American Popular Song

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

2.11 with vocal Helen Forrest (still need to track down original release).

Annotation last modified on 2012-02-13 18:04 UTC.

Tracklist

1▶Medium
2▶Medium
3▶Medium
4▼Medium
#TitleArtistRatingLength
1This Can’t Be Love
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Bud Shank (on 1956-08-21) and Maurice Stein (American jazz saxophonist) (on 1956-08-21)
baritone saxophone:
Chuck Gentry (on 1956-08-21)
bass:
Joe Mondragon (on 1956-08-21)
bass trombone:
George Roberts (american bass trombone) (on 1956-08-21)
drums (drum set):
Alvin Stoller (on 1956-08-21)
guitar:
Barney Kessel (on 1956-08-21)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-08-21)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1956-08-21) and Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-08-21)
trombone:
Milt Bernhart (on 1956-08-21), Joe Howard (american trombone player) (on 1956-08-21) and Lloyd Ulyate (on 1956-08-21)
trumpet:
Pete Candoli (on 1956-08-21), Maynard Ferguson (on 1956-08-21), Conrad Gozzo (on 1956-08-21) and Ray Linn (on 1956-08-21)
vocals:
Ella Fitzgerald (American jazz singer) (on 1956-08-21)
conductor:
Buddy Bregman (on 1956-08-21)
arranger:
Buddy Bregman
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1956-08-21)
cover recording of:
This Can’t Be Love (on 1956-08-21)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
Ella Fitzgerald2:55
2How Long Has This Been Going On
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
Ella Fitzgerald3:48
3Blues in the Night
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Ella Fitzgerald7:15
4Speak Low
Carmen McRae3:10
5Isn’t It Romantic
Carmen McRae3:02
6Baltimore Oriole
Carmen McRae3:50
7I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Frank Sinatra3:45
8I Guess I’ll Have to Change My Plan
recording of:
I Guess I’ll Have to Change My Plan
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
part of:
The Band Wagon (1953 film)
Frank Sinatra2:25
9What’ll I Do
cover recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
recording of:
What’ll I Do?
lyricist and composer:
Irving Berlin (in 1923)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Wilhelm Hansen and Williamson Music Company
Johnny Mathis2:58
10I’m Beginning to See the Light
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1956-04-28) and Marshall Royal (on 1956-04-28)
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (on 1956-04-28)
clarinet:
Marshall Royal (on 1956-04-28)
double bass:
Eddie Jones (US jazz double bassist) (on 1956-04-28)
drums (drum set):
Sonny Payne (on 1956-04-28)
flute:
Frank Wess (on 1956-04-28)
guitar:
Freddie Green (on 1956-04-28)
piano:
Count Basie (pianist) (on 1956-04-28)
tenor saxophone:
Frank Foster (saxophonist) (on 1956-04-28) and Frank Wess (on 1956-04-28)
trombone:
Henry Coker (jazz trombonist) (on 1956-04-28), Bill Hughes (jazz trombonist) (on 1956-04-28) and Benny Powell (jazz trombonist) (on 1956-04-28)
trumpet:
Wendell Culley (jazz trumpeter) (on 1956-04-28), Reunald Jones (on 1956-04-28), Thad Jones (American jazz trumpeter) (on 1956-04-28) and Joe Newman (US jazz trumpeter) (on 1956-04-28)
arranger:
Buddy Bregman
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-04-28)
Joe Williams3:10
11Come Rain or Come Shine
Joe Williams4:03
12Something’s Gotta Give
vocals:
Fred Astaire (in 1955-04)
conductor:
Pete King (composer/arranger)
recording of:
Something’s Gotta Give (from “Daddy Long Legs”) (in 1955-04)
lyricist and composer:
Johnny Mercer (in 1954)
publisher:
WB Music Corp. (1929–2019)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Fred Astaire3:00
13Nice Work If You Can Get It
Mel Tormé3:12
14When The Sun Comes Out
Mel Tormé3:22
15One Morning in May
Mel Tormé2:44
16You’re Driving Me Crazy
Kay Starr2:09
17Just One of Those Things
cover recording of:
Just One of Those Things
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
Lena Horne2:04
18You Don’t Know What Love Is
Teddi King3:31
19My Future Just Passed
recording of:
My Future Just Passed
lyricist:
George Marion, Jr.
composer:
Richard A. Whiting (composer)
Teddi King2:50
20Easy Street
Elaine Stritch4:21
21My Shining Hour
Mabel Mercer3:45
5▶Medium