The 99 Most Essential Bach Masterpieces (Full Works Edition)

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#	Title	Rating	Length
1	Toccata and Fugue in D Minor for Organ, BWV 565 pipe organ: Klemens Schnorr (organist) (in 1988) recorded at: Hochschule für Musik und Theater München in München (Munich), Bayern (Bavaria), Germany (in 1988) recording of: Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565) (in 1988) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 565) and Bach Compendium (number: BC J 37)		8:55
2	Brandenburg Concerto No. 3 in G Major, BWV 1048: I. Allegro orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)		6:58
3	Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (catch-all for longer versions (i.e. not just the original one-measure cadence)) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)		0:23
4	Brandenburg Concerto No. 3 in G Major, BWV 1048: III. Allegro orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048) part of: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)		5:07
5	Double Concerto in D Minor for Two Violins and Strings, BWV 1043: I. Vivace engineer: Neville Boyling (engineer) producer: John Fraser (UK producer) violin: Alberto Lysy (violinist and conductor) and Yehudi Menuhin (violinist) orchestra: Camerata Lysy Gstaad conductor: Alberto Lysy (violinist and conductor) recording of: Concerto for 2 Violins in D minor, BWV 1043: I. Vivace composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043		3:45
6	Double Concerto in D Minor for Two Violins and Strings, BWV 1043: II. Largo ma non tanto violin: Yehudi Menuhin (violinist) orchestra: Camerata Lysy Gstaad conductor: Alberto Lysy (violinist and conductor) recording of: Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043		6:37
7	Double Concerto in D Minor for Two Violins and Strings, BWV 1043: III. Allegro violin: Yehudi Menuhin (violinist) orchestra: Camerata Lysy Gstaad conductor: Alberto Lysy (violinist and conductor) recording of: Concerto for 2 Violins in D minor, BWV 1043: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731) part of: Concerto for 2 Violins in D minor, BWV 1043		5:05
8	Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) and Südwest-Studioorchester (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) and Carlos Ungar (conductor, probably a pseudonym for Alfred Scholz) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (in 1993) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: I. Ouverture (Orchestral Suite no. 2 in B minor, BWV 1067: I. Overture) composer: Johann Sebastian Bach (German Baroque period composer & musician) orchestration of: Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture (orch. Stokowski) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		13:57
9	Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: II. Rondeau (Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		1:31
10	Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: III. Sarabande (Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		3:21
11	Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrée I orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) partial recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		2:03
12	Orchestral Suite No. 2 in B Minor, BWV 1067: V. Bourrée II orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) and Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) partial recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: IV. Bourrée I & II (Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourrée I & II) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		2:26
13	Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Polonaise - Double orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) and Camerata Romana (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double (Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise & Double) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		0:38
14	Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Minuet orchestra: Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet (Orchestral Suite no. 2 in B minor, BWV 1067: VI. Menuet) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		1:18
15	Orchestral Suite No. 2 In B Minor, Bwv 1067: VIII. Badinerie orchestra: Camerata Rhenania (an Alfred Scholz pseudonym), Camerata Romana (an Alfred Scholz pseudonym) and Philharmonia Slavonica (Alfred Scholz pseudonym) conductor: Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Eugen Duvier (conductor, an Alfred Scholz pseudonym) phonographic copyright (℗) by: Mediaphon (for copyrights use only – this is the short name used in legal notices by Mediaphon GmbH, aka Mediaphon-Musikproduktion und Verlag GmbH) (from 1993 to present) recording of: Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)		1:28
