Ray Brown: The Early Albums Complete

~ Veröffentlichung von Ray Brown (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1-1Ool-Ya-Koo
recording of:
Ool-Ya-Koo
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Dizzy Gillespie
2:51
1-2Love That Boy
2:33
1-3Mr. Paganini
3:27
1-4It's Too Soon to Know
cover recording of:
It’s Too Soon to Know
Texter und Komponist(in):
Deborah Chessler
1:53
1-5I Never Knew
3:17
1-6How High the Moon
cover recording of:
How High the Moon
Texter:
Nancy Hamilton (in 1940)
Komponist(in):
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
7:20
1-7Heat Wave
cover recording of:
Heat Wave (from the 1933 musical “As Thousands Cheer”)
Texter und Komponist(in):
Irving Berlin (in 1933)
2:16
1-8Old Mother Hubbard
recording of:
Old Mother Hubbard
Verfasser(in):
Ray Ellington und Emmett “Babe” Wallace
1:58
1-9Bop Goes the Weasel
2:20
1-10Ool-Ya-Koo
recording of:
Ool-Ya-Koo
Komponist(in):
Walter “Gil” Fuller (jazz composer & arranger) und Dizzy Gillespie
2:26
1-11Flying Home
cover recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
Texter:
Sid Robin (US lyricist & composer)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd und Regent Music (BMI)
Version von:
Flying Home (instrumental version)
4:18
1-12Blues for Sylvia
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Harry “Sweets” Edison (am 1956-11-21), Conrad Gozzo (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
5:05
1-13All of You
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Alvin Stoller (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Pete Candoli (am 1956-11-21), Harry “Sweets” Edison (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
instrumental recording of:
All of You (Silk Stockings musical) (in 1956-11)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
4:00
1-14Everything I Have Is Yours
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Alvin Stoller (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Pete Candoli (am 1956-11-21), Harry “Sweets” Edison (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
instrumental recording of:
Everything I Have Is Yours (in 1956-11)
Texter:
Harold Adamson
Komponist(in):
Burton Lane
4:29
1-15Will You Still Be Mine?
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Harry “Sweets” Edison (am 1956-11-21), Conrad Gozzo (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
instrumental recording of:
Will You Still Be Mine? (in 1956-11)
Texter:
Tom Adair
Komponist(in):
Matt Dennis (American singer, pianist, band leader)
3:43
1-16Little Toe
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Alvin Stoller (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Pete Candoli (am 1956-11-21), Harry “Sweets” Edison (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
4:53
1-17Alone Together
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Alvin Stoller (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Pete Candoli (am 1956-11-21), Harry “Sweets” Edison (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
instrumental recording of:
Alone Together (in 1956-11)
Texter:
Howard Dietz (librettist)
Komponist(in):
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:47
1-18Solo for Unaccompanied Bass
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Harry “Sweets” Edison (am 1956-11-21), Conrad Gozzo (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
2:30
1-19My Foolish Heart
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Harry “Sweets” Edison (am 1956-11-21), Conrad Gozzo (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
instrumental recording of:
My Foolish Heart (in 1956-11)
Texter:
Ned Washington
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music und Patti Washington Music
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 2)
4:09
1-20Blues for Lorraine
alto saxophone:
Jack DuLong (am 1956-11-21) und Herb Geller (am 1956-11-21)
Bass:
Ray Brown (jazz bassist) (am 1956-11-21)
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-11-21)
Klarinette:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21)
