra:
Jackie Orszaczky (dal 2001-09 al 2001-11: archi)
arrangiatore archi :
Jackie Orszaczky
diritti fonografici (℗) detenuti da:
Universal Music Australia (see annotation before using) (nel 2002) e Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 2002)
registrata presso:
Festival Studios in Pyrmont (Pyrmont, New South Wales), New South Wales, Australia (nel 2001-09) e Dodgy (Ultimo, Sydney) in Sydney, New South Wales, Australia (nel 2001-11)
mixata presso:
Electric Lady in Greenwich Village, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 68)
registrazione di:
Chemical Heart (dal 2001-09 al 2001-11)
autore:
Grinspoon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) e Shock Music Publishing Pty. Ltd.
Grinspoon3?:??
69Weather with You
produttore:
Neil Finn e Mitchell Froom
tecnico di missaggio:
Bob Clearmountain
batteria e percussione :
Ricky Fataar
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1991) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1991)
video musicali:
Weather With You di Crowded House (Australian rock group)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 69)
registrazione di:
Weather With You
autore:
Neil Finn e Tim Finn
editore:
Mushroom Music Pty. Ltd., Rebel Larynx Music e Roundhead Music (Neil Finn)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 16)
Crowded House3.8?:??
70(Baby I've Got You) On My Mind
assistente tecnico:
Catherine Claire (engineer)
tecnico:
Nick DiDia
tecnico aggiunto:
Anton Hagop
produttore:
Nick DiDia e Tony Reyes (songwriter/producer/multi‐instrumentalist)
tecnico di missaggio:
Brendan O’Brien (engineer)
registrata presso:
Studios 301 (Sydney, NSW, AU; use this only for mastering in AU since 2006, and for recording/mixing in Sydney since Nov 1999) in Sydney, New South Wales, Australia (dal 2003-01 al 2003-02)
mixata presso:
Southern Tracks in Atlanta, Georgia, Stati Uniti (nel 2003-03)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 70)
registrazione di:
(Baby I've Got You) On My Mind (dal 2003-01 al 2003-02)
autore:
Powderfinger (Australian rock band)
editore:
Kobalt Music Publishing Australia P/L
Powderfinger3?:??
71Jimmy Recard
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 71) e triple j's Hottest 100 of 2008 (16th edition of Australian annual music poll) (numero: 10)
registrazione di:
Jimmy Recard
autore:
Drapht (Australian hip hop artist)
Drapht4?:??
72Freak
tecnico di registrazione e produttore:
Nick Launay
tecnico di missaggio:
Andy Wallace (engineer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (nel 1996)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 72) e Mixtape – Game Soundtrack (numero: 3)
registrazione di:
Freak
paroliere e compositore:
Daniel Johns
Silverchair4.2?:??
731955
diritti fonografici (℗) detenuti da:
Hilltop Hoods Pty Ltd. (dal 2016 a oggi)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 73)
registrazione di:
1955
autore:
Andrew Burford, Barry Francis (Australian hip hop producer DJ Debris, member of Hilltop Hoods), Matt Lambert (Australian rapper and producer Suffa of Hilltop Hoods) e Daniel Smith (Australian rapper aka Pressure)
Hilltop Hoods featuring Montaigne & Tom Thum3?:??
74London Still
piano elettrico Wurlitzer :
Bruce Haymes (nel 2002-10)
registrata presso:
ABC Studios in Melbourne, Victoria, Australia (nel 2002-10) e Martin Street Studios in Melbourne, Victoria, Australia (nel 2002-10)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 74)
registrazione di:
London Still (nel 2002-10)
autore:
Donna Simpson
The Waifs3?:??
75The Unguarded Moment
produttore:
Bob Clearmountain e Chris Gilbey
tecnico di missaggio:
Bob Clearmountain
basso e tastiera :
Steve Kilbey
batteria :
Richard Ploog
chitarra :
Peter Koppes e Marty Willson-Piper
voce:
Steve Kilbey
diritti fonografici (℗) detenuti da:
EMI Music Australia (defunct holding company, not for release label use!), Sony/ATV Music Publishing (nel 1981) e Sony/ATV Northern Productions Pty Limited (nel 1981)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 75)
registrazione di:
The Unguarded Moment
autore:
Steve Kilbey e Michelle Parker
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher) e Sony/ATV Music Publishing Ltd.
The Church?:??