16	Wachet auf, ruft uns die Stimme, BWV 645 pipe organ: Jurgis Grinkiavichius recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wachet auf, ruft uns die Stimme, BWV 645 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 645) is based on: Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” part of: Sechs Choräle von verschiedener Art		4:26
17	Brandenburg Concerto No. 5 in D Major, BWV 1050: I. Allegro orchestra: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) conductor: Александр Титов (Alexander Titov, conductor) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: I. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)		11:21
18	Brandenburg Concerto No. 5 in D Major, BWV 1050: II. Affettuoso orchestra: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) conductor: Александр Титов (Alexander Titov, conductor) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: II. Adagio part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)		6:19
19	Brandenburg Concerto No. 5 in D Major, BWV 1050: III. Allegro orchestra: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) conductor: Александр Титов (Alexander Titov, conductor) recording of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Concerto D-Dur, BWV 1050a: III. Allegro part of: Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)		6:05
20	Concerto No. 2 in E Major for Violin and Strings, BWV 1042: I. Allegro solo violin: Илья Иофф (Ilya Ioff) orchestra: Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) conductor: Leopold Hager (conductor) recording of: Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro (Violin Concerto in E major, BWV 1042: I. Allegro) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)		8:19
21	Concerto No. 2 in E Major for Violin and Strings, BWV 1042: II. Adagio solo violin: Илья Иофф (Ilya Ioff) orchestra: Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) conductor: Leopold Hager (conductor) recording of: Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio (Violin Concerto in E major, BWV 1042: II. Adagio) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)		6:26
22	Concerto No. 2 in E Major for Violin and Strings, BWV 1042: III. Allegro assai solo violin: Илья Иофф (Ilya Ioff) orchestra: Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) conductor: Leopold Hager (conductor) recording of: Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai (Violin Concerto in E major, BWV 1042: III. Allegro assai) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)		3:06
23	Eight Short Preludes and Fugues: I. Prelude and Fugue in C Major, BWV 553 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge C-Dur, BWV 553 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 553) and Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 1) part of: 8 kleine Präludien und Fugen, BWV 553-560		3:59
24	Eight Short Preludes and Fugues: II. Prelude and Fugue in D Minor, BWV 554 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge d-Moll, BWV 554 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 554), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 2) and Bach Compendium (number: BC J 29) part of: 8 kleine Präludien und Fugen, BWV 553-560		4:06
25	Eight Short Preludes and Fugues: III. Prelude and Fugue in E Minor, BWV 555 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge e-Moll, BWV 555 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 555), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 3) and Bach Compendium (number: BC J 30) part of: 8 kleine Präludien und Fugen, BWV 553-560		4:37
26	Eight Short Preludes and Fugues: IV. Prelude and Fugue in F Major, BWV 556 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge F-Dur, BWV 556 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 556), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 4) and Bach Compendium (number: BC J 31) part of: 8 kleine Präludien und Fugen, BWV 553-560		2:42
27	Eight Short Preludes and Fugues: V. Prelude and Fugue in G Major, BWV 557 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge G-Dur, BWV 557 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 557), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 5) and Bach Compendium (number: BC J 32) part of: 8 kleine Präludien und Fugen, BWV 553-560		3:32
28	Eight Short Preludes and Fugues: VI. Prelude and Fugue in G Minor, BWV 558 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge g-Moll, BWV 558 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 558), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 6) and Bach Compendium (number: BC J 33) part of: 8 kleine Präludien und Fugen, BWV 553-560		5:04
29	Eight Short Preludes and Fugues: VII. Prelude and Fugue in A Minor, BWV 559 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge a-Moll, BWV 559 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 7), Bach Compendium (number: BC J 34) and Bach-Werke-Verzeichnis (number: BWV 559) part of: 8 kleine Präludien und Fugen, BWV 553-560		3:03
