More 80 From the 90s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Boombastic
recording engineer:
"Tootie" Wayne Nicholson (Engineer (recording & mixing))
miscellaneous support:
Dennis Halliburton (Engineer, producer, session musician) (task: track layed by) and Robert Livingston (Jamaican reggae and dancehall producer) (task: track layed by)
producer:
Robert Livingston (Jamaican reggae and dancehall producer) and Shaun "Sting Int'l" Pizzonia
mixer:
Sting Int'l
produced for:
Big Yard Production
recorded at and mixed at:
HC&F Recording Studio, Long Island, N.Y. (defunct) in Freeport, Hempstead, New York, United States
samples:
Baby Let Me Kiss You by King Floyd
recording of:
Boombastic
writer:
King Floyd, Robert Livingston (Jamaican reggae and dancehall producer) and Orville Richard Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Jobete Music Co., Inc., Malaco Music Company, Pedigree Ranch Music, Peermusic III, Ltd. (BMI), Roffignac Music Co., Scikron Music Publishing and Stone Diamond Music Corp.
Shaggy3.54:09
2Waterfalls
recording of:
Waterfalls
writer:
Marqueze Ethridge, Lisa “Left Eye” Lopes and Organized Noize (Atlanta hip-hop production group)
publisher:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
TLC4:18
3Everybody (Backstreet’s Back)
engineer:
Tommie Hicks Jr. and Joe Smith (US recording/mixing engineer)
producer:
Max Martin (Swedish record producer) and Denniz PoP
other vocals:
Bonnie Brewster, Andrea M. Majied and Susan McCall
phonographic copyright (℗) by:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (in 1997)
recording of:
Everybody (Backstreet’s Back)
writer:
Max Martin (Swedish record producer) and Denniz PoP
publisher:
Maratone AB (ended), MXM Music AB (ended), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:47
4Confide in Me
engineer:
Paul Wright (UK recording engineer)
producer:
Brothers in Rhythm
lead vocals:
Kylie Minogue
arranger:
Brothers in Rhythm
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987–1996) (in 1994)
recording of:
Confide in Me
lyricist and composer:
Steve Anderson (UK producer, in groups Scratch Acid, Brothers in Rhythm, et al), Edward Barton and Dave Seaman (UK DJ/producer)
publisher:
BMG Music Publishing Ltd., Complete Music Ltd., MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
is based on:
It’s a Fine Day
Kylie Minogue2.654:28
5When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London), England, United Kingdom and The Aquarium (Studio) in London (Greater London), England, United Kingdom
mixed at:
The Aquarium (Studio) in London (Greater London), England, United Kingdom
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:18
6Falling
recording of:
Falling (Twin Peaks theme song)
lyricist:
David Lynch (filmmaker)
composer:
Angelo Badalamenti (American score composer)
publisher:
Anlon Music Co. (Anlon Music Company), O.K. Paul Music and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
version of:
Theme from Twin Peaks
part of:
Twin Peaks (original soundtrack of the TV series)
Julee Cruise5:21
7Are You Gonna Go My Way
additional engineer:
David Domanich
assistant engineer:
Greg DiGesu
engineer and mixer:
Henry Hirsch
producer:
Lenny Kravitz
acoustic guitar and electric guitar:
Craig Ross (guitarist) (in 1998-12)
bass:
Lenny Kravitz (in 1998-01) and Tony Breit (in 1998-12)
drums (drum set), drums (drum set) [junkanoo] and background vocals and lead vocals:
Lenny Kravitz (in 1998-12)
synthesizer [arp string ensemble]:
Henry Hirsch (in 1998-12)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1993) and Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (in 1993)
recording of:
Are You Gonna Go My Way (in 1998-12)
lyricist:
Lenny Kravitz
composer:
Henry Hirsch, Lenny Kravitz and Craig Ross (guitarist)
publisher:
BMG Gold Songs, EMI Music Publishing Scandinavia AB, Miss Bessie Music, Shukat Arrow Hafer Weber & Herbsman, LLP, Warner/Chappell Music Scandinavia AB, Wigged Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Lenny Kravitz3.853:32
8Girls Like That (Don’t Go for Guys Like Us)
producer and mixer:
Magoo (Australian producer Lachlan Goold)
bass guitar:
Paul Medew
bass synthesizer [roland sh101], membranophone and shakers:
Glenn Thompson
guitar:
David McCormack
guitar [lead]:
Matthew Strong
recorded at:
The Dirty Room in Fortitude Valley, Brisbane, Queensland, Australia (from 1998-07-26 until 1998-07-28)
mixed at:
Sing Sing Studios (closed in 2017) in Cremorne, Melbourne, Victoria, Australia (in 1998-08)
music videos:
Girls Like That (Don't Go for Guys Like Us) by Custard (Australian rock band)
recording of:
Girls Like That (Don’t Go for Guys Like Us)
lyricist and composer:
Trevor J. Ludlow, David McCormack and Dylan McCormack
publisher:
PolyGram Music Publishing (ended), Control (not for release label use! this is only for copyrights and publishing relationships) and Mushroom Music Publishing
Custard2.53:14
9I Love You Always Forever
Donna Lewis3:22
10Mysterious Girl
Peter Andre3:37
11Informer
Snow4:30
12Boom, Boom, Boom, Boom!!