764ever
tecnico di registrazione:
Dr. Luke, Lasse Mårtén (producer, mixer and engineer) e Max Martin (Swedish record producer)
tecnico aggiunto:
John Hanes (audio engineer, mixer)
produttore:
Lukasz "Dr. Luke" Gottwald e Max Martin (Swedish record producer)
assistente tecnico di missaggio:
Tim Roberts (engineer)
tecnico di missaggio:
Serban Ghenea
batteria :
Steven Wolf (drummer from USA)
strumenti:
Łukasz Gottwald e Max Martin (Swedish record producer)
è stato produttore per:
Maratone Productions
registrata presso:
Decibel Studios in Stockholm, Stockholms län (Stockholm county), Svezia e Dr. Luke's in New York, New York, Stati Uniti
mixata presso:
MixStar Studios in Virginia Beach, Virginia, Stati Uniti
video musicali:
4ever (U.S. version) di The Veronicas
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 76)
registrazione di:
4ever
autore:
Łukasz Gottwald e Max Martin (Swedish record producer)
editore:
MXM Music AB, Kasz Money Publishing (ASCAP affiliated) (nel 2005) e Maratone (nel 2005)
The Veronicas4?:??
77Weir
diritti fonografici (℗) detenuti da:
Roadshow Music (nel 1999), Wah Wah Music (Created by Paul Kosky and his business partner Chris Robinson) (nel 1999) e Wah Wah Music Pty Ltd. (nel 1999)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 77)
registrazione di:
Weir
compositore:
Ella Hooper e Jesse Hooper (Killing Heidi)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Wah Wah Music (Created by Paul Kosky and his business partner Chris Robinson)
Killing Heidi3?:??
78Black Fingernails, Red Wine
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Limited (nel 2006)
registrata presso:
The Grove Studios in New South Wales, Australia (nel 2004)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 78)
registrazione di:
Black Fingernails, Red Wine (nel 2004)
compositore:
Stuart MacLeod, Joel Quartermain e Kav Temperley
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Eskimo Joe3?:??
79Hello
produttore:
Andy Baldwin (Australian producer, currently at Rola Pola Studio) e The Cat Empire
assistente tecnico di missaggio:
Jimi Maroudas
tecnico di missaggio:
Andy Baldwin (Australian producer, currently at Rola Pola Studio)
flauto dolce :
Ollie McGill
sassofono tenore :
Carlo Barbaro
tromba :
Ross Irwin
trombone :
Kieran Conrau
diritti fonografici (℗) detenuti da:
Two Shoes Pty Ltd
mixata presso:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 79)
registrazione di:
Hello
paroliere e compositore:
Felix Riebl
The Cat Empire3?:??
80We Are the People
tecnico di registrazione e tecnico di missaggio:
Peter Mayes
tecnico di registrazione aggiunto:
Chris Vallejo
co-produttore:
Peter Mayes
produttore:
Donnie Sloan
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 80)
registrazione di:
We Are the People
autore:
Nick Littlemore, Jonathan Sloan e Luke Steele
Empire of the Sun4?:??
81Berlin Chair
assistente tecnico di registrazione:
Mark Mason (sound engineer) (dal 1993-07-27 al 1993-08-03) e Brent Sigmeth (dal 1993-07-27 al 1993-08-03)
tecnico di registrazione:
Wayne Connolly (dal 1993-07-27 al 1993-08-03)
produttore:
Lee Ranaldo
tecnico di missaggio:
Wayne Connolly e Lee Ranaldo
diritti fonografici (℗) detenuti da:
rooArt (nel 1993)
registrata presso:
Pachyderm Recording Studio in Cannon Falls, Minnesota, Stati Uniti (dal 1993-07-27 al 1993-08-03)
mixata presso:
Messina Music in New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 81)
registrazione di:
Berlin Chair (dal 1993-07-27 al 1993-08-03)
paroliere:
Tim Rogers
compositore:
Andy Kent, Tim Rogers e Mark Tunaley
editore:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) e Universal Music Publishing (use ONLY if no country‐specific information is available)
You Am I3.5?:??
82High
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 82)
registrazione di:
High
autore:
Adam Hyde, Samuel Littlemore, Nicole Millar e Reuben Styles
Peking Duk featuring Nicole Millar3?:??
83Cigarettes Will Kill You
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 83)
registrazione di:
Cigarettes Will Kill You
paroliere e compositore:
Ben Lee (Australian singer/songwriter)
Ben Lee5?:??
84Streets of Your Town
assistente tecnico:
Colin Simkins
tecnico e produttore:
Mark Wallis
basso :
John Willsteed (nel 1988-05)
batteria :
Lindy Morrison (nel 1988-05)
chitarra :
Robert Forster (Australian singer-songwriter & guitarist) (nel 1988-05), Grant McLennan (nel 1988-05) e John Willsteed (nel 1988-05)
violino e voce di accompagnamento:
Amanda Brown (Australian musician) (nel 1988-05)
voce principale:
Grant McLennan (nel 1988-05)
diritti fonografici (℗) detenuti da:
Beggars Banquet (nel 1988), Beggars Banquet Ltd. (publisher, copyright company) (nel 1988), Mushroom Records Pty. Ltd. (nel 1988) e Tag 5 (nel 1988)
registrata presso:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (nel 1988-05)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 84)
registrazione di:
Streets of Your Town (nel 1988-05)
autore:
Robert Forster (Australian singer-songwriter & guitarist) e Grant McLennan
editore:
Complete Music, Complete Music Ltd., Incomplete Music Inc., Universal Music Publishing MGB Australia e Wintrup Music
The Go‐Betweens5?:??
