80s Pop Hits

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

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(As of 2020-08-08).

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(As of 2020-08-08).

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  • Antarctica: 🇧🇻 Bouvet Island (bv)
Anmerkung zuletzt geändert am 2020-08-08 07:52 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Take On Me
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
Musikvideos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) von a‐ha (Norwegian synth‐pop band) und Take On Me (official music video, 1985 Steve Barron version) von a‐ha (Norwegian synth‐pop band)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 26), The Downloader’s Music Source Book (Nummer: 284) und BILLIONS CLUB
recording of:
Take On Me
Verfasser(in):
Magne Furuholmen, Morten Harket und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und EMI Music Publishing (do not use as a release label!)
Version von:
Miss Eerie
a‐ha4.253:45
2Rio
Techniker(in) und Produzent(in):
Colin Thurston
Saxophon:
Andrew Kevin Hamilton (British saxophonist, composer and producer)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (vom 1982 bis heute)
recording of:
Rio
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Duran Duran4.755:37
3Drive
recording engineer:
Nigel Green (engineer)
Produzent(in):
The Cars und Robert John “Mutt” Lange (Robert John Lange)
Mix:
Mike Shipley (audio engineer, mixer, producer)
Bass:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Keyboard:
Greg Hawkes
Schlagzeug:
David Robinson (US rock drummer)
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek und Benjamin Orr (co-lead singer for The Cars)
phonographisches Urheberrecht (℗) von:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
aufgenommen bei:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Musikvideos:
Drive von The Cars
recording of:
Drive
publisher:
Ric Ocasek
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) und Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
4Ain’t Nobody
recording of:
Ain’t Nobody
Texter und Komponist(in):
David Wolinski
publisher:
Overdue Music
Chaka Khan4:05
5I Want to Know What Love Is
assistierende(r) Techniker(in):
Bobby Cohen (engineer), Tim Crich und Scott “Abada” Mabuchi
Techniker(in):
Frank Filipetti
zusätzliche(r) Techniker(in):
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla und Howie Lindeman
Produzent(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France) und Alex Sadkin
Bassgitarre:
Rick Wills
E-Gitarre:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
Schlagzeug:
Dennis Elliott
zusätzlich Keyboard:
Tom Bailey (Thompson Twins)
Chorgesang:
The New Jersey Mass Choir
Hintergrundgesang:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) und Rick Wills
Sologesang:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
zusätzlich vocals:
Jennifer Holliday
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) und Rhino Entertainment Company (not for release label use!) (in 2009)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Right Track Recording in Manhattan, New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 205) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 476)
recording of:
I Want to Know What Love Is
Texter und Komponist(in):
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Foreigner3.955:05
6Frankie
Produzent(in):
Nile Rodgers
recording of:
Frankie
Texter und Komponist(in):
Denise Rich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Sister Sledge4:17
7Casanova
recording of:
Casanova
Texter und Komponist(in):
Reggie Calloway
publisher:
Calloco Music und Hip Trip Music (publisher)
Levert4:22
8Owner of a Lonely Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Chris Squire (Yes bassist) (in 1983)
Gitarre:
Trevor Rabin (South African musician and score composer) (in 1983)
Keyboard:
Tony Kaye (in 1983)
Schlagzeug:
Alan White (Yes drummer) (in 1983)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (in 1983)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983, in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 2003)
aufgenommen bei:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1983)
recording of:
Owner of a Lonely Heart (in 1983)
Verfasser(in):
Jon Anderson (Yes/Jon & Vangelis), Trevor Horn, Trevor Rabin (South African musician and score composer) und Chris Squire (Yes bassist)
publisher:
Affirmative Music (publisher), BMG Chrysalis Scandinavia AB (not for release label use! file releases under its imprint “BMG Chrysalis”), BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Carbert Music Inc., Carlin America, Inc., Carlin Music Corporation, Downtown Music Publishing, Downtown Music Publishing International Inc., Downtown Music Publishing LLC (PRS-affiliated), Hebbes Music Group Pty. Ltd., Kassner Associated Publishers, Ltd., SPZ Music, Inc. (BMI affiliated), Tremander Songs, Unforgettable Songs (ASCAP-affiliated), Unforgettable Songs Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music Scandinavia, Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell (Warner/Chappell Music, Inc.) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
エイベックス・ミュージック・パブリッシング 第7出版事業部 (Avex Music Publishing, 7th Publishing Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (bis 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Yes3.94:27
9I Want Her
recording of:
I Want Her
Verfasser(in):
Teddy Riley (US R&B singer & producer) und Keith Sweat
Keith Sweat6:00
10Love Shack
assistierende(r) Techniker(in):
Martin Kunitz
Techniker(in):
Dave Cook (US engineer and producer)
Produzent(in):
Don Was
Mix:
Tom Durack
Gast-Bassgitarre:
Sara Lee (UK bassist, singer & songwriter)
Gast-Horn:
Uptown Horns (US horn section, formed in 1980)
Gast-Schlagzeug:
Charley Drayton
Gitarre:
Keith Strickland
Keyboard:
Kate Pierson
vocals:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s) und Cindy Wilson
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1989)
aufgenommen bei:
Dreamland Studios in Hurley, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
additionally produced at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten
Musikvideos:
Love Shack von The B‐52’s
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 40), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 243)
recording of:
Love Shack
Verfasser(in):
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland und Cindy Wilson
publisher:
Man-Woman Together, Now!
The B‐52’s4.25:21
11Always
Techniker(in):
Rory Young
Produzent(in):
David Lewis (member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
conductor:
Gene Page (conductor, composer, arranger and record producer)
arranger:
Gene Page (conductor, composer, arranger and record producer)
recording of:
Always
Verfasser(in):
David Lewis (member of Atlantic Starr), Jonathan Lewis (Member of Atlantic Starr) und Wayne Lewis (member of Atlantic Starr)
Atlantic Starr4:48
12Imagination
recording of:
Imagination
Texter und Komponist(in):
Neville Keighley
Belouis Some33:35
13Just the Two of Us
Assistent recording engineer:
Ed Heath
recording engineer:
Richard Alderson (Producer and engineer) (von 1980-06 bis 1980-07)
assistierende(r) Techniker(in):
Eddie Heath, Jr.
Techniker(in):
Richard Alderson (Producer and engineer)
Produzent(in):
Ralph MacDonald und Grover Washington, Jr.
Bass:
Marcus Miller (jazz musician) (von 1980-06 bis 1980-07)
Gitarre:
Eric Gale (von 1980-06 bis 1980-07)
Perkussion:
Ralph MacDonald (von 1980-06 bis 1980-07)
Rhodes Piano:
Richard Tee (von 1980-06 bis 1980-07)
Saxophon:
Grover Washington, Jr. (von 1980-06 bis 1980-07)
Schlagzeug:
Steve Gadd (drummer) (von 1980-06 bis 1980-07)
Synthesizer:
William Eaton (US producer & arranger) (von 1980-06 bis 1980-07)
vocals und Interpret(in):
Bill Withers (von 1980-06 bis 1980-07)
conductor:
William Eaton (US producer & arranger) (von 1980-06 bis 1980-07)
remixer:
Elliot Scheiner
arranger:
William Eaton (US producer & arranger)
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Company (validity of this label needs to be investigated…) (in 1980) und Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
aufgenommen bei:
Rosebud Recording Studio in New York, New York, Vereinigte Staaten (von 1980-06 bis 1980-07)
recording of:
Just the Two of Us (Bill Withers song) (von 1980-06 bis 1980-07)
Verfasser(in):
Ralph MacDonald, William Salter (songwriter, bassist, producer) und Bill Withers
publisher:
Antisia Music Inc. und Bleunig Music
Grover Washington, Jr.4.857:24
14Sweet Love
Techniker(in):
Barney Perkins
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bassgitarre:
Freddie Washington (US session bassist)
Gitarre:
Greg Moore (US guitarist & songwriter)
Keyboard:
Dean Gant
membranophone:
Ricky Lawson
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
Jim Gilstrap, Bunny Hull und Darryl Phinnessee
Hintergrundgesang und Sologesang:
Anita Baker
Musikvideos:
Sweet Love von Anita Baker
recording of:
Sweet Love
Komponist(in):
Anita Baker, Gary Bias (jazz saxophonist) und Louis A. Johnson
publisher:
EMI Music (do not use as release label! this is a music publisher) und Jobete Music (appears also as: Jobete Msc.)