30	Eight Short Preludes And Fugues: VIII. Prelude And Fugue In B-Flat Major, Bwv 560 solo pipe organ: Jurgis Grinkiavichius recording of: Präludium und Fuge B-Dur, BWV 560 (attribution doubtful) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 560), Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV App A 8) and Bach Compendium (number: BC J 35) part of: 8 kleine Präludien und Fugen, BWV 553-560		3:51
31	Partita No. 2 in D Minor for Solo Violin, BWV 1004: I. Allemande solo violin: Conrad von der Goltz (violinist) recording of: Violin Partita no. 2 in D minor, BWV 1004: I. Allemande composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004		5:12
32	Partita No. 2 in D Minor for Solo Violin, BWV 1004: II. Corrente solo violin: Conrad von der Goltz (violinist) recording of: Violin Partita no. 2 in D minor, BWV 1004: II. Courante composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004		3:10
33	Partita No. 2 in D Minor for Solo Violin, BWV 1004: III. Sarabanda solo violin: Conrad von der Goltz (violinist) recording of: Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004		4:26
34	Partita No. 2 in D Minor for Solo Violin, BWV 1004: IV. Giga solo violin: Conrad von der Goltz (violinist) recording of: Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004		5:03
35	Partita No. 2 in D Minor for Solo Violin, BWV 1004: V. Chaconne violin: Conrad von der Goltz (violinist) recording of: Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne composer: Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723) part of: Violin Partita no. 2 in D minor, BWV 1004		15:54
36	Fugue in G Minor, BWV 578, "Little Fugue" pipe organ: Hans Fagius (organist) (from 1989-01-15 until 1989-01-16) recorded at: Kristine kyrka in Falun, Dalarna (Dalarna county), Sweden recording of: Fugue in G minor, BWV 578 ("Little") (from 1989-01-15 until 1989-01-16) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach Compendium (number: BC J 66) and Bach-Werke-Verzeichnis (number: BWV 578)		4:04
37	Concerto in A Major for Oboe d'Amore and Strings, BWV 1055: I. Allegro cello: Lucia Gartmann harpsichord: Marie-Louise Däbler oboe d'amore: Emanuel Abbühl (oboist) orchestra: Strings of Zürich conductor: Howard Griffiths (conductor) recording of: Oboe d’Amore Concerto in A major, BWV 1055R: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oboe d'Amore Concerto in A major, BWV 1055R		4:39
38	Concerto in A Major for Oboe d'Amore and Strings, BWV 1055: II. Larghetto cello: Lucia Gartmann harpsichord: Marie-Louise Däbler oboe d'amore: Emanuel Abbühl (oboist) orchestra: Strings of Zürich conductor: Howard Griffiths (conductor) recording of: Oboe d’Amore Concerto in A major, BWV 1055R: II. Larghetto composer and arranger: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oboe d'Amore Concerto in A major, BWV 1055R		5:01
39	Concerto in A Major for Oboe d'Amore and Strings, BWV 1055: III. Allegro ma non troppo cello: Lucia Gartmann oboe and solo oboe: Emanuel Abbühl (oboist) orchestra: Strings of Zürich conductor: Howard Griffiths (conductor) recording of: Oboe d’Amore Concerto in A major, BWV 1055R: III. Allegro ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Oboe d'Amore Concerto in A major, BWV 1055R		4:55
40	Sonata in E-Flat Major for Flute and Harpsichord, BWV 1031: I. Allegro moderato solo bassoon, harpsichord and transverse flute: Moravian Brass Ostrava recording of: Flute Sonata in E-flat major, BWV 1031: I. Allegro moderato composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Flute Sonata in E-flat major, BWV 1031		3:37
41	Sonata in E-Flat Major for Flute and Harpsichord, BWV 1031: II. Siciliano solo bassoon, harpsichord and transverse flute: Moravian Brass Ostrava performer: Moravian Trio recording of: Flute Sonata in E-flat major, BWV 1031: II. Siciliano composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Flute Sonata in E-flat major, BWV 1031		2:53
42	Sonata in E-Flat Major for Flute and Harpsichord, BWV 1031: III. Allegro solo bassoon, harpsichord and transverse flute: Moravian Brass Ostrava recording of: Flute Sonata in E-flat major, BWV 1031: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Flute Sonata in E-flat major, BWV 1031: III. Allegro (catch-all for arrangements) part of: Flute Sonata in E-flat major, BWV 1031		4:46
43	Kommst du nun, Jesu, vom Himmel herunter, BWV 650 solo pipe organ: Jurgis Grinkiavichius recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Kommst du nun, Jesus vom Himmel herunter, BWV 650 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 650) part of: Sechs Choräle von verschiedener Art		3:20
44	Concerto No. 5 in F Minor for Keyboard and Strings, BWV 1056: I. Allegro solo harpsichord: Andrei Ivanovich (Romanian pianist) orchestra: Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) conductor: Saulius Sondeckis (conductor) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056		3:43