85Delete
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 85)
registrazione di:
Delete
autore:
Matthew Mason (DMA's), Tommy O'Dell e Johnny Took
DMA’s?:??
86Hearts a Mess
produttore aggiunto:
François Tétaz (Australian film composer)
tecnico di missaggio:
François Tétaz (Australian film composer)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 86) e Triple J’s Hottest 100: Twenty Years (2013) (numero: 12)
registrazione di:
Hearts a Mess
paroliere e compositore:
William Attaway, Irving Burgie e Wally De Backer
Gotye2.65?:??
87The Deepest Sighs, the Frankest Shadows
assistente tecnico:
Josh Pearson (Josh Dives, Producer & engineer at Sonar Music)
tecnico:
Adrian Breakspear
tecnico aggiunto:
Peter Holz, David Le’aupepe e Lewis Mitchell (Sydney-based producer and engineer)
produttore:
Adrian Breakspear e Gang of Youths
tecnico di missaggio:
Peter Katis
basso :
Max Dunn
batteria :
Donnie Borzestowski (drummer of Gang of Youths)
chitarra :
Jung Kim e David Le’aupepe
chitarra [lead] :
Joji Malani (aka Pei)
pianoforte e voce principale:
David Le’aupepe
tastiera :
Jung Kim
arrangiatore archi :
David Le’aupepe
arrangiatore corno :
Darryl Carthew (Trumpet player), Justin Kearin, David Le’aupepe e Joji Malani (aka Pei)
diritti fonografici (℗) detenuti da:
Mosy Recordings (nel 2015)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 87)
registrazione di:
The Deepest Sighs, the Frankest Shadows
paroliere e compositore:
David Le’aupepe
Gang of Youths4?:??
88Chateau
diritti fonografici (℗) detenuti da:
Angus and Julia Stone Pty Ltd. (nel 2017)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 88)
registrazione di:
Chateau
autore:
Angus Stone e Julia Stone
Angus & Julia Stone3?:??
89Hertz
tecnico:
Bonnie Knight
produttore:
Amyl and the Sniffers (Australian rock’n’roll/punk band) e Dan Luscombe
tecnico di missaggio:
Nick Launay
basso :
Gus Romer
batteria :
Bryce Wilson
chitarra :
Dec Martens
voce:
Amy Taylor (of Amyl and the Sniffers)
diritti fonografici (℗) detenuti da:
ATO Records, LLC (company credits only; file no releases here!)
registrata presso:
Soundpark Studios in Northcote, City of Darebin, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 89)
registrazione di:
Hertz
paroliere:
Amy Taylor (of Amyl and the Sniffers)
autore:
Amyl and the Sniffers (Australian rock’n’roll/punk band)
Amyl and the Sniffers2.5?:??
90Black Betty
assistente tecnico:
James Winans
tecnico:
Rich Veltrop
produttore:
Sylvia Massy Shivy
tecnico di missaggio:
Sylvia Massy Shivy e Rich Veltrop
diritti fonografici (℗) detenuti da:
Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (nel 2004)
registrata presso:
Radiostar Studios in Weed, California, Stati Uniti
video musicali:
Black Betty di Spiderbait
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 90)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Spiderbait4.25?:??
91No Aphrodisiac
produttore:
Tim Freedman (Lead singer for The Whitlams) e Rob Taylor (Australian audio producer and engineer)
archi :
FourPlay String Quartet
basso e contrabbasso :
Andy Lewis (Australian bassist)
batteria :
Mike Richards (Australian drummer formerly of The Whitlams)
chitarra :
Òscar Briz
pianoforte e voce di accompagnamento:
Tim Freedman (Lead singer for The Whitlams)
viola :
Chris Emerson (violist) e Tim Hollo
violino :
Lara Goodridge
violoncello :
Peter Hollo
voce:
Tim Freedman (Lead singer for The Whitlams)
diritti fonografici (℗) detenuti da:
Phantom Records (Australian indie label) (nel 1997)
registrata presso:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia e Paradise Studios (Sydney) in Sydney, New South Wales, Australia
mixata presso:
Albert Studios (Australian studio, Neutral Bay location, 1985-2016) in Neutral Bay, Sydney, New South Wales, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 91) e triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1997)
registrazione di:
No Aphrodisiac (The Whitlams song)
paroliere:
Tim Freedman (Lead singer for The Whitlams), Glenn Dormand (Australian songwriter and musician Glenn Dormand) e Matt Ford (Australian singer/songwriter Matt Ford)
compositore:
Tim Freedman (Lead singer for The Whitlams)
editore:
EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Mushroom Music Pty. Ltd., Mushroom Music Publishing e Phantom Music Pty. Ltd. (Publishing company for Phantom Records (active from 1999-2016)) (dal 1997 al 2016-10-24)
The Whitlams3?:??