Anita Baker3.554:26
15When the Night Comes
recording of:
When the Night Comes
geschrieben in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1987-04) und Vancouver, British Columbia, Kanada (in 1987-04)
Verfasser(in):
Diane Warren (US songwriter), Bryan Adams (Canadian singer/songwriter) (in 1987-04) und Jim Vallance (in 1987-04)
Joe Cocker44:49
16In Private
Produzent(in):
Julian Mendelsohn (Australian record producer and engineer) und Pet Shop Boys
recording of:
In Private
Verfasser(in):
Chris Lowe (1/2 of Pet Shop Boys) und Neil Tennant
Dusty Springfield44:22
17Mirror Mirror
recording of:
Mirror Mirror (Mon amour)
Verfasser(in):
Trevor Horn und Bruce Woolley
Dollar3:31
18Don’t You Want My Love
Jomanda4:03
19In Your Eyes
George Benson3:21
20Useless (I Don’t Need You Now)
recording of:
Useless (I Don't Need You Now)
Texter und Komponist(in):
Marshall Jefferson
Kym Mazelle5:32
21Still in Love
Troop5:01
22Really Want to Know You
Gary Wright4:20
23St. Elmo’s Fire (Man in Motion)
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
Blechblasinstrumente [horns] arranger:
David Foster (Canadian music producer, arranger and composer) und Jerry Hey
phonographisches Urheberrecht (℗) von:
Columbia Pictures Industries, Inc. (in 1985) und John Parr Music Ltd. (in 2016)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 28) und TV Cream: Real 100 Best Singles Ever (Nummer: 85)
recording of:
St. Elmo’s Fire
Verfasser(in):
David Foster (Canadian music producer, arranger and composer) und John Parr
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Foster Frees Music, Gold Horizon Music Corp., SBK Songs (publisher) und Warner Bros. Music (publisher; do NOT use as release label)
John Parr3.84:12
24Secret Rendezvous
recording engineer und Mix:
Jon Gass
assistierende(r) Techniker(in):
Toni Greene (engineer), John Guggenheim und Fred Howard (engineer)
zusätzliche(r) Techniker(in):
Bob Brown (recording, mixing and mastering engineer)
leitende(r) Produzent(in):
Benny Medina und Leonard Richardson (US hip-hop producer)
Produzent(in):
L.A. & Babyface (US R&B songwriting/production duo)
Bass-Synthesizer [bass synth]:
Kayo (Kevin Roberson)
Keyboard [keyboards] und Solo-Gitarre:
Babyface (R&B musician Kenny Edmonds)
Perkussion und Schlagzeug [drums]:
L.A.
