Where’er You Walk

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

A compilation from various Decca release, from the 1960s to 1980s.

Annotation last modified on 2012-10-01 12:02 UTC.

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Where'er you walk (Semele) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) recording of: Semele, HWV 58: Act II, no. 45. “Where’er You Walk” (Jupiter) composer: George Frideric Handel (German‐British baroque composer) (in 1743) librettist: William Congreve part of: Semele, HWV 58: Act II	Georg Friedrich Händel		4:05
2	Silent Worship (Ptolemy) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House conductor: Sir Adrian Boult (conductor) recording of: Silent Worship composer: George Frideric Handel (German‐British baroque composer) arranger and translator: Sir Arthur Somervell (composer)	Georg Friedrich Händel		2:43
3	Deeper and deeper still ... Waft her, angels (Jephtha) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) medley including a recording of: Jephtha, HWV 70: Act II, no. 28. Accompagnato "Deeper and deeper still, thy goodness" (Jephtha) composer: George Frideric Handel (German‐British baroque composer) librettist: Thomas Morell part of: Jephtha, HWV 70: Act II medley including a recording of: Jephtha, HWV 70: Act III, no. 32. Air "Waft her, angels, through the skies" (Jephtha) composer: George Frideric Handel (German‐British baroque composer) librettist: Thomas Morell part of: Jephtha, HWV 70: Act III	Georg Friedrich Händel		8:40
4	Thanks to my brethren ... How vain is man (Judas Maccabaeus) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 37: "Thanks to my brethren" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 38: Aria "How vain is man who boasts in fight" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II	Georg Friedrich Händel		7:22
5	My arms! ... Sound an alarm (Judas Maccabaeus) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 44: "My arms! against this Gorgias will I go" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II medley including a recording of: Judas Maccabaeus, HWV 63: Act II, no. 45: Air "Sound an alarm!" (Judas Maccabaeus) composer: George Frideric Handel (German‐British baroque composer) (in 1746) librettist: Thomas Morell part of: Judas Maccabaeus, HWV 63: Act II	Georg Friedrich Händel		4:03
6	Love in her eyes sits playing (Acis and Galatea) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) recording of: Acis and Galatea, HWV 49: Act I, no. 7. Aria "Love in her eyes sits playing" (Acis) composer: George Frideric Handel (German‐British baroque composer) (in 1718) librettist: John Gay (English poet and dramatist) (in 1718) part of: Acis and Galatea, HWV 49: Act I	Georg Friedrich Händel		6:38
7	I rage, I melt, I burn ... O ruddier than the cherry (Acis and Galatea) bass vocals: Owen Brannigan (operatic bass) orchestra: Philomusica of London conductor: Sir Adrian Boult (conductor) medley including a recording of: Acis and Galatea, HWV 49: Act II, no. 11. Recitativo accompagnato "I rage, I melt, I burn!" (Polyphemus) composer: George Frideric Handel (German‐British baroque composer) (in 1718) librettist: John Gay (English poet and dramatist) (in 1718) part of: Acis and Galatea, HWV 49: Act II medley including a recording of: Acis and Galatea, HWV 49: Act II, no. 12. Aria "O ruddier than the cherry" (Polyphemus) composer: George Frideric Handel (German‐British baroque composer) (in 1718) librettist: John Gay (English poet and dramatist) (in 1718) part of: Acis and Galatea, HWV 49: Act II	Georg Friedrich Händel		5:12
8	Ombra mai fu (Xerxes) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) recording of: Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) composer: George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09) librettist: [anonymous] (special purpose artist) part of: Serse, HWV 40: Atto I	Georg Friedrich Händel		4:35
9	Menuet (Berenice) orchestra: Academy of St Martin in the Fields conductor: Sir Neville Marriner (conductor) partial recording of: Berenice, HWV 38: Overture composer: George Frideric Handel (German‐British baroque composer) part of: Berenice, HWV 38	Georg Friedrich Händel		4:13
10	Comfort ye my people ... Every valley (Messiah) tenor vocals: Kenneth McKellar (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Sir Adrian Boult (conductor) recording of: Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I recording of: Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part I	Georg Friedrich Händel		7:29
11	I know that my Redeemer liveth (Messiah) mezzo-soprano vocals: Marilyn Horne (American operatic mezzo-soprano) orchestra: Vienna Cantata Orchestra conductor: Henry Lewis (conductor) recording of: Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) composer: George Frideric Handel (German‐British baroque composer) (in 1741) part of: Messiah, HWV 56: Part III	Georg Friedrich Händel		7:44
12	Angels guard thee (Jocelyn) tenor vocals: Kenneth McKellar (tenor) orchestra: Peter Knight & His Orchestra conductor: Peter Knight (British arranger, conductor and composer) recording of: Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”) composer: Benjamin Godard (French violinist and composer, 1849-1895) (on 1888-02-25) librettist: Victor Capoul and Paul-Armand Silvestre part of: Jocelyn, op. 100: Acte II	Benjamin Godard		5:02
13	The Holy City organ: Alexander Anderson (organist) choir vocals: Paisley Abbey Choir tenor vocals: Kenneth McKellar (tenor) conductor: George McPhee recording of: The Holy City lyricist: Frederick Edward Weatherly composer: Stephen Adams (English composer)	Stephen Adams		4:27
14	Jerusalem engineer: Simon Eadon (classical music engineer) producer: Chris Hazell organ: Timothy Byram-Wigfield (organist) (in 1990-06) choir vocals: Waynflete Singers (in 1990-06) and Winchester Cathedral Choir (in 1990-06) orchestra: Bournemouth Symphony Orchestra (in 1990-06) conductor: David Hill (British organist and conductor) (in 1990-06) recording of: Jerusalem (orchestrated by Elgar) (in 1990-06) orchestrator: Edward Elgar (composer) lyricist: William Blake (English poet, painter, and printmaker) composer: Hubert Parry (English composer) orchestration of: Jerusalem (anthem by Hubert Parry)	Sir Hubert Parry		2:45

2▶CD

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Release information

Barcode:: 028944890228
Format:: 2×CD
Length:: 2:30:24

Additional details

Type:: Album + Compilation
Packaging:: Jewel Case
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Decca Classics
4489022

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Last updated on 2015-03-20 18:00 UTC