45	Concerto No. 5 in F Minor for Keyboard and Strings, BWV 1056: II. Largo (Arioso) solo harpsichord: Andrei Ivanovich (Romanian pianist) orchestra: Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) conductor: Saulius Sondeckis (conductor) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056		3:12
46	Concerto No. 5 in F Minor for Keyboard and Strings, BWV 1056: III. Presto solo harpsichord: Andrei Ivanovich (Romanian pianist) orchestra: Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) conductor: Saulius Sondeckis (conductor) recording of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: III. Presto composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056		3:22
47	Cello Suite No. 1 in G Major, BWV 1007: I. Prelude cello and solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)		1:47
48	Cello Suite No. 1 in G Major, BWV 1007: II. Allemande solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: II. Allemande (Cello Suite No. 1 in G major, BWV 1007: II. Allemande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)		6:51
49	Cello Suite No. 1 in G Major, BWV 1007: III. Courante solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: III. Courante (Cello Suite No. 1 in G major, BWV 1007: III. Courante) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)		3:20
50	Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: IV. Sarabande (Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)		3:19
51	Cello Suite No. 1 in G Major, BWV 1007: V. Minuet 1 and 2 solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: V. Menuet I & II (Cello Suite No. 1 in G major, BWV 1007: V. Menuet I & II) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)		4:33
52	Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007: VI. Gigue (Cello Suite No. 1 in G major, BWV 1007: VI. Gigue) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)		1:34
53	Orchestral Suite No. 1 in C Major, BWV 1066: I. Overture orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: I. Ouverture (Suite for Orchestra No. 1 in C major, BWV 1066: Ouverture) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		6:45
54	Orchestral Suite No. 1 in C Major, BWV 1066: II. Courante harpsichord: Mikhail Terian (violist / conductor) orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: II. Courante (Suite for Orchestra No. 1 in C major, BWV 1066: Courante) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		2:11
55	Orchestral Suite No. 1 in C Major, BWV 1066: III. Gavotte 1 and 2 orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: III. Gavotte I / Gavotte II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		3:05
56	Orchestral Suite No. 1 in C Major, BWV 1066: IV. Forlane orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: IV. Forlane composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		2:47
57	Orchestral Suite No. 1 in C Major, BWV 1066: V. Minuet 1 and 2 orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: V. Menuet I / Menuet II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		3:11
58	Orchestral Suite No. 1 in C Major, BWV 1066: VI. Bourée 1 and 2 orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: VI. Bourrée I / Bourrée II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		2:34
59	Orchestral Suite No. 1 in C Major, BWV 1066: VII. Passepied 1 and 2 orchestra: Slovenský komorný orchester Bohdana Warchala (Slovak Chamber Orchestra) conductor: Bohdan Warchal (violinist, conductor) recording of: Orchestersuite Nr. 1 C-Dur, BWV 1066: VII. Passepied I / Passepied II composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 1 C-Dur, BWV 1066 (Orchestral suite no. 1 in C major, BWV 1066)		2:51
60	Wer nur den lieben Gott, BWV 647 solo pipe organ: Jurgis Grinkiavichius recording of: Sechs Choräle von Verschiedener Art (Schübler-Choräle): Wer nur den lieben Gott läßt walten, BWV 647 composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Bach-Werke-Verzeichnis (number: BWV 647) part of: Sechs Choräle von verschiedener Art		3:10
61	Concerto No. 1 in A Minor for Violin and Strings, BWV 1041: I. Allegro solo violin: Илья Иофф (Ilya Ioff) orchestra: Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) conductor: Leopold Hager (conductor) recording of: Violin Concerto in A minor, BWV 1041: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Violin Concerto in A minor, BWV 1041		4:06
62	Concerto No. 1 in A Minor for Violin and Strings, BWV 1041: II. Adagio solo violin: Илья Иофф (Ilya Ioff) orchestra: Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) conductor: Leopold Hager (conductor) recording of: Violin Concerto in A minor, BWV 1041: II. Andante composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Violin Concerto in A minor, BWV 1041		6:00
63	Concerto No. 1 in A Minor for Violin and Strings, BWV 1041: III. Finale: Allegro assai solo violin: Илья Иофф (Ilya Ioff) orchestra: Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) conductor: Leopold Hager (conductor) recording of: Violin Concerto in A minor, BWV 1041: III. Allegro assai composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Violin Concerto in A minor, BWV 1041		3:53