Hintergrundgesang:
Babyface (R&B musician Kenny Edmonds), Carmen Carter, O'Bryan Burnett II, Daryl Simmons und Karyn White
gemixt für:
Ratstyle Productions
produced for:
La'Face, Inc. (production company)
aufgenommen bei:
Silverlake Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Studio Masters in Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Elumba Recording Studio in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Secret Rendezvous
Verfasser(in):
Babyface (R&B musician Kenny Edmonds), D. Simmons und L.A. Reid
publisher:
Chappell Music Ltd., Green Skirt Music (publisher), Hip Trip (publisher) und Kear Music (publisher)
Karyn White5:37
25Don’t Blame It on That Girl
recording of:
Don't Blame It on That Girl
Verfasser(in):
Mark Fisher (UK keyboardist, songwriter and producer) und Mark Reilly (guitarist, vocalist, producer, songwriter)
publisher:
Fishy Songs Limited und Smooth Dog Music Ltd.
sub-publisher:
Universal MCA Music Publishing (France)
Matt Bianco43:49
26Nite and Day
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Nite and Day
Verfasser(in):
Al B. Sure! und Kyle West (Soul and R&B songwriter, musician, producer)
Al B. Sure!43:58
27I Shoulda Loved Ya
Narada Michael Walden6:37
28Headed for a Heartbreak
assistierende(r) Techniker(in):
Noah Baron und Jimmy Hoyson
Techniker(in) und Produzent(in):
Beau Hill
Audio-Engineering:
Bob Caputo (engineer) und Bob Schwall (technician)
Editing:
Stephen Benben
Bassgitarre und Sologesang:
Kip Winger
Bratsche / Viola:
Rebecca Young (violist)
Cello:
Maria Kitsopoulos
Geige / Violine:
Hae-Young Ham (violinist) und Sandra Park (violinist)
Gitarre:
Reb Beach und Paul Taylor (Winger rhythm guitarist and keyboardist)
Keyboard:
Paul Taylor (Winger rhythm guitarist and keyboardist) und Kip Winger
Perkussion und Schlagzeug:
Rod Morgenstein
Hintergrundgesang:
Reb Beach, Rod Morgenstein und Paul Taylor (Winger rhythm guitarist and keyboardist)
zusätzlich vocals:
Beau Hill und Ira McLaughlin (engineer)
Saiteninstrumente arranger:
Kip Winger
arranger:
Beau Hill und Winger
aufgenommen bei und mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Headed for a Heartbreak
Texter und Komponist(in):
Kip Winger
publisher:
EMI-Virgin Songs, Small Hope Music und Varseau Music
Winger45:13
29Foolish Beat
recording engineer:
Bernard Bullock, Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Programmierung:
Fred Zarr
assistierende(r) Techniker(in):
Bill Esses
Produzent(in):
Debbie Gibson
assistierende(r) Mix:
Jim Goatley
Mix:
Phil Castellano (brother of John, uncle of Richie) und Debbie Gibson
Akustikgitarre und E-Gitarre:
Ira Siegel
Keyboard und Synthesizer:
Fred Zarr
Perkussion:
Bashiri Johnson
Saxophon:
Jeff Smith (US saxophonist)
Hintergrundgesang:
Carrie Johnson und Tim Lawless
Hintergrundgesang und Sologesang:
Debbie Gibson
arranger:
Debbie Gibson und Fred Zarr
aufgenommen bei:
Z Studio in Brooklyn, New York, New York, Vereinigte Staaten
mixed at:
Sorceror Studios in New York, New York, Vereinigte Staaten
recording of:
Foolish Beat
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music), Creative Bloc Music Ltd. (vom 1987 bis ????) und Deborah Ann’s Music (vom 1987 bis ????)
