100 Jahre Salzburger Festspiele

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Compilation of significant recordings over 70 years from the Salzburg Festival. Released as part of the 100th anniversary of the festival.

Annotation last modified on 2020-09-20 09:00 UTC.

Tracklist

1CD: Strauss: Arabella (Act I)
2CD: Strauss: Arabella (Act II)
3CD: Strauss: Arabella (Act III)
4CD: Strauss: Ariadne auf Naxos (Prologue & Opera 1)
5CD: Strauss: Ariadne auf Naxos (Opera 2)
6CD: Verdi: Don Carlo (Acts I & II/1)
7CD: Verdi: Don Carlo (Acts II/2. & III)
8CD: Gluck: Orfeo ed Euridice (Acts I & II)
9CD: Gluck: Orfeo ed Euridice (Act III)
10CD: Strauss: Die schweigsame Frau (Acts I & II/1)
11CD: Strauss: Die schweigsame Frau (Acts II/2 & III)
12CD: Strauss: Der Rosenkavalier (Act I)
13CD: Strauss: Der Rosenkavalier (Act II)
14CD: Strauss: Der Rosenkavalier (Act III)
15CD: Mozart: Idomeneo (Acts I & II/1)
16CD: Mozart: Idomeneo (Acts II/2 & III)
17CD: Verdi: Il trovatore (Parts I & II)
18CD: Verdi: Il trovatore (Parts III & IV)
19CD: Strauss: Der Rosenkavalier (Act I)
20CD: Strauss: Der Rosenkavalier (Act II)
21CD: Strauss: Der Rosenkavalier (Act III)
22CD: Mozart: Così fan tutte (Act I/1)
23CD: Mozart: Così fan tutte (Acts I/2 & II)
24CD: Mozart: Don Giovanni (Act I/1)
25CD: Mozart: Don Giovanni (Acts I/2 & II/1)
#TitleArtistRatingLength
1Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. Recitativo: “Masetto: senti un po'!” (Zerlina, Masetto)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Masetto: senti un po’!” (Zerlina, Masetto) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart1:23
2Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 12 Aria: “Batti, batti, o bel Masetto” (Zerlina)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:59
3Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. Recitativo: “Guarda un po'” (Masetto, Don Giovanni, Zerlina)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. Recitativo “Guarda un po’ come seppe” (Masetto, Don Giovanni, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart0:34
4Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 13 Finale I: “Presto, presto pria ch'ei venga” (Masetto, Zerlina, Don Giovanni, servi)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. No. 13 Finale “Presto, presto, pria ch’ei venga” (Masetto, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:02
5Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 13 Finale I: “Tra quest'arbori celata” (Zerlina, Don Giovanni, Masetto)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. “Tra quest’ arbori celata” (Zerlina, Don Giovanni, Masetto, Coro) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:37
6Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 13 Finale I: “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. “Bisogna aver coraggio” (Donna Elvira, Don Ottavio, Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart4:52
7Don Giovanni, ossia Il dissoluto punito, K 527: Atto I. N. 13 Finale I: “Riposate, vezzose ragazze!” (Don Giovanni, Leporello, Masetto, Zerlina, Donna Anna, Donna Elvira, Don Ottavio)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto I. “Riposate, vezzose ragazze” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart11:12
8Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. N. 14 Duetto: “Eh via, buffone” (Don Giovanni, Leporello)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 14 Duetto “Eh via buffone, non mi seccar” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:08
9Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. Recitativo: “Leporello!” - “Signore” (Don Giovanni, Leporello)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Leporello! Signore?” (Don Giovanni, Leporello) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:46
10Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. N. 15 Terzetto: “Ah! taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 15 Terzetto “Ah taci, ingiusto core” (Donna Elvira, Leporello, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:18
11Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. Recitativo: “Amico, che ti par?” (Don Giovanni, Leporello, Donna Elvira)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Amico che ti par?” (Don Giovanni, Leporello, Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:04
12Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. N. 16 Canzonetta: “Deh, vieni alla finestra” (Don Giovanni)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:07
13Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. Recitativo: “V'è gente alla finestra” (Don Giovanni)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “V’è gente alla finestra!” (Don Giovanni) / “Non ci stanchiamo” (Masetto, Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:08
14Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. N. 17 Aria: “Metà di voi qua vadano” (Don Giovanni)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 17 Aria “Metà di voi qua vadano” (Don Giovanni) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:58
15Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. Recitativo: “Zitto! lascia ch'io senta” (Don Giovanni, Masetto)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Sherrill Milnes (baritone) (from 1977-07 until 1977-08)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Zitto! Lascia ch’io senta” (Don Giovanni, Masetto, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:52
16Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. Recitativo: “Ahi! ahi! La testa mia!” (Masetto, Zerlina)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Ahi ahi! la testa mia” (Masetto, Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:43
17Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. N. 18 Aria: “Vedrai, carino” (Zerlina)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 18 Aria “Vedrai, carino” (Zerlina) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:12
18Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. Recitativo: “Di molte faci il lume” (Leporello, Donna Elvira)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. Recitativo “Di molte faci il lume” (Leporello, Donna Elvira) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:31
19Don Giovanni, ossia Il dissoluto punito, K 527: Atto II. N. 19 Sestetto: “Sola, sola, in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Volker Martin (engineer)
producer:
Werner Mayer (classical producer)
baritone vocals [Masetto, contadino]:
Dale Duesing (baritone) (from 1977-07 until 1977-08)
bass-baritone vocals [Leporello, servo di Don Giovanni]:
Walter Berry (bass‐baritone) (from 1977-07 until 1977-08)
soprano vocals [Donna Anna sua figlia, dama promessa sposa di Don Ottavio]:
Anna Tomowa‐Sintow (soprano) (from 1977-07 until 1977-08)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata do Don Giovanni]:
Teresa Żylis‐Gara (Polish operatic soprano) (from 1977-07 until 1977-08)
soprano vocals [Zerlina, contadina, promessa sposa di Masetto]:
Edith Mathis (soprano) (from 1977-07 until 1977-08)
tenor vocals [Don Ottavio]:
Peter Schreier (German tenor and conductor) (from 1977-07 until 1977-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1977-07 until 1977-08)
conductor:
Karl Böhm (Austrian conductor) (from 1977-07 until 1977-08)
chorus master:
Walter Hagen-Groll (chorus master) (from 1977-07 until 1977-08)
balance engineer:
Günter Hermanns (producer/engineer) (from 1977-07 until 1977-08)
recorded at:
Salzburg Festival 1977 (1977-07-24 – 1977-08-30)
recorded at:
Haus für Mozart in Salzburg, Salzburg, Austria (from 1977-07 until 1977-08)
live recording of:
Don Giovanni: Atto II. No. 19 Sestetto “Sola sola in buio loco” (Donna Elvira, Leporello, Don Ottavio, Donna Anna) (from 1977-07 until 1977-08)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:25
26CD: Mozart: Don Giovanni (Act II/2)
27CD: Janáček: From the House of the Dead (Acts I & II)
28CD: Janáček: From the House of the Dead (Act III)
29CD: Verdi: La traviata (Acts I & II/1)
30CD: Verdi: La traviata (Acts II/2 & III)
31CD: Tchaikovsky: Eugene Onegin (Act I)
32CD: Tchaikovsky: Eugene Onegin (Acts II & III)
33CD: Mozart: Symphonies nos. 35 “Haffner” & 41 “Jupiter” / Piano Concerto no. 21
34CD: Mozart: Symphonies nos. 26 & 30 / Divertimento K 136 / Arias
35CD: Mozart: Arias
36CD: Mozart: Symphonies nos. 40 & 41 “Jupiter”
37CD: Schubert: Symphony no. 3 / Strauss: Ein Heldenleben
38CD: Schubert: Symphony no. 8 “Unfinished” / Johann Strauss I & II: Waltzes
39CD: Bartók: Piano Concerto no. 3 / Schumann: Symphony no. 4
40CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part I)
41CD: Mahler: Symphony no. 8 “Symphony of a Thousand” (Part II)
42CD: Wagner: Orchestral Works
43CD: Tchaikovsky: Violin Concerto
44CD: Beethoven: Missa solemnis (Kyrie - Gloria - Credo)
45CD: Beethoven: Missa solemnis (Sanctus - Agnus Dei)
46CD: Berlioz: Symphonie fantastique / Liszt: Les Préludes
47CD: Tchaikovsky: Overture to “The Tempest” / Symphony no. 6 “Pathétique”
48CD: Bartók: Four Orchestral Pieces / Boulez: Notations I-IV / Stravinsky: Le Sacre du printemps
49CD: Mahler: Das klagende Lied / Berg: Lulu-Suite
50CD: Bruckner: Symphony no. 2
51CD: Strauss: Der Bürger als Edelmann
52CD: Alfred Brendel: Haydn / Schubert / Liszt
53CD: Alfred Brendel: Haydn / Beethoven / Schubert / Mozart
54CD: Grigory Sokolov: Mozart
55CD: Grigory Sokolov: Chopin / Scriabin / Rameau / Bach
56CD: Martha Argerich & Nelson Freire: Brahms / Rachmaninov / Schubert / Ravel
57CD: Hofmannsthal: Jedermann
58CD: Paumgartner: Erzähltes Leben