Collection, Vol. 4: 1932-34

~ Veröffentlichung von The Boswell Sisters (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1California Medley, Part 2
4:21
2O.K. America, Part 2
5:17
3We Just Couldn’t Say Goodbye
recording of:
We Just Couldn’t Say Goodbye (am 1932-08-06)
Texter und Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
Callicoon Music und Words & Music, Inc. (US work publisher)
2:42
4Sleep, Come on and Take Me
alto saxophone und Klarinette:
Jimmy Dorsey (am 1932-08-06)
flute und Tenorsaxophon:
Larry Binyon (am 1932-08-06)
Gitarre:
Dick McDonough (am 1932-08-06)
Klavier:
Fulton McGrath (am 1932-08-06)
Kontrabass:
Artie Bernstein (am 1932-08-06)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1932-08-06)
Schlagzeug:
Stan King (Big band-era drummer) (am 1932-08-06)
Trompete:
Manny Klein (am 1932-08-06)
vocals:
The Boswell Sisters (am 1932-08-06)
recording of:
Sleep, Come on and Take Me (am 1932-08-06)
Texter:
Joe Young (US lyricist)
Komponist(in):
Boyd Bunch (songwriter)
2:55
5Down Among the Sheltering Palms
recording of:
Down Among the Sheltering Palms (am 1932-08-06)
Texter:
James Brockman (US songwriter) und Leo Wood (American songwriter & lyricist; 1882—1929)
Komponist(in):
Abe Olman
2:48
6Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song) (am 1933-01-09)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:13
7Forty‐Second Street
recording of:
42nd Street (from the musical “42nd Street”) (am 1933-04-11)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
3:10
8The Gold Digger’s Song
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1933-06-13)
Klarinette:
Jimmy Dorsey (am 1933-06-13)
Klavier:
Martha Boswell (am 1933-06-13)
Kontrabass:
Artie Bernstein (am 1933-06-13)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1933-06-13)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-06-13)
Tenorsaxophon:
Larry Binyon (am 1933-06-13)
Trompete:
Manny Klein (am 1933-06-13)
vocals:
The Boswell Sisters (am 1933-06-13)
recording of:
We’re in the Money (The Gold Digger’s Song) (am 1933-06-13)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
Teil von:
42nd Street (full musical)
2:30
9It’s Sunday Down in Caroline
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1933-06-13)
Klarinette:
Jimmy Dorsey (am 1933-06-13)
Klavier:
Martha Boswell (am 1933-06-13)
Kontrabass:
Artie Bernstein (am 1933-06-13)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1933-06-13)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-06-13)
Tenorsaxophon:
Larry Binyon (am 1933-06-13)
Trompete:
Manny Klein (am 1933-06-13)
vocals:
The Boswell Sisters (am 1933-06-13)
3:10
10Puttin’ It On
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1933-06-15)
Klarinette:
Jimmy Dorsey (am 1933-06-15)
Klavier:
Martha Boswell (am 1933-06-15)
Kontrabass:
Artie Bernstein (am 1933-06-15)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1933-06-15)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-06-15)
Tenorsaxophon:
Larry Binyon (am 1933-06-15)
Trompete:
Manny Klein (am 1933-06-15)
vocals:
The Boswell Sisters (am 1933-06-15)
2:48
11Swanee Mammy
Gitarre:
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (am 1933-06-15)
Klarinette:
Jimmy Dorsey (am 1933-06-15)
Klavier:
Martha Boswell (am 1933-06-15)
Kontrabass:
Artie Bernstein (am 1933-06-15)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1933-06-15)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-06-15)
Tenorsaxophon:
Larry Binyon (am 1933-06-15)
Trompete:
Manny Klein (am 1933-06-15)
vocals:
The Boswell Sisters (am 1933-06-15)
3:22
12Sophisticated Lady
alto saxophone:
Chester Hazlett (am 1933-09-11)
Geige / Violine:
Harry Hoffman (violinist) (am 1933-09-11)
Gitarre:
Perry Botkin (am 1933-09-11)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1933-09-11)
Klavier:
Martha Boswell (am 1933-09-11)
Kontrabass:
Dick Cherwin (double bass player and bandleader) (am 1933-09-11)