Klavier:
Jimmy Rowles (am 1956-11-21)
Posaune:
Herbie Harper (am 1956-11-21)
Schlagzeug:
Mel Lewis (American jazz drummer) (am 1956-11-21)
Tenorsaxophon:
Jimmy Giuffre (American jazz clarinetist/saxophonist and composer) (am 1956-11-21) und Bill Holman (am 1956-11-21)
Trompete:
Harry “Sweets” Edison (am 1956-11-21), Conrad Gozzo (am 1956-11-21) und Ray Linn (am 1956-11-21)
conductor:
Marty Paich (am 1956-11-21)
arranger:
Marty Paich
5:36
2-1Bric-A-Brac
5:32
2-2Upstairs Blues
6:39
2-3(Back Home Again in) Indiana
instrumental recording of:
Indiana (Back Home Again in Indiana) (in 1958-02)
Texter:
Ballard MacDonald (in 1917)
Komponist(in):
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
4:37
2-4The Nearness of You
instrumental recording of:
The Nearness of You (in 1958-02)
Texter:
Ned Washington (in 1938)
Komponist(in):
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK und Sony/ATV Music Publishing LLC (1995–2020)
6:14
2-5Take the 'a' Train
recording of:
Take the “A” Train (original instrumental version) (in 1958-02)
Komponist(in):
Billy Strayhorn
Teil von:
The Real Book (compilation of jazz standards, volume I)
8:06
2-6Cool Walk
6:24
2-7Jim
7:38
2-8Tangerine
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
3:17
2-9Almost Like Being in Love
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
4:14
2-10That Old Feeling
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
4:39
2-11Ain't Misbehavin'
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
recording of:
Ain’t Misbehavin’
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
5:13
2-12Alice Blue Gown
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
2:41
2-13Rosalie
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
3:07
2-14But Beautiful
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
4:01
2-15Poor Butterfly
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
3:18
2-16Memories of You
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
4:53
2-17Rock-A-Bye Your Baby
Cello und Kontrabass:
Ray Brown (jazz bassist)
Klavier:
Jimmy Rowles
Kontrabass:
Joe Mondragon
Posaune:
Harry Betts
Rohrblattinstrumente:
Bob Cooper (US jazz saxophonist), Med Flory und Paul Horn
Trompete:
Don Fagerquist
Waldhorn:
Jack Cave
arranger:
Russell Garcia
2:07
3-1Work Song
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-23)
alto saxophone:
Cannonball Adderley (am 1962-01-23) und Earl Warren (am 1962-01-23)
baritone saxophone:
Jerome Richardson (am 1962-01-23)
flute:
Yusef Lateef (am 1962-01-23) und Jerome Richardson (am 1962-01-23)
Klavier:
Tommy Flanagan (am 1962-01-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-01-23)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-23), Melba Liston (US jazz trombonist) (am 1962-01-23) und Britt Woodman (am 1962-01-23)
Schlagzeug:
Osie Johnson (am 1962-01-23)
Tenorsaxophon:
Budd Johnson (am 1962-01-23), Yusef Lateef (am 1962-01-23) und Seldon Powell (am 1962-01-23)
Trompete:
Nat Adderley (am 1962-01-23), Joe Newman (US jazz trumpeter) (am 1962-01-23), Ernie Royal (am 1962-01-23) und Clark Terry (American swing trumpeter) (am 1962-01-23)
arranger:
Ernie Wilkins
35:19
3-2It Happened in Moterey
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-23)
alto saxophone:
Cannonball Adderley (am 1962-01-23) und Earl Warren (am 1962-01-23)
baritone saxophone:
Jerome Richardson (am 1962-01-23)
flute:
Yusef Lateef (am 1962-01-23) und Jerome Richardson (am 1962-01-23)
Klavier:
Tommy Flanagan (am 1962-01-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-01-23)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-23), Melba Liston (US jazz trombonist) (am 1962-01-23) und Britt Woodman (am 1962-01-23)
Schlagzeug:
Osie Johnson (am 1962-01-23)
Tenorsaxophon:
Budd Johnson (am 1962-01-23), Yusef Lateef (am 1962-01-23) und Seldon Powell (am 1962-01-23)
Trompete:
Nat Adderley (am 1962-01-23), Joe Newman (US jazz trumpeter) (am 1962-01-23), Ernie Royal (am 1962-01-23) und Clark Terry (American swing trumpeter) (am 1962-01-23)
arranger:
Ernie Wilkins
3:08
3-3My One and Only Love
