Tiefland

~ Release by Eugen d’Albert; Marianne Schech, Bernd Aldenhoff, Alexander Welitsch, Max Proebstl, Rudolf Albert (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Tiefland: Vorspiel (Orchester)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert3:50
2Tiefland: Vorspiel „Ohe!“ (Nando, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
tenor vocals [Nando]:
Paul Kuën (tenor) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Ohe!“ (Nando, Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert2:07
3Tiefland: Vorspiel „Zwei Vaterunser bet’ ich“ (Pedro, Nando)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
tenor vocals [Nando]:
Paul Kuën (tenor) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Zwei Vaterunser bet’ ich“ (Pedro, Nando) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert1:31
4Tiefland: Vorspiel „Wie ich nun gestern Abend in der Hütte liege“ (Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel. Traumerzählung „Wie ich nun gestern Abend in der Hütte liege” (Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert2:39
5Tiefland: Vorspiel „Du glaubst am Ende, Weib und Glück sind eins?“ (Nando, Pedro, Sebastiano)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
tenor vocals [Nando]:
Paul Kuën (tenor) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Du glaubst am Ende, Weib und Glück sind eins?“ (Nando, Pedro, Sebastiano) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert2:12
6Tiefland: Vorspiel „Ist Pedro nicht hier?“ (Sebastiano, Nando, Marta, Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
tenor vocals [Nando]:
Paul Kuën (tenor) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Ist Pedro nicht hier?“ (Sebastiano, Nando, Marta, Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert3:15
7Tiefland: Vorspiel „Na, mein Pedro, sag mir mal, bist du hier zufrieden?“ (Sebastiano, Pedro, Tommaso)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Na, mein Pedro, sag mir mal, bist du hier zufrieden?“ (Sebastiano, Pedro, Tommaso) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert3:39
8Tiefland: Vorspiel „Hast du’s gehört? Ich krieg’ ein Weib“ (Pedro, Nando)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
tenor vocals [Nando]:
Paul Kuën (tenor) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Hast du’s gehört? Ich krieg’ ein Weib“ (Pedro, Nando) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert1:28
9Tiefland: Vorspiel „Ich grüß’ noch einmal meine Berge“ (Pedro)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel „Ich grüß’ noch einmal meine Berge“ (Pedro) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert2:47
10Tiefland: Vorspiel Zwischenspiel
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Vorspiel. Zwischenspiel (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Vorspiel
Eugen d’Albert3:41
11Tiefland: Aufzug I. „Sag’ uns doch, ist es wahr?“ (Pepa, Antonia, Rosalia, Moruccio, Nuri)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Moruccio]:
Karl Hoppe (bass-baritone) (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
mezzo-soprano vocals [Antonia]:
Ruth Michaelis (alto) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Sag’ uns doch, ist es wahr?“ (Pepa, Antonia, Rosalia, Moruccio, Nuri) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert7:04
12Tiefland: Aufzug I. „An einem Abend war’s, der Mond ging auf“ (Nuri)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „An einem Abend war’s, der Mond ging auf“ (Nuri) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert2:27
13Tiefland: Aufzug I. „Oh, sie ist fort!“ (Nuri, Pepa, Rosalia, Antonia, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
mezzo-soprano vocals [Antonia]:
Ruth Michaelis (alto) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Oh, sie ist fort!“ (Nuri, Pepa, Rosalia, Antonia, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert6:38
14Tiefland: Aufzug I. „Sein bin ich, sein!“ (Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Sein bin ich, sein!“ (Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert3:47
15Tiefland: Aufzug I. „Er kommt!“ (Chor, Nuri, Pepa, Rosalia, Antonia, Moruccio, Tommaso)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Moruccio]:
Karl Hoppe (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
mezzo-soprano vocals [Antonia]:
Ruth Michaelis (alto) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Er kommt!“ (Chor, Nuri, Pepa, Rosalia, Antonia, Moruccio, Tommaso) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert2:51
16Tiefland: Aufzug I. „Da ist er, seht nur!“ (Pepa, Rosalia, Antonia, Chor, Pedro, Tommaso, Moruccio, Nuri)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
bass vocals [Moruccio]:
Karl Hoppe (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
mezzo-soprano vocals [Antonia]:
Ruth Michaelis (alto) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Da ist er, seht nur!“ (Pepa, Rosalia, Antonia, Chor, Pedro, Tommaso, Moruccio, Nuri) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert2:06
17Tiefland: Aufzug I. „Da bin ich, Herr, da bin ich schon!“ (Pedro, Sebastiano, Pepa, Tommaso, Marta, Nuri, Antonia, Rosalia)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
contralto vocals [Rosalia]:
Lilian Benningsen (austrian operatic mezzo-soprano and contralto) (in 1953)
mezzo-soprano vocals [Antonia]:
Ruth Michaelis (alto) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
soprano vocals [Pepa]:
Hanna Scholl (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Da bin ich, Herr, da bin ich schon!“ (Pedro, Sebastiano, Pepa, Tommaso, Marta, Nuri, Antonia, Rosalia) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert6:25
18Tiefland: Aufzug I. „Marta!“ (Sebastiano, Marta)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Marta!“ (Sebastiano, Marta) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert6:00
19Tiefland: Aufzug I. „Er will kein Stutzer sein!“ (Chor, Pedro, Sebastiano, Marta, Tommaso, Nuri)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1953)
soprano vocals [Marta]:
Marianne Schech (soprano) (in 1953)
soprano vocals [Nuri]:
Rosl Schwaiger (soprano) (in 1953)
tenor vocals [Pedro]:
Bernd Aldenhoff (tenor) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
partial recording of:
Tiefland: Aufzug I. „Er will kein Stutzer sein!“ (Chor, Pedro, Sebastiano, Marta, Tommaso, Nuri) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert3:39
20Tiefland: Aufzug I. „Was suchst du noch, Moruccio?“ (Sebastiano, Moruccio, Tommaso)
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1953)
baritone vocals [Sebastiano]:
Alexander Welitsch (bass-baritone) (in 1953)
bass vocals [Moruccio]:
Karl Hoppe (bass-baritone) (in 1953)
bass vocals [Tommaso]:
Max Proebstl (operatic bass) (in 1953)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1953)
conductor:
Rudolf Albert (conductor) (in 1953)
recording of:
Tiefland: Aufzug I. „Was suchst du noch, Moruccio?“ (Sebastiano, Moruccio, Tommaso) (in 1953)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt I
Eugen d’Albert4:37
2▶CD