64	Concerto in C Minor for Oboe, Violin and Orchestra, BWV 1060: I. Allegro solo oboe: Tracy Zobel (oboe) solo violin: Rachel Applebaum (violin) orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Violin & Oboe in C minor, BWV 1060R: I. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro part of: Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)		5:13
65	Concerto in C Minor for Oboe, Violin and Orchestra, BWV 1060: II. Adagio (attacca) solo oboe: Tracy Zobel (oboe) solo violin: Rachel Applebaum (violin) orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Violin & Oboe in C minor, BWV 1060R: II. Adagio (reconstructed arrangement for violin & oboe of BWV 1060) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio is based on: Concerto Pour Deux Clavecins, BWV 1060: II. Adagio (Arr. Pour Flutes) (Recorder consort arrangements) part of: Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)		5:35
66	Concerto in C Minor for Oboe, Violin and Orchestra, BWV 1060: III. Allegro solo oboe: Tracy Zobel (oboe) solo violin: Rachel Applebaum (violin) orchestra: Camerata Rhenania (an Alfred Scholz pseudonym) conductor: Eugen Duvier (conductor, an Alfred Scholz pseudonym) recording of: Concerto for Violin & Oboe in C minor, BWV 1060R: III. Allegro (reconstructed arrangement for violin & oboe of BWV 1060) composer: Johann Sebastian Bach (German Baroque period composer & musician) arrangement of: Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro part of: Concerto for Violin & Oboe in C minor, BWV 1060R (reconstructed arrangement of the concerto for harpsichord and strings)		4:10
67	Sonata No. 1 in G Minor for Solo Violin, BWV 1001: I. Adagio solo violin: Conrad von der Goltz (violinist) recording of: Sonata no. 1 in G minor for Violin Solo, BWV 1001: I. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1720) part of: Sonata no. 1 in G minor for Violin Solo, BWV 1001		4:10
68	Sonata No. 1 in G Minor for Solo Violin, BWV 1001: II. Fuga solo violin: Conrad von der Goltz (violinist) recording of: Sonata no. 1 in G minor for Violin Solo, BWV 1001: II. Fuga composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1720) part of: Sonata no. 1 in G minor for Violin Solo, BWV 1001		6:24
69	Sonata No. 1 in G Minor for Solo Violin, BWV 1001: III. Siciliana solo violin: Conrad von der Goltz (violinist) recording of: Sonata no. 1 in G minor for Violin Solo, BWV 1001: III. Siciliana composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1720) part of: Sonata no. 1 in G minor for Violin Solo, BWV 1001		4:12
70	Sonata No. 1 in G Minor for Solo Violin, BWV 1001: IV. Presto violin: Conrad von der Goltz (violinist) recording of: Sonata no. 1 in G minor for Violin Solo, BWV 1001: IV. Presto composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1720) part of: Sonata no. 1 in G minor for Violin Solo, BWV 1001		4:33
71	Erbarm dich mein, o Herre Gott, BWV 721 organ and solo pipe organ: Jurgis Grinkiavichius recording of: Erbarm' dich mein, o Herre Gott, BWV 721 composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1740) part of: Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 721) and Bach Compendium (number: BC K 107)		4:39
72	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: I. Chorus: Herz und Mund und Tat und Leben sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		4:18
73	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: II. Recitative (Tenor): Gebenedeiter Mund!... sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann tenor vocals: Gerd Türk (German tenor) (in 1999-06) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		1:49
74	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: III. Aria (Alto): Schäme dich, o Seele, nicht sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann alto vocals: Robin Blaze (countertenor) (in 1999-06) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		4:02
75	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: IV. Recitative (Bass): Verstockung kann Gewaltige verblenden sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann bass vocals: Peter Kooij (Peter Kooy, baritone) (in 1999-06) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		1:29
76	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: V. Aria (Soprano): Bereite dir, Jesu, noch itzo die Bahn sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann soprano vocals: Yukari Nonoshita (in 1999-06) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		4:15
77	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 1: VI. Chorale: Wohl mir, dass ich Jesum habe sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		3:11
78	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: VII. Aria (Tenor): Hilf, Jesu, hilf, dass ich auch dich bekenne sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann tenor vocals: Gerd Türk (German tenor) (in 1999-06) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		2:58