recording of:
Boom, Boom, Boom, Boom!!
lyricist:
Wessel van Diepen and Dennis van der Driesschen
composer:
Benny Andersson (ABBA), Wessel van Diepen, Dennis van der Driesschen and Björn Ulvaeus
publisher:
Peer Musikverlag GmbH and Violent Publishing
quotes music from:
Lay All Your Love on Me
Vengaboys3:25
13Your Woman
producer:
Jyoti Mishra
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
samples:
My Woman by Lew Stone & His Monseigneur Band
part of:
Indie 88: Top 500 Indie Rock Songs (number: 408)
recording of:
Your Woman
lyricist:
Bing Crosby and Irving Wallman
composer:
Jyoti Mishra, Irving Wallman and Max Wartell
is based on:
My Woman
White Town4.14:20
14Insomnia
recording of:
Insomnia
lyricist:
Maxi Jazz
writer:
Maxi Jazz, Rollo (Rollo Armstrong of Faithless) and Sister Bliss
Faithless3:34
15The Way
recording of:
The Way
lyricist and composer:
Tony Scalzo
publisher:
Bible Black (US music publisher)
Fastball4:17
16Friday I’m in Love
assistant engineer:
Chris Bandy
engineer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and Steve Whitfield
producer:
David M. Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) and The Cure
assistant mixer:
Andy Baker (recording engineer from the UK with Westside Studios), Shaun De Feo, Bill Parry (Mixer), Danton Supple and Mark Warner (UK guitarist for Quantum Jump)
mixer:
Mark Saunders (UK record producer)
bass guitar:
Simon Gallup
bass guitar [6-string bass]:
Perry Bamonte
drums (drum set) and percussion:
Boris Williams
guitar:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure) and Porl Thompson
keyboard:
Perry Bamonte and Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
lead vocals:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
phonographic copyright (℗) by:
Fiction Records Ltd. (not for release label use! please use “Fiction” for that instead) (in 1992)
recorded at:
The Manor in Oxfordshire, England, United Kingdom
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
music videos:
Friday I’m in Love by The Cure
part of:
Indie 88: Top 500 Indie Rock Songs (number: 73)
recording of:
Friday I’m in Love
lyricist:
Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure)
composer:
Boris Williams, Paul S. Thompson, Perry Bamonte, Robert J. Smith (UK guitarist, vocalist and songwriter for The Cure) and Simon Gallup
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc. and Fiction Songs Ltd.
The Cure4.63:35
17Alright
engineer:
John Cornfield
producer:
Sam Williams (producer & musician. ex‐member of The Animalhouse)
mixer:
John Cornfield and Sam Williams (producer & musician. ex‐member of The Animalhouse)
bass guitar:
Mick Quinn (from 1994-01 until 1994-07)
drums (drum set):
Danny Goffey (from 1994-02 until 1994-08)
guitar:
Mick Quinn (from 1994-02 until 1994-08)
piano and lead vocals:
Gaz Coombes (from 1994-02 until 1994-08)
background vocals:
Danny Goffey (from 1994-02 until 1994-08) and Mick Quinn (from 1994-02 until 1994-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1995)
recorded at:
Sawmills Studio in Golant, Cornwall, England, United Kingdom (from 1994-02 until 1994-08)
part of:
TV Cream: Real 100 Best Singles Ever (number: 65)
recording of:
Alright (from 1994-02 until 1994-08)
writer:
Gaz Coombes, Danny Goffey and Mick Quinn
publisher:
EMI Music (do not use as release label! this is a music publisher)
Supergrass3.73:02
18Little Miss Can’t Be Wrong
recording of:
Little Miss Can’t Be Wrong
writer:
Chris Barron, Aaron Comess, Eric Schenkman and Mark White (Spin Doctors)
publisher:
Sony Music Publishing (worldwide except Japan, ended 1995)
Spin Doctors3:54
19Common People
recording of:
Common People
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Steve Mackey (producer; Pulp bassist) and Russell Senior
premiered at:
Reading Festival (1994-08-27) (1994)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 BMG事業部 (until 2018-03-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Pulp4:05
20Where My Girls At
recording of:
Where My Girls At
writer:
Eric Seats, Missy Elliott (American rapper, singer, dancer & record producer) and Rapture Stewart (American producer & songwriter)
publisher:
E Beats Music, Mass Confusion Productions, Rap Tracks Publishing and WB Music Corp. (1929–2019)
7022:47
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