Posaune:
Charles Butterfield (am 1933-09-11)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-09-11)
Trompete:
Manny Weinstock (am 1933-09-11)
vocals:
The Boswell Sisters (am 1933-09-11)
recording of:
Sophisticated Lady (am 1933-09-11)
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:13
13That’s How Rhythm Was Born
alto saxophone:
Chester Hazlett (am 1933-09-11)
Geige / Violine:
Harry Hoffman (violinist) (am 1933-09-11)
Gitarre:
Perry Botkin (am 1933-09-11)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1933-09-11)
Klavier:
Martha Boswell (am 1933-09-11)
Kontrabass:
Dick Cherwin (double bass player and bandleader) (am 1933-09-11)
Posaune:
Charles Butterfield (am 1933-09-11)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-09-11)
Trompete:
Manny Weinstock (am 1933-09-11)
vocals:
The Boswell Sisters (am 1933-09-11)
3:01
14Song of Surrender
Gitarre:
Dick McDonough (am 1933-11-14)
Klarinette:
Jimmy Dorsey (am 1933-11-14)
Klavier:
Martha Boswell (am 1933-11-14)
Kontrabass:
Artie Bernstein (am 1933-11-14)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1933-11-14)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-11-14)
Tenorsaxophon:
Larry Binyon (am 1933-11-14)
Trompete:
Manny Klein (am 1933-11-14)
vocals:
The Boswell Sisters (am 1933-11-14)
recording of:
Song of Surrender (am 1933-11-14)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
3:15
15Coffee in the Morning (Kisses in the Night)
Gitarre:
Dick McDonough (am 1933-11-14)
Klarinette:
Jimmy Dorsey (am 1933-11-14)
Klavier:
Martha Boswell (am 1933-11-14)
Kontrabass:
Artie Bernstein (am 1933-11-14)
Posaune:
Tommy Dorsey (swing trombone player & band leader) (am 1933-11-14)
Schlagzeug:
Stan King (Big band-era drummer) (am 1933-11-14)
Tenorsaxophon:
Larry Binyon (am 1933-11-14)
Trompete:
Manny Klein (am 1933-11-14)
vocals:
The Boswell Sisters (am 1933-11-14)
recording of:
Coffee in the Morning (and Kisses in the Night) (am 1933-11-14)
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
2:56
16You Oughta Be in Pictures
alto saxophone:
Jimmy Dorsey (am 1934-03-23)
Gitarre:
Dick McDonough (am 1934-03-23)
Klarinette:
Larry Binyon (am 1934-03-23)
Klavier:
Martha Boswell (am 1934-03-23)
Kontrabass:
Artie Bernstein (am 1934-03-23)
Posaune:
Chuck Campbell (am 1934-03-23) und Tommy Dorsey (swing trombone player & band leader) (am 1934-03-23)
Schlagzeug:
Stan King (Big band-era drummer) (am 1934-03-23)
Trompete:
Bunny Berigan (am 1934-03-23) und Manny Klein (am 1934-03-23)
vocals:
The Boswell Sisters (am 1934-03-23)
recording of:
You Oughta Be in Pictures (am 1934-03-23)
Texter:
Edward Heyman
Komponist(in):
Dana Suesse (American composer)
publisher:
Quartet Music und Range Road Music
2:58
17I Hate Myself (for Being So Mean to You)
alto saxophone:
Jimmy Dorsey (am 1934-03-23)
Gitarre:
Dick McDonough (am 1934-03-23)
Klarinette:
Larry Binyon (am 1934-03-23)
Klavier:
Martha Boswell (am 1934-03-23)
Kontrabass:
Artie Bernstein (am 1934-03-23)
Posaune:
Chuck Campbell (am 1934-03-23) und Tommy Dorsey (swing trombone player & band leader) (am 1934-03-23)
Schlagzeug:
Stan King (Big band-era drummer) (am 1934-03-23)
Trompete:
Bunny Berigan (am 1934-03-23) und Manny Klein (am 1934-03-23)
vocals:
The Boswell Sisters (am 1934-03-23)
recording of:
I Hate Myself (for Being So Mean to You) (am 1934-03-23)
Texter:
Benny Davis (US vaudeville performer and songwriter) und Joe Young (US lyricist)
Komponist(in):
Milton Ager
3:12
18Goin’ Home
vocals:
The Boswell Sisters (am 1934-04-27)
recording of:
Goin’ Home (am 1934-04-27)
Texter:
William Arms Fisher (American composer, music historian and writer) (in 1922)
Komponist(in):
William Arms Fisher (American composer, music historian and writer) und Antonín Dvořák (composer) (in 1893)
instruments arranger:
William Arms Fisher (American composer, music historian and writer)
publisher:
Dash Music Co. Ltd.