79	Cantata, Bwv 147, "Herz Und Mund Und Tat Und Leben", Part 2: VIII. Recitative (Alto): Der Höchsten Allmacht sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann alto vocals: Robin Blaze (countertenor) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		2:15
80	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: IX. Aria (Bass): Ich will von Jesu Wundern singen sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann bass vocals: Peter Kooij (Peter Kooy, baritone) (in 1999-06) orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		2:47
81	Cantata, BWV 147, "Herz und Mund und Tat und Leben", Part 2: X. Chorale: "Jesu bleibet meine Freude" (Jesu, Joy of Man's Desiring) sound engineer: Dirk Lüdemann (in 1999-06) producer: Jens Braun (classical engineer) editor: Dirk Lüdemann choir vocals: Bach Collegium Japan orchestra: Bach Collegium Japan (in 1999-06) conductor: Masaaki Suzuki (keyboardist, conductor) (in 1999-06) recorded at: 神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 1999-06) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1999-06) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“		3:21
82	Concerto No. 1 in D Minor for Keyboard and Strings, BWV 1052: I. Allegro solo harpsichord: Andrei Ivanovich (Romanian pianist) orchestra: Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) conductor: Saulius Sondeckis (conductor) recording of: Keyboard Concerto in D minor, BWV 1052: I. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Harpsichord Concerto No.1 in D minor, BWV 1052a: I. Allegro (early version of BWV 1052) part of: Keyboard Concerto in D minor, BWV 1052		8:13
83	Concerto No. 1 in D Minor for Keyboard and Strings, BWV 1052: II. Adagio solo harpsichord: Andrei Ivanovich (Romanian pianist) orchestra: Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) conductor: Saulius Sondeckis (conductor) recording of: Keyboard Concerto in D minor, BWV 1052: II. Adagio composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Keyboard Concerto in D minor, BWV 1052a: II. Adagio (early version of BWV 1052) part of: Keyboard Concerto in D minor, BWV 1052		8:43
84	Concerto No. 1 in D Minor for Keyboard and Strings, BWV 1052: III. Allegro solo harpsichord: Andrei Ivanovich (Romanian pianist) orchestra: Lietuvos kamerinis orkestras (Lithuanian Chamber Orchestra) conductor: Saulius Sondeckis (conductor) recording of: Keyboard Concerto in D minor, BWV 1052: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) version of: Keyboard Concerto in D minor, BWV 1052a: III. Allegro (early version of BWV 1052) part of: Keyboard Concerto in D minor, BWV 1052		8:11
85	Cello Suite No. 5 in C Minor, BWV 1011: I. Prelude solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: I. Prélude (Cello Suite No. 5 in C minor, BWV 1011: I. Prélude) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)		6:24
86	Cello Suite No. 5 in C Minor, BWV 1011: II. Allemande solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: II. Allemande (Cello Suite No. 5 in C minor, BWV 1011: II. Allemande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)		7:55
87	Cello Suite No. 5 in C Minor, BWV 1011: III. Courante solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: III. Courante (Cello Suite No. 5 in C minor, BWV 1011: III. Courante) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)		2:59
88	Cello Suite No. 5 in C Minor, BWV 1011: IV. Sarabande cello and solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: IV. Sarabande (Cello Suite No. 5 in C minor, BWV 1011: IV. Sarabande) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)		3:52
89	Cello Suite No. 5 in C Minor, BWV 1011: V. Gavotte I - Gavotte II - Gavotte I da capo solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: V. Gavottes I & II (Cello Suite No. 5 in C minor, BWV 1011: V. Gavotte I & II) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)		5:13
90	Cello Suite No. 5 in C Minor, BWV 1011: VI. Gigue solo cello: Victor Yoran (Russian cellist) recording of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011: VI. Gigue (Cello Suite No. 5 in C minor, BWV 1011: VI. Gigue) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)		2:48
91	Allein Gott in der Hoh' sei Ehr, BWV 675 solo pipe organ: Jurgis Grinkiavichius recording of: Choralbearbeitung, BWV 675 "Allein Gott in der Höh sei Ehr" composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Clavier-Übung III (German Organ Mass (BWV 669–678), Catechism Chorales (BWV 679–689)) (number: 7), Bach Compendium (number: BC K 7) and Bach-Werke-Verzeichnis (number: BWV 675) is based on: Allein Gott in der Höh sei Ehr (Choral)		3:36
92	Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: I. Allegro orchestra: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) conductor: Александр Титов (Alexander Titov, conductor) recording of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I. composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)		7:11