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-22)
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earl Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Cello:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Hank Jones (piano) (am 1962-01-22)
Kontrabass:
Sam Jones (US jazz bassist) (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Nat Adderley (am 1962-01-22), Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
arranger:
Ernie Wilkins
3:59
3-4Tricrotism
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earle Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Bass:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Tommy Flanagan (am 1962-01-22)
Kornett:
Nat Adderley (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
Vibraphon:
Milt Jackson (am 1962-01-22)
conductor:
Ernie Wilkins (am 1962-01-22)
Interpret(in):
Milt Jackson
arranger:
Ernie Wilkins
aufgenommen bei:
Webster Hall in East Village, New York, New York, Vereinigte Staaten (am 1962-01-22)
3:56
3-5Thumbstring
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-23)
alto saxophone:
Cannonball Adderley (am 1962-01-23) und Earl Warren (am 1962-01-23)
baritone saxophone:
Jerome Richardson (am 1962-01-23)
flute:
Yusef Lateef (am 1962-01-23) und Jerome Richardson (am 1962-01-23)
Klavier:
Tommy Flanagan (am 1962-01-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-01-23)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-23), Melba Liston (US jazz trombonist) (am 1962-01-23) und Britt Woodman (am 1962-01-23)
Schlagzeug:
Osie Johnson (am 1962-01-23)
Tenorsaxophon:
Budd Johnson (am 1962-01-23), Yusef Lateef (am 1962-01-23) und Seldon Powell (am 1962-01-23)
Trompete:
Nat Adderley (am 1962-01-23), Joe Newman (US jazz trumpeter) (am 1962-01-23), Ernie Royal (am 1962-01-23) und Clark Terry (American swing trumpeter) (am 1962-01-23)
arranger:
Ernie Wilkins
4:44
3-6Cannon Bilt
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-23)
alto saxophone:
Cannonball Adderley (am 1962-01-23) und Earl Warren (am 1962-01-23)
baritone saxophone:
Jerome Richardson (am 1962-01-23)
flute:
Yusef Lateef (am 1962-01-23) und Jerome Richardson (am 1962-01-23)
Klavier:
Tommy Flanagan (am 1962-01-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-01-23)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-23), Melba Liston (US jazz trombonist) (am 1962-01-23) und Britt Woodman (am 1962-01-23)
Schlagzeug:
Osie Johnson (am 1962-01-23)
Tenorsaxophon:
Budd Johnson (am 1962-01-23), Yusef Lateef (am 1962-01-23) und Seldon Powell (am 1962-01-23)
Trompete:
Nat Adderley (am 1962-01-23), Joe Newman (US jazz trumpeter) (am 1962-01-23), Ernie Royal (am 1962-01-23) und Clark Terry (American swing trumpeter) (am 1962-01-23)
arranger:
Ernie Wilkins
3:35
3-7Two for the Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-22)
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earl Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Cello:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Hank Jones (piano) (am 1962-01-22)
Kontrabass:
Sam Jones (US jazz bassist) (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Nat Adderley (am 1962-01-22), Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
arranger:
Ernie Wilkins
4:08
3-8Day In, Day Out
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-23)
alto saxophone:
Cannonball Adderley (am 1962-01-23) und Earl Warren (am 1962-01-23)
baritone saxophone:
Jerome Richardson (am 1962-01-23)
flute:
Yusef Lateef (am 1962-01-23) und Jerome Richardson (am 1962-01-23)
Klavier:
Tommy Flanagan (am 1962-01-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1962-01-23)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-23), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-23), Melba Liston (US jazz trombonist) (am 1962-01-23) und Britt Woodman (am 1962-01-23)
Schlagzeug:
Osie Johnson (am 1962-01-23)
Tenorsaxophon:
Budd Johnson (am 1962-01-23), Yusef Lateef (am 1962-01-23) und Seldon Powell (am 1962-01-23)
Trompete:
