Bach Cantatas (The Complete Live Recordings from the Sir John Eliot Gardiner Bach Cantata Pilgrimage.)

~ Release by Johann Sebastian Bach; Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

The Complete Live Recordings from the Sir John Eliot Gardiner Bach Cantata Pilgrimage.

This is a box set. All the discs in this set were released previously most of them in double-cd pairs named Cantatas Vol. XX with the name of the place of performance.

This box set starts with CD one on New Years Day whereas the double-cd series starts with Vol. 1 as The Feast of St John The Baptist.

Annotation last modified on 2014-05-04 02:06 UTC.

Tracklist

1▶CD: For Christmas Day
2▶CD: For New Year's Day
3▶CD: For the Sunday after New Year / For Epiphany
4▶CD: For the First Sunday after Eipiphany
5▶CD: For the Second Sunday after Epiphany
6▶CD: For the Third Sunday after Epiphany
7▶CD: For the Fourth Sunday after Epiphany
8▶CD: For the Feast of the Purification of Mary
9▶CD: For Septuagesima
10▶CD: For Sexagesima
11▶CD: For Quinquagesima
12▶CD: For the Annunciation / Palm Sunday / Oculi
13▶CD: For Easter Sunday / Easter Monday
14▶CD: For Easter Monday / Easter Tuesday
15▶CD: For the First Sunday after Easter
16▶CD: For the Second Sunday after Easter
17▶CD: For the Third Sunday after Easter
18▶CD: For the Fourth Sunday after Easter
19▶CD: For the Fifth Sunday after Easter
20▶CD: For Ascension Day
21▶CD: For the Sunday after Ascension Day
22▶CD: For Whit Sunday
23▶CD: For Whit Monday
24▶CD: For Whit Tuesday
25▶CD: For Trinity Sunday
26▶CD: For the Feast of St John The Baptist
27▶CD: For the First Sunday after Trinity
28▶CD: For the Second Sunday after Trinity
29▶CD: For the Third Sunday after Trinity
30▶CD: For the Fourth Sunday after Trinity
31▶CD: For the Fifth Sunday after Trinity
32▶CD: For the Sixth Sunday after Trinity
33▶CD: For the Seventh Sunday after Trinity
34▶CD: For the Eighth Sunday after Trinity
35▶CD: For the Ninth Sunday after Trinity
36▶CD: For the Tenth Sunday after Trinity
37▶CD: For the Eleventh Sunday after Trinity
38▶CD: For the Twelfth Sunday after Trinity
39▶CD: For the Thirteenth Sunday after Trinity
40▶CD: For the Fourteenth Sunday after Trinity
41▶CD: For the Fifthteenth Sunday after Trinity
42▶CD: For the Feast of St Michael and All Angels
43▶CD: For the Sixteenth Sunday after Trinity
44▶CD: For the Seventeenth Sunday after Trinity
45▶CD: For the Eighteenth Sunday after Trinity
46▶CD: For the Nineteenth Sunday after Trinity
47▶CD: For the Feast of the Reformation
48▶CD: For the Twentieth Sunday after Trinity
49▶CD: For the Twenty-first Sunday after Trinity
50▶CD: For the Twenty-second Sunday after Trinity
51▶CD: For the Twenty-third Sunday after Trinity
52▶CD: For the First Sunday in Advent
53▼CD: For the Fourth Sunday in Advent
#TitleArtistRatingLength
1Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, I. Coro "Wachet! betet! betet! wachet!"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": I. Coro "Wachet! betet! betet! wachet!" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:34
2Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder!"
bass vocals:
Dietrich Henschel (baritone) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": II. Recitativo (Bass) "Erschrecket, ihr verstockten Sünder" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:17
3Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, III. Aria (Alt) "Wenn kömmt der Tag"
alto vocals:
Michael Chance (British countertenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": III. Aria (Alt) "Wenn kömmt der Tag" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach4:44
4Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen"
tenor vocals:
Jan Kobow (tenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IV. Recitativo (Tenor) "Auch bei dem himmlischen Verlangen" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:40
5Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, V. Aria (Sopran) "Lasst der Spötter Zungen schmähen"
soprano vocals:
Brigitte Geller (Swiss soprano) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": V. Aria (Sopran) "Laßt der Spötter Zungen schmähen" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:38
6Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, VI. Recitativo (Tenor) "Jedoch be dem unartigen Geschlechte"
tenor vocals:
Jan Kobow (tenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VI. Recitativo (Tenor) "Jedoch bei dem unartigen Geschlechte" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:36
7Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 1, VII. Choral "Freu dich sehr, o meine Seele"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VII. Choral "Freu dich sehr, o meine Seele" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 98)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:09
8Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 2, VIII. Aria (Tenor) "Hebt euer Haupt empor"
tenor vocals:
Jan Kobow (tenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": VIII. Aria (Tenor) "Hebt euer haupt empor" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach3:07
9Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 2, IX. Recitativo con Choral (Bass) "Ach, soll nicht dieser große Tag"
bass vocals:
Dietrich Henschel (baritone) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": IX. Recitativo (Bass) "Ach, soll nicht dieser große Tag" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach1:34
10Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 2, X. Aria (Bass) "Seligster Erquickungstag"
bass vocals:
Dietrich Henschel (baritone) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": X. Aria (Bass) "Seligster Erquickungstag" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach2:47
