Harold en Italie / Tristia

~ Release by Berlioz; Orchestre Révolutionnaire et Romantique, Monteverdi Choir, John Eliot Gardiner, Gérard Caussé (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Harold en Italie, op. 16: 1. Harold aux montagnes (Adagio – Allegro)
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
viola:
Gérard Caussé (violist) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro (in 1994-10)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz15:02
2Harold en Italie, op. 16: 2. Marche des pèlerins (Allegretto)
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
viola:
Gérard Caussé (violist) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto (in 1994-10)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz7:33
3Harold en Italie, op. 16: 3. Sérénade d’un montagnard des Abruzzes (Allegro assai – Allegretto)
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
viola:
Gérard Caussé (violist) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto (in 1994-10)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz6:13
4Harold en Italie, op. 16: 4. Orgie de brigands (Allegro frenetico – Adagio – Allegro. Tempo I)
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
viola:
Gérard Caussé (violist) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro (in 1994-10)
composer:
Hector Berlioz (French composer) (in 1834)
part of:
Harold en Italie, op. 16 (Symphonie en 4 parties avec un alto principal)
Hector Berlioz12:28
5Tristia, op. 18: 1. Méditation religieuse
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Tristia, op. 18 : I. Méditation religieuse « Ce monde entier » (for chorus and orchestra) (in 1994-10)
lyricist:
Anne-Louise Swanton-Belloc
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 56B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz4:38
6Tristia, op. 18: 2. La mort d’Ophélie (Ballade)
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Tristia, op. 18 : II. La Mort d’Ophélie. Ballade « Auprès d’un torrent » (for chorus and orchestra) (in 1994-10)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 92B)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz6:52
7Tristia, op. 18: 3. Marche funèbre pour la dernière scène d’Hamlet
recording engineer:
Roger de Schot, Stephan Van De Velde and Jan Wesselink
producer:
Martha de Francisco (classical producer and engineer)
editor:
Martha de Francisco (classical producer and engineer) and Everett Porter
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1994-10)
orchestra:
Orchestre Révolutionnaire et Romantique (in 1994-10)
conductor:
John Eliot Gardiner (in 1994-10)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1994-10)
recording of:
Tristia, op. 18: III. Marche funèbre pour la dernière scène d'Hamlet (for chorus and orchestra) (in 1994-10)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 103)
part of:
Tristia, op. 18 (for chorus and orchestra)
Hector Berlioz6:46

Credits

Release

liner notes:Jean-Pierre Bartoli
Christian Berger (classical liner notes author)
Hugh Macdonald (liner notes / musicologist)
Carlo Vitali
Discogs:https://www.discogs.com/release/4531665 [info]
ASIN:DE: B0000041DH [info]