Nat Adderley (am 1962-01-23), Joe Newman (US jazz trumpeter) (am 1962-01-23), Ernie Royal (am 1962-01-23) und Clark Terry (American swing trumpeter) (am 1962-01-23)
arranger:
Ernie Wilkins
2:52
3-9Baubles, Bangles and Beads
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-22)
alto saxophone:
Cannonball Adderley (am 1962-01-22) und Earl Warren (am 1962-01-22)
baritone saxophone:
Jerome Richardson (am 1962-01-22)
Cello:
Ray Brown (jazz bassist) (am 1962-01-22)
flute:
Yusef Lateef (am 1962-01-22) und Jerome Richardson (am 1962-01-22)
Klavier:
Hank Jones (piano) (am 1962-01-22)
Kontrabass:
Sam Jones (US jazz bassist) (am 1962-01-22)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-22), Paul Faulise (American jazz trombone player, based in New Jersey, USA.) (am 1962-01-22), Melba Liston (US jazz trombonist) (am 1962-01-22) und Britt Woodman (am 1962-01-22)
Schlagzeug:
Osie Johnson (am 1962-01-22)
Tenorsaxophon:
Budd Johnson (am 1962-01-22), Yusef Lateef (am 1962-01-22) und Seldon Powell (am 1962-01-22)
Trompete:
Nat Adderley (am 1962-01-22), Joe Newman (US jazz trumpeter) (am 1962-01-22), Ernie Royal (am 1962-01-22) und Clark Terry (American swing trumpeter) (am 1962-01-22)
arranger:
Ernie Wilkins
3:33
3-10Much in Common
3:55
3-11When the Saints Go Marching In
Bass:
Ray Brown (jazz bassist) (am 1964-01-14)
Gitarre:
Kenny Burrell (am 1964-01-14)
Orgel:
Wild Bill Davis (am 1964-01-14)
Schlagzeug:
Albert “Tootie” Heath (am 1964-01-14)
Vibraphon:
Milt Jackson (am 1964-01-14)
vocals:
Marion Williams (American gospel singer) (am 1964-01-14)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1964-01-14)
3:58
3-12I'm Going to Live the Live I Sing About in My Song
Bass:
Ray Brown (jazz bassist) (am 1964-01-14)
Gitarre:
Kenny Burrell (am 1964-01-14)
Orgel:
Wild Bill Davis (am 1964-01-14)
Schlagzeug:
Albert “Tootie” Heath (am 1964-01-14)
Vibraphon:
Milt Jackson (am 1964-01-14)
vocals:
Marion Williams (American gospel singer) (am 1964-01-14)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1964-01-14)
4:22
3-13Gravy Blues
3:32
3-14Swing Low, Sweet Chariot
2:48
3-15What Kind of Fool Am I?
4:08
3-16Sometimes I Feel Like a Motherless Child
3:38
3-17Just for a Thrill
4:02
3-18Nancy (with the Laughing Face)
3:38
3-19Give Me That Old Religion
Bass:
Ray Brown (jazz bassist) (am 1964-01-14)
Gitarre:
Kenny Burrell (am 1964-01-14)
Orgel:
Wild Bill Davis (am 1964-01-14)
Schlagzeug:
Albert “Tootie” Heath (am 1964-01-14)
Vibraphon:
Milt Jackson (am 1964-01-14)
vocals:
Marion Williams (American gospel singer) (am 1964-01-14)
aufgenommen bei:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten (am 1964-01-14)
2:01
4-1Lined With a Groove
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-04)
Bass:
Ray Brown (jazz bassist) (am 1965-01-04)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-04)
Klavier:
Hank Jones (piano) (am 1965-01-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-04), Urbie Green (am 1965-01-04), Tom McIntosh (am 1965-01-04) und Tony Studd (am 1965-01-04)
Saxophon:
Bob Ashton (am 1965-01-04), Danny Bank (reeds) (am 1965-01-04), Jimmy Heath (am 1965-01-04), Romeo Penque (am 1965-01-04), Jerome Richardson (am 1965-01-04) und Phil Woods (US jazz woodwind player) (am 1965-01-04)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-04) und Grady Tate (am 1965-01-04)
Trompete:
Eugene Young (am 1965-01-04) und Ernie Royal (am 1965-01-04)
Vibraphon:
Milt Jackson (am 1965-01-04)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-04)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1965-01-04)
arranger:
Oliver Nelson (saxophone, arranger, composer)
5:34
4-2For Someone I Love (What's Your Story)
recorded in:
New York, New York, Vereinigte Staaten (am 1962-01-05, am 1965-01-05)
Bass:
Ray Brown (jazz bassist) (am 1962-01-05, am 1965-01-05)
Flügelhorn:
Clark Terry (American swing trumpeter) (am 1962-01-05)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-05)
Klavier:
Hank Jones (piano) (am 1962-01-05, am 1965-01-05)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1962-01-05, am 1965-01-05), Urbie Green (am 1962-01-05, am 1965-01-05), Tom McIntosh (am 1962-01-05, am 1965-01-05) und Tony Studd (am 1962-01-05, am 1965-01-05)