Debbie Gibson4.54:23
30We’re Not Gonna Take It (single version)
recording engineer und Mix:
Geoff Workman
assistierende(r) Techniker(in):
Gary McGachan
Techniker(in):
John Agnello (engineer & producer), Greg Laney und Geoff Workman
Produzent(in):
Tom Werman
Bassgitarre:
Mark Mendoza (Twisted Sister bassist)
E-Gitarre:
Jay Jay French und Eddie Ojeda
Schlagzeug:
A.J. Pero
Hintergrundgesang:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero und Dee Snider
Sologesang:
Dee Snider
arranger:
Twisted Sister und Tom Werman
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1984-02 bis 1984-03) und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1984-02 bis 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
We're Not Gonna Take it (music video [extended version]) von Twisted Sister und We're Not Gonna Take It (music video) von Twisted Sister
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 21), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 47) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 81)
recording of:
We’re Not Gonna Take It
Texter und Komponist(in):
Dee Snider
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Tunes
Teil von:
“The Filthy Fifteen” (PMRC’s list of songs with “offensive lyrical content”) (Nummer: 7)
Twisted Sister4.353:37
31Give Me Back My Heart
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
recording of:
Give Me Back My Heart
Texter und Komponist(in):
Simon Darlow (songwriter, keyboardist & guitarist) und Trevor Horn
publisher:
Island Music Ltd. (in 1982) und Perfect Songs (UK publisher, affiliated with BMI) (in 1982)
Dollar5:01
32The Rose
Produzent(in):
Paul A. Rothchild
zusätzliche(r) Produzent(in):
Bill Gazecki
Sologesang:
Bette Midler (in 1979)
vocals:
Bette Midler (in 1979)
Saiteninstrumente arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
arranger:
Paul A. Rothchild
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recording of:
The Rose (in 1979)
Texter und Komponist(in):
Amanda McBroom
publisher:
Cedos Music, Fox Fanfare Music Inc., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bette Midler4.23:35
33Loosey’s Rap
Interpret(in):
Roxanne Shanté (QB rapper of Juice Crew)
recording of:
Loosey’s Rap
Verfasser(in):
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Rick James3:53
34Almaz
recording of:
Almaz
Orchestrator(in):
Wil Malone
Verfasser(in):
Randy Crawford (US jazz/R&B singer Veronica Crawford)
Randy Crawford4:31
35Black Velvet
Produzent(in):
David Tyson (Canadian producer/songwriter)
Mix:
Kevin Doyle (award-winning sound engineer, producer)
Sologesang:
Alannah Myles
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 2) (Nummer: 6)
recording of:
Black Velvet
Verfasser(in):
David Tyson (Canadian producer/songwriter) und Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP und Zomba Music Publishing Ltd.
Alannah Myles4.54:47
36The Sun Always Shines on T.V.
Bass-Programmierung:
Magne Furuholmen
Produzent(in):
Alan Tarney
Mix:
a‐ha (Norwegian synth‐pop band) und John Ratcliff
drum machine und Gitarre:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Keyboard:
Magne Furuholmen
Hintergrundgesang:
Magne Furuholmen und Paul Waaktaar-Savoy (guitarist, songwriter and singer)
Sologesang:
Morten Harket
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 11) und The Downloader’s Music Source Book (Nummer: 283)
recording of:
The Sun Always Shines on T.V.