11Cantata, BWV 70 "Wachet! betet! betet! wachet!": Part 2, XI. Choral "Nicht nach Welt, nach Himmel nicht"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 70 "Wachet! betet! betet! wachet!": XI. Choral "Nicht nach Welt, nach Himmel nicht" (on 2000-12-10)
lyricist:
Christian Keymann (17th century hymnwriter)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 243)
part of:
Kantate, BWV 70.2 "Wachet! betet! betet! wachet!" (1723 Leipzig version, former BWV 70)
Johann Sebastian Bach0:56
12Cantata, BWV 132 "Bereitet die Wege, bereitet die Bahn!": I. Aria (Sopran) "Bereitet die Wege, bereitet die Bahn!"
soprano vocals:
Brigitte Geller (Swiss soprano) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": I. Aria (Sopran) "Bereitet die Wege, bereitet die Bahn!" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach5:47
13Cantata, BWV 132 "Bereitet die Wege, bereitet die Bahn!": II. Recitativo (Tenor) "Willst du dich Gottes Kind"
tenor vocals:
Jan Kobow (tenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": II. Recitativo (Tenor) "Willst du dich Gottes Kind und Christi Bruder nennen" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:18
14Cantata, BWV 132 "Bereitet die Wege, bereitet die Bahn!": III. Aria (Bass) "Wer bist du?"
bass vocals:
Dietrich Henschel (baritone) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": III. Aria (Bass) "Wer bist du? Frage dein Gewissen" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach2:48
15Cantata, BWV 132 "Bereitet die Wege, bereitet die Bahn!": IV. Recitativo (Alt) "Ich will, mein Gott, dir frei heraus bekennen"
alto vocals:
Michael Chance (British countertenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": IV. Recitativo (Alt) "Ich will, mein Gott, dir frei heraus bekennen" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach1:52
16Cantata, BWV 132 "Bereitet die Wege, bereitet die Bahn!": V. Aria (Alt) "Christi Glieder, ach bedenket"
alto vocals:
Michael Chance (British countertenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": V. Aria (Alt) "Christi Glieder, ach bedenket" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach4:05
17Cantata, BWV 132 "Bereitet die Wege, bereitet die Bahn!": VI. Choral "Ertöt uns durch dein Güte"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn": VI. Choral "Ertöt uns durch dein Güte" (on 2000-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
part of:
Kantate, BWV 132 "Bereitet die Wege, bereitet die Bahn"
Johann Sebastian Bach1:01
18Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 1, I. Coro "Herz und Mund und Tat und Leben"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, I. Coro „Herz und Mund und Tat und Leben“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:48
19Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 1, II. Recitativo (Tenor) "Gebenedeiter Mund!"
tenor vocals:
Jan Kobow (tenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, II. Recitativo (Tenore) „Gebenedeiter Mund!“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:42
20Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 1, III. Aria (Alt) "Schäme dich, o Seele, nicht"
alto vocals:
Michael Chance (British countertenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, III. Aria (Alto) „Schäme dich, o Seele, nicht“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach3:28
21Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 1, IV. Recitativo (Bass) "Verstockung kann Gewaltige verblenden"
bass vocals:
Dietrich Henschel (baritone) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, IV. Recitativo (Basso) „Verstockung kann Gewaltige verblenden“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach1:33
22Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 1, V. Aria (Sopran) "Bereite dir, Jesu, noch itzo die Bahn"
soprano vocals:
Brigitte Geller (Swiss soprano) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, V. Aria (Soprano) „Bereite dir, Jesu, noch itzo die Bahn“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach4:34
23Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 1, VI. Choral "Wohl mir, dass ich Jesum habe"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil I, VI. Choral „Wohl mir, dass ich Jesum habe“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:30
24Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 2, VII. Aria (Tenor) "Hilf, Jesu, hilf, dass ich auch dich bekenne"
tenor vocals:
Jan Kobow (tenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VII. Aria (Tenore) „Hilf, Jesu, hilf, dass ich auch dich bekenne“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:58
25Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 2, VIII. Recitativo (Alt) "Der höchsten Allmacht Wunderhand"
alto vocals:
Michael Chance (British countertenor) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, VIII. Recitativo (Alto) „Der höchsten Allmacht Wunderhand“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:16
26Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 2, IX. Aria (Bass) "Ich will von Jesu Wundern singen"
bass vocals:
Dietrich Henschel (baritone) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, IX. Aria (Basso) „Ich will von Jesu Wundern singen“ (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:42
27Cantata, BWV 147 "Herz und Mund und Tat und Leben": Part 2, X. Choral "Jesus bleibet meine Freude"
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (on 2000-12-10)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (on 2000-12-10)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2000-12-10)
recorded at:
Michaeliskirche in Lüneburg, Niedersachsen (Lower Saxony), Germany (on 2000-12-10)
live recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (on 2000-12-10)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
Johann Sebastian Bach2:35
54▶CD: For Christmas Day / For the Second Day of Christmas
55▶CD: For the Third Day of Christmas
56▶CD: For the Sunday after Christmas