Rohrblattinstrumente:
Bob Ashton (am 1962-01-05), Danny Bank (reeds) (am 1962-01-05), Jimmy Heath (am 1962-01-05), Romeo Penque (am 1962-01-05), Jerome Richardson (am 1962-01-05) und Phil Woods (US jazz woodwind player) (am 1962-01-05)
Saxophon:
Bob Ashton (am 1965-01-05), Danny Bank (reeds) (am 1965-01-05), Jimmy Heath (am 1965-01-05), Romeo Penque (am 1965-01-05), Jerome Richardson (am 1965-01-05) und Phil Woods (US jazz woodwind player) (am 1965-01-05)
Schlagzeug:
Albert “Tootie” Heath (am 1962-01-05, am 1965-01-05) und Grady Tate (am 1965-01-05)
Trompete:
Ernie Royal (am 1962-01-05, am 1965-01-05), Clark Terry (American swing trumpeter) (am 1962-01-05), Snooky Young (am 1962-01-05) und Eugene Young (am 1965-01-05)
Vibraphon:
Milt Jackson (am 1962-01-05, am 1965-01-05)
Waldhorn:
Ray Alonge (french horn) (am 1962-01-05, am 1965-01-05)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1962-01-05) und Jimmy Heath (am 1965-01-05)
arranger:
Albert “Tootie” Heath und Jimmy Heath
4:34
4-3Dew and Mud
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-05)
Bass:
Ray Brown (jazz bassist) (am 1965-01-05)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-05)
Klavier:
Hank Jones (piano) (am 1965-01-05)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-05), Urbie Green (am 1965-01-05), Tom McIntosh (am 1965-01-05) und Tony Studd (am 1965-01-05)
Saxophon:
Bob Ashton (am 1965-01-05), Danny Bank (reeds) (am 1965-01-05), Jimmy Heath (am 1965-01-05), Romeo Penque (am 1965-01-05), Jerome Richardson (am 1965-01-05) und Phil Woods (US jazz woodwind player) (am 1965-01-05)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-05) und Grady Tate (am 1965-01-05)
Trompete:
Eugene Young (am 1965-01-05) und Ernie Royal (am 1965-01-05)
Vibraphon:
Milt Jackson (am 1965-01-05)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-05)
conductor:
Jimmy Heath (am 1965-01-05)
arranger:
Jimmy Heath und Oliver Nelson (saxophone, arranger, composer)
4:18
4-4I Just Can't Fool Myself
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-05)
Bass:
Ray Brown (jazz bassist) (am 1965-01-05)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-05)
Klavier:
Hank Jones (piano) (am 1965-01-05)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-05), Urbie Green (am 1965-01-05), Tom McIntosh (am 1965-01-05) und Tony Studd (am 1965-01-05)
Saxophon:
Bob Ashton (am 1965-01-05), Danny Bank (reeds) (am 1965-01-05), Jimmy Heath (am 1965-01-05), Romeo Penque (am 1965-01-05), Jerome Richardson (am 1965-01-05) und Phil Woods (US jazz woodwind player) (am 1965-01-05)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-05) und Grady Tate (am 1965-01-05)
Trompete:
Eugene Young (am 1965-01-05) und Ernie Royal (am 1965-01-05)
Vibraphon:
Milt Jackson (am 1965-01-05)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-05)
6:19
4-5Lazy Theme
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-04)
Bass:
Ray Brown (jazz bassist) (am 1965-01-04)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-04)
Klavier:
Hank Jones (piano) (am 1965-01-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-04), Urbie Green (am 1965-01-04), Tom McIntosh (am 1965-01-04) und Tony Studd (am 1965-01-04)
Saxophon:
Bob Ashton (am 1965-01-04), Danny Bank (reeds) (am 1965-01-04), Jimmy Heath (am 1965-01-04), Romeo Penque (am 1965-01-04), Jerome Richardson (am 1965-01-04) und Phil Woods (US jazz woodwind player) (am 1965-01-04)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-04) und Grady Tate (am 1965-01-04)
Trompete:
Eugene Young (am 1965-01-04) und Ernie Royal (am 1965-01-04)
Vibraphon:
Milt Jackson (am 1965-01-04)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-04)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1965-01-04)
arranger:
Oliver Nelson (saxophone, arranger, composer)
4:53
4-6Now Hear My Meaning
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-04)
Bass:
Ray Brown (jazz bassist) (am 1965-01-04)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-04)