93	Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: II. Adagio ma non tanto orchestra: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) conductor: Александр Титов (Alexander Titov, conductor) recording of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)		5:41
94	Brandenburg Concerto No. 6 in B-Flat Major, BWV 1051: III. Allegro orchestra: Симфонический оркестр Мариинского театра (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) conductor: Александр Титов (Alexander Titov, conductor) recording of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)		5:57
95	Orchestral Suite No. 3 in D Major, BWV 1068: I. Ouverture sound engineer: Thore Brinkmann (from 2003-10-26 until 2003-10-30) executive producer: Robert von Bahr and Robert Suff producer: Jens Braun (classical engineer) editor: Andreas Ruge and Christian Starke orchestra: Bach Collegium Japan (from 2003-10-26 until 2003-10-30) conductor: Masaaki Suzuki (keyboardist, conductor) (from 2003-10-26 until 2003-10-30) instruments technician: Akimi Hayashi (piano technician) phonographic copyright (℗) by: BIS Records AB (not for release label use!) (in 2005) recorded at: Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-10-26 until 2003-10-30) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (from 2003-10-26 until 2003-10-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		10:23
96	Orchestral Suite No. 3 in D Major, BWV 1068: II. Air sound engineer: Thore Brinkmann (from 2003-10-26 until 2003-10-30) executive producer: Robert von Bahr and Robert Suff producer: Jens Braun (classical engineer) editor: Andreas Ruge and Christian Starke orchestra: Bach Collegium Japan (from 2003-10-26 until 2003-10-30) conductor: Masaaki Suzuki (keyboardist, conductor) (from 2003-10-26 until 2003-10-30) instruments technician: Akimi Hayashi (piano technician) phonographic copyright (℗) by: BIS Records AB (not for release label use!) (in 2005) recorded at: Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 2003-10-26 until 2003-10-30) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 2003-10-26 until 2003-10-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1730) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		4:44
97	Orchestral Suite No. 3 in D Major, BWV 1068: III. Gavotte 1 and 2 sound engineer: Thore Brinkmann (in 2003-10) executive producer: Robert von Bahr and Robert Suff producer: Jens Braun (classical engineer) editor: Andreas Ruge and Christian Starke orchestra: Bach Collegium Japan (from 2003-10-26 until 2003-10-30) conductor: Masaaki Suzuki (keyboardist, conductor) (from 2003-10-26 until 2003-10-30) instruments technician: Akimi Hayashi (piano technician) phonographic copyright (℗) by: BIS Records AB (not for release label use!) (in 2005) recorded at: Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2003-10) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (from 2003-10-26 until 2003-10-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		4:28
98	Orchestral Suite No. 3 in D Major, BWV 1068: IV. Bourrée sound engineer: Thore Brinkmann (in 2003-10) executive producer: Robert von Bahr and Robert Suff producer: Jens Braun (classical engineer) editor: Andreas Ruge and Christian Starke orchestra: Bach Collegium Japan (from 2003-10-26 until 2003-10-30) conductor: Masaaki Suzuki (keyboardist, conductor) (from 2003-10-26 until 2003-10-30) instruments technician: Akimi Hayashi (piano technician) phonographic copyright (℗) by: BIS Records AB (not for release label use!) (in 2005) recorded at: Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2003-10) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (from 2003-10-26 until 2003-10-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		1:09
99	Orchestral Suite No. 3 in D Major, BWV 1068: V. Gigue sound engineer: Thore Brinkmann (in 2003-10) executive producer: Robert von Bahr and Robert Suff producer: Jens Braun (classical engineer) editor: Andreas Ruge and Christian Starke orchestra: Bach Collegium Japan (from 2003-10-26 until 2003-10-30) conductor: Masaaki Suzuki (keyboardist, conductor) (from 2003-10-26 until 2003-10-30) instruments technician: Akimi Hayashi (piano technician) phonographic copyright (℗) by: BIS Records AB (not for release label use!) (in 2005) recorded at: Kobe Shoin Women’s University (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (in 2003-10) recording of: Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (from 2003-10-26 until 2003-10-30) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)		2:59

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ASIN:	DE: B006CV3YVS [info]

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part of:	The 99 Most Essential (order: 1)

The 99 Most Essential Bach Masterpieces (Full Works Edition)

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