Good Feelin’ Soft Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ & © «2020 Warner Music Group - X5 Music Group»

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(As of 2020-04-02).

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Anmerkung zuletzt geändert am 2020-04-02 22:15 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Gone Long Gone
recording of:
Gone Long Gone
Verfasser(in):
Peter Cetera (in 1978)
publisher:
Polish Prince Music (in 1978)
Chicago4:00
2Don’t Let It Get You Down
Techniker(in):
Geoff Emerick (British recording engineer)
Produzent(in):
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
andere Instrumente:
America (US folk/soft rock band)
Bassgitarre:
David Dickey (U.S. drummer and bassist)
Perkussion und Schlagzeug:
Willie Leacox
conductor:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
zusätzlich arranger:
Mark Guercio (Engineer)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1976)
recording of:
Don’t Let It Get You Down
Texter und Komponist(in):
Dewey Bunnell
publisher:
WB Music Corp. (1929–2019)
America2:59
3Lay Your Money Down
Techniker(in):
Bruce Morgan (American engineer, composer)
Produzent(in):
David Gates (singer/songwriter, lead singer of Bread)
arranger:
David Gates (singer/songwriter, lead singer of Bread)
recording of:
Lay Your Money Down
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Kipahulu Music Co.
Bread2:43
4Your Turn Now
recording engineer und Mix:
Val Garay
assistierende(r) Techniker(in):
Greg Ladanyi
Produzent(in):
Peter Asher
Akustikgitarre und Conga:
John David Souther
Bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
E-Gitarre:
Danny Kootch und Andrew Gold
Hybrid-Piano und shakers [cabassa]:
Peter Asher
Schlagzeug:
Mike Botts
vocals:
John David Souther
phonographisches Urheberrecht (℗) von:
Asylum Records (Warner Music subsidiary) (in 1976)
aufgenommen bei und mixed at:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Your Turn Now
Texter und Komponist(in):
J.D. Souther
publisher:
Benchmark Music (in 1976) und Golden Spread Music (in 1976)
J.D. Souther3:45
5Some Things Don’t Come Easy (single version)
England Dan & John Ford Coley4:26
6Almost Saturday Night
Produzent(in):
Dave Edmunds
andere Instrumente ["everything"]:
Dave Edmunds
Bass:
Nicky Lowe (UK singer/songwriter/instrumentalist/producer)
Gitarre:
Billy Bremner und Dave Edmunds
Schlagzeug:
Terry Williams (drummer)
vocals:
Dave Edmunds
cover recording of:
Almost Saturday Night
Texter und Komponist(in):
John Fogerty
publisher:
Greasy King Music, Jondora Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Wenaha Music
Dave Edmunds4.52:14
7Ever Since You’re Gone
Brinsley Schwarz4:08
8We Don’t Belong
Luke Sital‐Singh3:53
9That’s Why I Love You
recording engineer:
Michael Boshears
assistierende(r) Techniker(in):
Jeff Hawks
Techniker(in):
Val Garay
Produzent(in):
Charles Plotkin
Bass, Gitarre, Hybrid-Piano, Perkussion und Schlagzeug:
Andrew Gold (in 1975)
Hintergrundgesang:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (in 1975), Don Francisco (vocalist, drummer and percussion) (in 1975) und Gene Garfin (in 1975)
vocals:
Andrew Gold (in 1975)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975)
recording of:
That’s Why I Love You (in 1975)
Verfasser(in):
Gene Garfin und Andrew Gold
publisher:
Luckyu Music
Andrew Gold53:11
10Everytime I Look at You
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Banjo:
Marc Horowitz (in 1973)
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre:
John Oates (in 1973)
E-Gitarre, mellotron und Synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
Fiddle:
Larry Packer (in 1973)
Keyboard und Sologesang:
Daryl Hall (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
recording of:
Everytime I Look at You (in 1973)
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates7:02
11You’re Moving Out Today
recording of:
You're Moving out Today
Verfasser(in):
Carole Bayer Sager, Bette Midler und Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:35
12Take a Message to the Captain
Techniker(in):
Richard Moore (engineer)
Produzent(in):
Richard Perry (producer)
engineered at:
Village Recorders (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Take a Message to the Captain
Verfasser(in):
Nickey Barclay (keyboardist/songwriter, played with Fanny & Joe Cocker)
Fanny3:31
13Train to Anaheim
David Blue3:29
14Kokomo
Produzent(in):
Lowell George (Aufgabe: producer... with a little help from his friends)
recording of:
Kokomo (in 1979)
Texter und Komponist(in):
Lowell George
publisher:
Naked Snake Music
Little Feat33:01
15Now and Then
assistierende(r) Produzent(in):
Al Brown (production assistant)
Produzent(in):
Fred Hellerman
produced for:
Loom Productions, Inc
recording of:
Now and Then
Texter und Komponist(in):
Arlo Guthrie (American folk singer-songwriter)
publisher:
Appleseed Music, Inc.