basiert auf:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Sinfonie Nr. 9 e-Moll, Op. 95 "Aus der Neuen Welt": II. Largo)
3:05
19The Lonesome Road
vocals:
The Boswell Sisters (am 1934-04-27)
recording of:
Lonesome Road (am 1934-04-27)
Texter:
Gene Austin
Komponist(in):
Nathaniel Shilkret
publisher:
Campbell Connelly & Co. Ltd., Chappell’s • Sydney, Nathaniel Shilkret Music Corp., Paramount Music Corporation und Spier & Coslow Inc.
3:04
20Rock and Roll
Geige / Violine:
Bob Morrow (am 1934-10-04) und Dwight Muma (am 1934-10-04)
Kontrabass:
Jake Garcia (am 1934-10-04)
Posaune:
Homer Menge (am 1934-10-04)
Rohrblattinstrumente:
James Briggs (am 1934-10-04) und Frank Schumacher (am 1934-10-04)
Trompete:
Stanley Green (am 1934-10-04)
vocals:
The Boswell Sisters (am 1934-10-04)
Orchester:
Jimmie Grier and His Orchestra (am 1934-10-04)
recording of:
Rock and Roll (am 1934-10-04)
Texter:
Sidney Clare
Komponist(in):
Richard A. Whiting (composer)
2:46
21If I Had a Million Dollars
Geige / Violine:
Bob Morrow (am 1934-10-04) und Dwight Muma (am 1934-10-04)
Kontrabass:
Jake Garcia (am 1934-10-04)
Posaune:
Homer Menge (am 1934-10-04)
Rohrblattinstrumente:
James Briggs (am 1934-10-04) und Frank Schumacher (am 1934-10-04)
Trompete:
Stanley Green (am 1934-10-04)
vocals:
The Boswell Sisters (am 1934-10-04)
2:51
22The Object of My Affection
Geige / Violine:
Bob Morrow (am 1934-12-10) und Dwight Muma (am 1934-12-10)
Kontrabass:
Jake Garcia (am 1934-12-10)
Posaune:
Homer Menge (am 1934-12-10)
Rohrblattinstrumente:
James Briggs (am 1934-12-10) und Frank Schumacher (am 1934-12-10)
Trompete:
Stanley Green (am 1934-12-10)
vocals:
The Boswell Sisters (am 1934-12-10)
recording of:
The Object of My Affection (am 1934-12-10)
Verfasser(in):
Jimmie Grier (US jazz clarinetist), Coy Poe (Songwriter) und Pinky Tomlin (singer, actor, songwriter, and bandleader)
3:22
23It’s Written All Over Your Face
Geige / Violine:
Bob Morrow (am 1934-12-10) und Dwight Muma (am 1934-12-10)
Kontrabass:
Jake Garcia (am 1934-12-10)
Posaune:
Homer Menge (am 1934-12-10)
Rohrblattinstrumente:
James Briggs (am 1934-12-10) und Frank Schumacher (am 1934-12-10)
Trompete:
Stanley Green (am 1934-12-10)
vocals:
The Boswell Sisters (am 1934-12-10)
recording of:
It’s Written All Over Your Face (am 1934-12-10)
Texter:
Nat Burton (US songwriter)
Komponist(in):
Basil Adlam (composer, author, arranger, musical director, producer and saxophonist)
3:14
24Dinah
Gitarre:
Bobby Sherwood (guitarist/trumpeter) (am 1934-12-13)
vocals:
The Boswell Sisters (am 1934-12-13)
recording of:
Dinah (am 1934-12-13)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Harry Akst
publisher:
B & G Akst Publishing Co., EMI Mills Music Inc. (ASCAP-affiliated) und Morley Music Corp.
Teil von:
The Girl’s Suite
3:01

Nennungen