Le 100 canzoni dei "I migliori anni"

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▶CD
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#TitoloArtistaValutazioneDurata
1Spinning Wheel
tecnico:
Fred Catero e Roy Halee
produttore:
James William Guercio
basso :
Jim Fielder (Bassist with Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
batteria e percussione :
Bobby Colomby (dal 1968-10-07 al 1968-10-22)
chitarra e armonica (a bocca) :
Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
flauto dolce e trombone :
Jerry Hyman (trombone player) (dal 1968-10-07 al 1968-10-22)
flauto, organo, pianoforte e trombone :
Dick Halligan (dal 1968-10-07 al 1968-10-22)
flicorno soprano e tromba :
Al Rubin (dal 1968-10-07 al 1968-10-22) e Lew Soloff (dal 1968-10-07 al 1968-10-22)
sassofono contralto e pianoforte :
Fred Lipsius (dal 1968-10-07 al 1968-10-22)
voce:
Bobby Colomby (dal 1968-10-07 al 1968-10-22), Dick Halligan (dal 1968-10-07 al 1968-10-22) e Steve Katz (guitarist for Blood, Sweat & Tears) (dal 1968-10-07 al 1968-10-22)
voce principale:
David Clayton‐Thomas (dal 1968-10-07 al 1968-10-22)
arrangiatore:
Blood, Sweat & Tears e Fred Lipsius
registrata presso:
CBS 30th Street Studio in Manhattan, New York, New York, Stati Uniti (dal 1968-10-07 al 1968-10-22)
registrazione di:
Spinning Wheel (dal 1968-10-07 al 1968-10-22)
paroliere e compositore:
David Clayton‐Thomas
editore:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Blood, Sweat & Tears44:08
2Mr. Tambourine Man
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1965-01-20)
produttore:
Terry Melcher
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds) (il 1965-01-20)
chitarra :
David Crosby (il 1965-01-20)
chitarra a 12 corde :
Jim McGuinn (il 1965-01-20)
chitarra basso :
Chris Hillman (il 1965-01-20)
tamburello :
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20)
voce:
Gene Clark (US singer-songwriter; founder of The Byrds) (il 1965-01-20), David Crosby (il 1965-01-20), Chris Hillman (il 1965-01-20) e Jim McGuinn (il 1965-01-20)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1965) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (il 1965-01-20)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
adattamenti:
Setä pelimanni
The Byrds4.152:29
3Black Is Black
registrazione di:
Black Is Black (nel 1966)
autore:
Michelle Grainger (UK songwriter, co-wrote “Black is Black”), Tony Hayes (UK songwriter, co-wrote “Black is Black”) e Steve Wadey (UK songwriter, co-wrote “Black is Black”)
editore:
EMI Music Publishing (do not use as a release label!), Mellin Music, Musica (Musica Schallplatten-Vertrieb Gesellschaft m.b.H.), Robert Mellin Music Publishing Corp. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Los Bravos42:56
4Mellow Yellow
registrata a:
London (Greater London), England, Regno Unito (nel 1966)
produttore:
Mickie Most (English record producer)
basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1966)
batteria :
Bobby Orr (nel 1966)
chitarra acustica :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1966)
corno [horns] :
Danny Moss (nel 1966) e Ronnie Ross (nel 1966)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1966)
arrangiatore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
Epic (US label founded by CBS in 1953, now owned by Sony) (nel 1966)
registrazione di:
Mellow Yellow (nel 1966)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan (Music) Ltd.
Donovan43:40
5The Look of Love
tecnico:
Ray Hall (engineer) (il 1967-06-15)
produttore:
Danny Davis (country music band leader, trumpeter, singer, producer, and best known as the founder and leader of the Nashville Brass)
basso elettrico :
Gene Taylor (US jazz bassist) (il 1967-06-15)
batteria :
Bernard “Pretty” Purdie (il 1967-06-15)
chitarra elettrica :
Eric Gale (il 1967-06-15) e Rudy Stevenson (il 1967-06-15)
clavicembalo e pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1967-06-15)
voce:
Nina Simone (il 1967-06-15)
direttore d'orchestra:
Sammy Lowe (trumpeter, arranger and conductor) (il 1969-06-15)
arrangiatore:
Sammy Lowe (trumpeter, arranger and conductor)
registrata presso:
RCA Victor Studios (Midtown New York (A,B,C,D,E,F)) in New York, New York, Stati Uniti (il 1967-06-15)
registrazione cover di:
The Look of Love (il 1967-06-15)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Nina Simone32:21
6Europa (Earth's Cry Heaven's Smile)
assistente tecnico:
Susan Foot (recording engineer)
tecnico:
Fred Catero e David Rubinson
produttore:
David Rubinson e David Rubinson & Friends, Inc.