Klavier:
Hank Jones (piano) (am 1965-01-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-04), Urbie Green (am 1965-01-04), Tom McIntosh (am 1965-01-04) und Tony Studd (am 1965-01-04)
Saxophon:
Bob Ashton (am 1965-01-04), Danny Bank (reeds) (am 1965-01-04), Jimmy Heath (am 1965-01-04), Romeo Penque (am 1965-01-04), Jerome Richardson (am 1965-01-04) und Phil Woods (US jazz woodwind player) (am 1965-01-04)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-04) und Grady Tate (am 1965-01-04)
Trompete:
Eugene Young (am 1965-01-04) und Ernie Royal (am 1965-01-04)
Vibraphon:
Milt Jackson (am 1965-01-04)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-04)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1965-01-04)
arranger:
Oliver Nelson (saxophone, arranger, composer)
5:16
4-7In a Crowd
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-04)
Bass:
Ray Brown (jazz bassist) (am 1965-01-04)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-04)
Klavier:
Hank Jones (piano) (am 1965-01-04)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-04), Urbie Green (am 1965-01-04), Tom McIntosh (am 1965-01-04) und Tony Studd (am 1965-01-04)
Saxophon:
Bob Ashton (am 1965-01-04), Danny Bank (reeds) (am 1965-01-04), Jimmy Heath (am 1965-01-04), Romeo Penque (am 1965-01-04), Jerome Richardson (am 1965-01-04) und Phil Woods (US jazz woodwind player) (am 1965-01-04)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-04) und Grady Tate (am 1965-01-04)
Trompete:
Eugene Young (am 1965-01-04) und Ernie Royal (am 1965-01-04)
Vibraphon:
Milt Jackson (am 1965-01-04)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-04)
conductor:
Oliver Nelson (saxophone, arranger, composer) (am 1965-01-04)
arranger:
Oliver Nelson (saxophone, arranger, composer)
6:05
4-8Monterey Mist
recorded in:
New York, New York, Vereinigte Staaten (am 1965-01-05)
Bass:
Ray Brown (jazz bassist) (am 1965-01-05)
Flügelhorn und Trompete:
Clark Terry (American swing trumpeter) (am 1965-01-05)
Klavier:
Hank Jones (piano) (am 1965-01-05)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1965-01-05), Urbie Green (am 1965-01-05), Tom McIntosh (am 1965-01-05) und Tony Studd (am 1965-01-05)
Saxophon:
Bob Ashton (am 1965-01-05), Danny Bank (reeds) (am 1965-01-05), Jimmy Heath (am 1965-01-05), Romeo Penque (am 1965-01-05), Jerome Richardson (am 1965-01-05) und Phil Woods (US jazz woodwind player) (am 1965-01-05)
Schlagzeug:
Albert “Tootie” Heath (am 1965-01-05) und Grady Tate (am 1965-01-05)
Trompete:
Eugene Young (am 1965-01-05) und Ernie Royal (am 1965-01-05)
Vibraphon:
Milt Jackson (am 1965-01-05)
Waldhorn:
Ray Alonge (french horn) (am 1965-01-05)
conductor:
Jimmy Heath (am 1965-01-05)
arranger:
Jimmy Heath
3:35
4-9Jordu
3:31
4-10Satin Doll
Produzent(in):
Lester Koenig
Gitarre:
Barney Kessel (von 1957-03-18 bis 1957-03-19)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1957-03-18 bis 1957-03-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (von 1957-03-18 bis 1957-03-19)
aufgenommen bei:
Contemporary’s Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-03-18 bis 1957-03-19)
instrumental recording of:
Satin Doll (in 1957-03)
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
6:34
4-11It Could Happen to You
4:27
4-12Mean to Me
6:31
4-13Don't Worry 'Bout Me
4:38
4-14On Green Dolphin Street
Techniker(in):
Roy DuNann
Produzent(in):
Lester Koenig
Gitarre:
Barney Kessel (von 1957-03-18 bis 1957-03-19)
Kontrabass [bass]:
Ray Brown (jazz bassist) (von 1957-03-18 bis 1957-03-19)
Schlagzeug:
Shelly Manne (US jazz drummer) (von 1957-03-18 bis 1957-03-19)
aufgenommen bei:
Contemporary’s Studio in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-03-18 bis 1957-03-19)
instrumental recording of:
On Green Dolphin Street (in 1957-03)
Texter:
Ned Washington (in 1947)
Komponist(in):
Bronisław Kaper (in 1947)
publisher:
Catharine Hinen Music, Leo Feist Inc. und Patti Washington Music
4:04
4-15You Go to My Head
4:25
4-16Minor Mood
3:23
4-17Nagasaki
3:05

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