Arlo Guthrie32:24
16Lost Love
recording of:
Lost Love
Texter und Komponist(in):
Jeff Tweedy
publisher:
Ver Music und Words Ampersand Music
Golden Smog3:00
17Bad Day
recording engineer:
David Boucher und Jeff Dawson
Programmierung:
Jeff Dawson
Produzent(in):
Jeff Dawson und Mitchell Froom
Mix:
David Boucher
Bass:
Davey Faragher und Darren Parris
Gitarre [guitars]:
Jeff Dawson und Val McCallum (guitarist & singer-songwriter)
Keyboard [keyboards]:
Daniel Powter (Canadian singer-songwriter and pianist)
Schlagzeug [drums]:
Matt Chamberlain (American drummer), Brendan Ostrander und Pete Thomas (drummer)
zusätzlich Keyboard [keyboards]:
Mitchell Froom
vocals:
Daniel Powter (Canadian singer-songwriter and pianist)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2005) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2005)
aufgenommen bei:
Area A. in Los Angeles, California (Kalifornien), Vereinigte Staaten und Mushroom Studios in Vancouver, British Columbia, Kanada
mixed at:
Sunset Sound Factory (1982–2017) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Bad Day
Texter und Komponist(in):
Daniel Powter (Canadian singer-songwriter and pianist)
publisher:
Song 6 Music
Daniel Powter3.153:55
18Color Me Out
Randy VanWarmer4:02
19Dance to the Radio
recording of:
Dance to the Radio
Verfasser(in):
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Jimmy Webb3:07
20From Maine to Mexico
recording engineer:
Gene Meros
Produzent(in):
Leon Russell
vocals:
Leon Russell
phonographisches Urheberrecht (℗) von:
Paradise Records, Inc. (in 1978)
recording of:
From Maine to Mexico
Verfasser(in):
Kim Fowley und Leon Russell
publisher:
Bad Boy Music (beendet), Teddy Jack Music (beendet), Embassy Music Corporation, Peermusic Ltd. (BMI), Reservoir 416, Reservoir One America, Stuck On Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Leon Russell3:11
21Dunrobin’s Gone
Brave Belt3:13
22Never Ending Song of Love
recording of:
Never Ending Song of Love (in 1971)
Texter und Komponist(in):
Delaney Bramlett
Delaney & Bonnie3:24
23I’m That Way
Techniker(in):
Mark Harman (producer/engineer)
aufgenommen bei:
Bearsville Sound Studios in Bearsville, New York, Vereinigte Staaten
recording of:
I’m That Way (in 1972)
Texter und Komponist(in):
Bobby Charles
publisher:
Street People Songs (ASCAP)
Bobby Charles4:04
24I.G.Y.
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
Bassgitarre:
Anthony Jackson (US bassist)
Gitarre:
Hugh McCracken
Hybrid-Piano:
Greg Phillinganes
Perkussion:
Roger Nichols (US mastering, recording engineer and producer) und Starz Vanderlocket
Posaune:
Dave Bargeron (US trombonist & tubist)
Schlagzeug:
James Gadson (American drummer)
Synthesizer:
Donald Fagen und Rob Mounsey
Tenorsaxophon:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
Trompete:
Randy Brecker
zusätzlich Schlagzeug:
Jeff Porcaro
Hintergrundgesang:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders und Valerie Simpson
Sologesang:
Donald Fagen
arranger:
Donald Fagen
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
Texter und Komponist(in):
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
25Stay and Defend
recording engineer, Produzent(in) und Mix:
Dave Fridmann
aufgenommen bei:
Tarbox Road Studios in Chautauqua County, New York, Vereinigte Staaten
Wolf Gang3:21