batteria :
Leon Ndugu Chancler (il 1975-12-16) e Michael Shrieve (drummer) (il 1975-12-16)
chitarra :
Carlos Santana (il 1975-12-16)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1975-12-16)
congas :
Armando Peraza (percussionist) (il 1975-12-16)
percussione :
Jose Chepito Áreas (il 1975-12-16) e Armando Peraza (percussionist) (il 1975-12-16)
pianoforte :
Leon Patillo (il 1975-12-16)
sassofono :
Jules Broussard (il 1975-12-16)
tastiera :
Tom Coster (il 1975-12-16)
voce:
Leon Patillo (il 1975-12-16) e Carlos Santana (il 1975-12-16)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1975-12-16)
registrazione di:
Europa (Earth’s Cry, Heaven’s Smile) (il 1975-12-16)
compositore:
Tom Coster e Carlos Santana
editore:
Light Music (US publishing label), Rondor Music (London) Ltd. e Wixen Music Publishing, Inc.
Santana4.15:01
7Blue Suede Shoes
assistente tecnico:
Dror Mohar
tecnico di missaggio:
Ray Bardani
batteria :
D.J. Fontana (il 1956-01-30)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-01-30) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-30)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-30)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
mixata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 423)
registrazione cover di:
Blue Suede Shoes (il 1956-01-30)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley42:00
8Can't Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Andy Williams43:11
9All by Myself
assistente tecnico:
Joey Barbaria
tecnico:
Jack Sherdel
produttore:
Jimmy Ienner (producer)
voce principale:
Eric Carmen (dal 1975-08 al 1975-09)
arrangiatore:
Eric Carmen
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1975) e Arista Records, LLC (holding company - file NO releases here!) (nel 1975)
è stato produttore per:
CAM Productions (US)
registrata presso:
O.D.O. Sound Studios in New York, New York, Stati Uniti (dal 1975-08 al 1975-09)
registrazione di:
All by Myself (dal 1975-08 al 1975-09)
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
Eric Carmen4.254:52
10Aquarius / Let the Sunshine In (The Flesh Failures)
tecnico audio, tecnico e produttore:
Bones Howe
assistente produttore:
Ann McClelland
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria e percussione :
Hal Blaine (U.S. studio drummer and percussionist)
esecutore:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo e Ron Townson
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
arrangiatore voci:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
diritti fonografici (℗) detenuti da:
Arista (American label owned by Sony Music Entertainment) (nel 1969)
video musicali:
Age of Aquarius / Let the Sunshine In di The 5th Dimension (1960’s group)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 435)
medley che comprende una registrazione di:
Aquarius (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI United Partnership Ltd. e United Artist Music Publishing
parte di:
Hair (1967 musical)
registrazione di:
Aquarius / Let the Sunshine In (The Flesh Failures)
autore:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) e Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arrangiatore:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) e Bones Howe
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. e United Artists Music Co., Inc.
adattamenti:
Era de aquário / Deixa o sol entrar
medley di:
Aquarius (from “Hair”)
medley di:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley che comprende una registrazione di:
Let the Sunshine In
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Music Publishing Scandinavia AB e United Artists Music Co., Inc.
The 5th Dimension4.154:48
11Blame It on the Boogie
tecnico:
Don Murray (producer / engineer)
produttore esecutivo:
Mike Atkinson e Bobby Colomby
tecnico di missaggio:
John Luongo
basso :
Gary King (jazz bassist, arranger and songwriter) (nel 1978) e Nathan Watts (nel 1978)
batteria e percussione :
Rick Morotta (US drummer/percussionist) (nel 1978)
chitarra :
Roland Bautista (nel 1978), Tito Jackson (nel 1978) e Mike Sembello (nel 1978)
congas :
Laudir de Oliveira (nel 1978) e Claudio Slon (nel 1978)
flauto , sassofono e tromba :
Seawind Horns
tastiera :
Greg Phillinganes (nel 1978)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Marlon Jackson e Randy Jackson (brother of Michael and Janet)
voce principale:
Michael Jackson (“King of Pop”) (nel 1978)
arrangiatore corno :
Jerry Hey
arrangiatore:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Dawnbreakers Studios in Los Angeles, California, Stati Uniti, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, Stati Uniti, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti e Total Experience Recording Studios in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti e Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti
registrazione cover di:
Blame It on the Boogie (nel 1978)
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
registrazione di:
Blame It on the Boogie
autore:
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) e Elmar Krohn
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. e Peterman & Co. Ltd.