92Electric Blue
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 92)
registrazione di:
Electric Blue
autore:
Iva Davies e John Oates
editore:
BMG Music, EMI Songs, EMI Songs Australia Pty. Ltd., Kobalt Music Publishing Australia P/L e Universal Music Publishing MGB Australia
Icehouse?:??
93Since I Left You
tecnico di missaggio:
Tony Espie
diritti fonografici (℗) detenuti da:
XL Recordings Ltd. (not for release label use! use its imprint XL Recordings instead) (nel 2001)
campionamenti:
By the Time I Get to Phoenix di Jimmy Webb (US songwriter, composer, producer, pianist & singer), Everyday di The Main Attraction (60s US pop/psychedelic band) e Let's Do the Latin Hustle di Klaus Wunderlich
video musicali:
Since I Left You (Official Video) di The Avalanches (Australian electronic music group)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 93)
registrazione di:
Since I Left You
autore:
Robbie Chater, James De La Cruz, Dexter Fabay (Dexter Fabay), Antony Di Blasi, Gordon McQuilten e Darren Seltmann
editore:
EMI Music Publishing (do not use as a release label!) e Mushroom Music (Mushroom label’s publishing company)
The Avalanches3.85?:??
94Clair de Lune
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 94)
registrazione di:
Clair de Lune
paroliere e compositore:
Hugo Stuart Gruzman (Austrailian composer, producer) e James Nathan Lyell
Flight Facilities Featuring Christine Hoberg3?:??
95Calypso
assistente tecnico:
Aaron Pratley
tecnico:
Phil McKellar (Australian producer and engineer)
produttore:
Phil McKellar (Australian producer and engineer) e Spiderbait
diritti fonografici (℗) detenuti da:
Polydor Records Australia (nel 1996)
registrata presso:
Studio 301 (Studios 301, 301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in Sydney, New South Wales, Australia (nel 1996-03)
video musicali:
Calypso di Spiderbait
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 95)
registrazione di:
Calypso
paroliere e compositore:
Janet English, Kram (singer/drummer from Spiderbait) e Damian Whitty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Publishing Australia Pty Ltd.
Spiderbait2.5?:??
96Evie
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 96)
registrazione di:
Evie, Parts 1, 2 & 3
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
Boomerang Investments Pty Limited e J. Albert & Son Pty. Ltd.
Stevie Wright?:??
97I Want You
produttore:
Charles Fisher (Australian producer)
tecnico di missaggio:
Chris Lord‐Alge
mixata presso:
Gotham Studios in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 97)
registrazione di:
I Want You
autore:
Darren Hayes e Daniel Jones (Australian singer/producer of Savage Garden)
editore:
Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
ジョジョの奇妙な冒険 Part4 ダイヤモンドは砕けない (JoJo's Bizarre Adventure Part 4: Diamond is Unbreakable, 2016 anime soundtrack)
Savage Garden4.75?:??
98Red Right Hand
tecnico di registrazione e tecnico di missaggio:
Tony Cohen
produttore:
Nick Cave & the Bad Seeds e Tony Cohen
basso :
Martyn P. Casey
batteria e timpani :
Thomas Wydler
campana e chitarra :
Mick Harvey
chitarra :
Blixa Bargeld (German musician)
organo :
Nick Cave (Australian singer‐songwriter, musician and score composer)
voce:
Nick Cave (Australian singer‐songwriter, musician and score composer)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 98)
registrazione di:
Red Right Hand
paroliere:
Nick Cave (Australian singer‐songwriter, musician and score composer)
compositore:
Nick Cave (Australian singer‐songwriter, musician and score composer), Mick Harvey e Thomas Wydler
editore:
Mute Song (international)
Nick Cave & the Bad Seeds?:??
99Blue Sky Mine
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Warne Livesey e Midnight Oil (Australian rock band)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 99)
registrazione di:
Blue Sky Mine
autore:
Midnight Oil (Australian rock band)
editore:
Sony/ATV Music Publishing Australia Pty Ltd.
Midnight Oil3?:??
100Better
diritti fonografici (℗) detenuti da:
rooArt (nel 1991)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 100)
registrazione di:
Better
autore:
Grant Walmsley
editore:
Polygram Music, Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Screaming Jets?:??