Texter und Komponist(in):
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. und Sony ATV Publishing
a‐ha3.95:02
37Rebels Are We (single version)
recording of:
Rebels Are We
Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
Chic4:55
38Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.753:33
39C30 C60 C90 Go
assistierende(r) Produzent(in):
Martin Levan
Produzent(in):
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
Bow Wow Wow53:03
40This Is My Night
recording of:
This Is My Night
Verfasser(in):
David Frank (American keyboardist, producer, writer; The System) und Mic Murphy
Chaka Khan44:41
41How Many Lovers
Anthony & the Camp4:02
42High Rollers
Programmierung:
Afrika Islam (in 1988)
Produzent(in):
Afrika Islam (in 1988) und Ice‐T (in 1988)
Mix:
Mark Wolfson (in 1988)
Sologesang:
Ice‐T (in 1988)
recording of:
High Rollers (in 1988)
Texter:
Ice‐T
Komponist(in):
Charles Andre Glenn und Ice‐T
Ice‐T44:37
43Turn Your Love Around
Produzent(in):
Jay Graydon
Bass-Synthesizer:
David Paich
Becken [Cymbals (payette)]:
Mike Baird (drummer)
flute und Saxophon:
Gary Herbig
Gitarre:
Jay Graydon
Klavier und Rhodes Piano [Fender Rhodes]:
Jai Winding (pianist, composer, vocal)
Posaune:
Bill Reichenbach, Jr. (jazz trombonist)
Schlagzeug:
Jeff Porcaro
Synthesizer:
David Foster (Canadian music producer, arranger and composer) und Jay Graydon
Trompete:
Chuck Findley (trumpet, trombone, horn player) und Jerry Hey
Hintergrundgesang:
Bill Champlin, Vennette Gloud und Carmen Twillie
vocals:
George Benson (jazz guitarist/singer)
Horn arranger:
Jerry Hey
arranger:
Jay Graydon
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
recording of:
Turn Your Love Around
Verfasser(in):
Bill Champlin, Jay Graydon und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
publisher:
Garden Rake Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Rehtakul Veets Music, Universal Music–MGB Songs, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) und 大洋音楽 (Taiyō Music)
George Benson43:50
44Somebody
recording of:
Somebody
Verfasser(in):
Jimmy Cauty, John Chester (songwriter), Martin Glover und June Montana
Brilliant4:13
45R.R. Express
recording of:
R.R. Express
Texter und Komponist(in):
Norman Whitfield
Rose Royce12:01
46Giving You the Best That I Got
assistierende(r) Techniker(in):
Les Cooper (engineer), Fred Law, Bruce Nazarian (American funk, soul, r&b guitarist, recording artist, composer, engineer, record producer, etc) und Tim Purvis
Techniker(in):
Barney Perkins
zusätzliche(r) Techniker(in):
Milton Chan (Recording Engineer)
leitende(r) Produzent(in):
Anita Baker
Produzent(in):
Michael J. Powell
Bass:
Nathan East (in 1988)
Keyboard:
Vernon Fails (in 1988)
Klavier:
Dean Gant (in 1988)
Perkussion:
Paulinho da Costa (Brazilian percussionist) (in 1988)
Schlagzeug:
Omar Hakim (in 1988)
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets) (in 1988), Carl Carwell (in 1988), Angel Edwards (in 1988) und Valerie Pinkston (in 1988)
Sologesang:
Anita Baker (in 1988)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1988)
recording of:
Giving You the Best That I Got (in 1988)
Texter und Komponist(in):
Anita Baker, Randy Holland (songwriter/engineer) und Skip Scarborough
publisher:
Alexscar Music, All Baker's Music, BMG Music Publishing Ltd., Eyedot Music und Fresh Air Music Ltd.
Anita Baker34:21
4718 and Life
recording engineer, Produzent(in) und Mix:
Michael Wagener
zusätzliche(r) Techniker(in):
Dave Kent (engineer)
Bassgitarre:
Rachel Bolan
Gitarre:
Scotti Hill und Dave “The Snake” Sabo
Schlagzeug:
Rob Affuso
Hintergrundgesang:
Rachel Bolan, Scotti Hill und Dave “The Snake” Sabo
Sologesang:
Sebastian Bach (Canadian metal singer)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
aufgenommen bei:
Royal Recorders in Lake Geneva, Wisconsin, Vereinigte Staaten (in 1988)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 60)
recording of:
18 and Life
Verfasser(in):
Rachel Bolan und Dave “The Snake” Sabo
Skid Row3.853:50
48Shake Your Love
Debbie Gibson3:43

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Warner Music Group – X5 Music Group (in 2017)
zum Herunterladen kaufen:https://itunes.apple.com/us/album/id1268587201 [Info]
kostenlos streamen:https://open.spotify.com/album/78rQv4P5Eb52myHpr6fRuj [Info]
https://www.deezer.com/album/45920672 [Info]
Streaming-Seite:https://music.apple.com/us/album/1268587201 [Info]