parte di:
MJ: The Musical
The Jacksons4.33:34
12September
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1975, nel 1978), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1978) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1978)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 16) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 65)
registrazione di:
September
autore:
Al McKay, Maurice White (Earth, Wind & Fire) e Allee Willis
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Irving Music (BMI), Irving Music, Inc., Rondor Music (London) Ltd., Steel Chest Music, The International Music Network, Universal Music Publishing Group, Pty. Ltd, フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Earth, Wind & Fire4.63:35
13Rockollection
registrazione di:
Rockollection
paroliere:
Alain Souchon
compositore:
Laurent Voulzy
cita i testi di:
(I Can’t Get No) Satisfaction
cita i testi di:
A Hard Day’s Night
cita i testi di:
California Dreamin’
cita i testi di:
Gloria (Van Morrison/Them song)
cita i testi di:
I Get Around
cita i testi di:
Massachusetts
cita i testi di:
Mellow Yellow
cita i testi di:
Mr. Tambourine Man
cita i testi di:
The Loco‐Motion (aka Locomotion)
cita la musica di:
(I Can’t Get No) Satisfaction
cita la musica di:
A Hard Day’s Night
cita la musica di:
California Dreamin’
cita la musica di:
Gloria (Van Morrison/Them song)
cita la musica di:
I Get Around
cita la musica di:
Massachusetts
cita la musica di:
Mellow Yellow
cita la musica di:
Mr. Tambourine Man
cita la musica di:
The Loco‐Motion (aka Locomotion)
Laurent Voulzy4:08
14I Love to Love
tecnico:
Richard Dodd (mastering engineer, producer and engineer)
produttore:
Biddu (composer, songwriter, producer and musician)
arrangiatore:
Biddu (composer, songwriter, producer and musician)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1976) e Arista Records Ltd. (not for release label use!) (nel 1986)
registrazione cover di:
I Love to Love
paroliere:
Philo Jack Robinson (disco songwriter, producer, composer)
compositore:
James Bolden (French singer and songwriter)
editore:
Mautoglade Music, Robin Song Music (affiliated to SACEM) e Rolf Baierle Music
Tina Charles4.653:01
15Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle feat. Patti LaBelle3.33:54
16Chirpy Chirpy Cheep Cheep
registrazione cover di:
Chirpy Chirpy Cheep Cheep (Lally Stott / Middle of the Road)
paroliere:
Lally Stott (nel 1971)
compositore:
Lally Stott
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Middle of the Road42:56
17More, More, More
produttore:
Gregg Diamond
tecnico di missaggio:
Tom Moulton
arrangiatore:
Gregg Diamond
diritti fonografici (℗) detenuti da:
Buddah Records, Inc. (nel 1976)
mixata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti
registrazione di:
More, More, More
paroliere e compositore:
Gregg Diamond
editore:
Buddah Music, MRI Music, Buddah (ffor company credits related to the US label Buddah Records) (nel 1976) e Gee Diamond Music (nel 1976)
Andrea True Connection4.753:00
18T.S.O.P. (The Sound of Philadelphia)
produttore:
Kenneth Gamble (songwriter for Philadelphia International), Leon Huff (Philly soul producer, of Gamble & Huff) e Bobby Martin (US soul/R&B producer/arranger)
tecnico di missaggio:
Tom Moulton
voce:
Sheila Ferguson, Valerie Holiday e Fayette Pinkney
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
remix di:
TSOP (The Sound of Philadelphia) (Ferguson, Holiday, Pinkney) di MFSB (Mother Father Sister Brother) feat. The Three Degrees
registrazione di:
TSOP (The Sound of Philadelphia) (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
MFSB feat. The Three Degrees5:48
19Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:51
20Daddy Cool
produttore:
Frank Farian
voce di accompagnamento e voce principale:
Marcia Barrett (nel 1976), Frank Farian (nel 1976) e Liz Mitchell (nel 1976)
arrangiatore:
Steven Hammer
diritti fonografici (℗) detenuti da:
Far Music Productions GmbH (nel 1976) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1976)
parte di:
Cachitos Nochevieja 2022 (numero: 153)
registrazione di:
Daddy Cool (nel 1976)
paroliere:
George Reyam
compositore:
Frank Farian
editore:
BMG Music, Far Musikverlag GmbH e Intro (German publisher) (nel 1976)
Boney M.4.13:30
5▶CD

Accreditamenti

Pubblicazione

ASIN:IT: B005ZI3E5K [info]