Memorial Collection

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▼CD
#TitleRatingLength
1Think It Over
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (in 1958-02)
drums (drum set):
Jerry Allison (in 1958-02)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
piano:
Vi Petty (in 1958-02)
background vocals:
The Roses (American rock backing vocal trio) (in 1958-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (in 1958-02)
recording of:
Think It Over (in 1958-02)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
41:48
2Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery (USA) and Norman Petty
publisher:
Melody Lane Publications Inc. and Peermusic (UK) Limited
4.652:10
3It’s So Easy
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1958-06 until 1958-08)
drums (drum set):
Jerry Allison (from 1958-06 until 1958-08)
guitar:
Tommy Allsup (from 1958-06 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
background vocals:
The Roses (American rock backing vocal trio) (from 1958-06 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-06 until 1958-08)
recording of:
It’s So Easy (from 1958-06 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
3.52:11
4Lonesome Tears
recorded in:
Clovis, New Mexico, United States (on 1958-05-25)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-05-25)
drums (drum set):
Jerry Allison (on 1958-05-25)
guitar:
Tommy Allsup (on 1958-05-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-05-25)
background vocals:
The Roses (American rock backing vocal trio) (on 1958-05-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-05-25)
recording of:
Lonesome Tears (from 1958-05-25 until 1958-05-27)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
1:49
5Love’s Made a Fool of You
recorded in:
Clovis, New Mexico, United States (on 1958-06-02, on 1964-01-07)
producer:
Norman Petty
bass:
George Atwood (on 1958-06-02)
drums (drum set):
Bo Clarke (on 1958-06-02)
guitar:
Tommy Allsup (on 1958-06-02) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
recording of:
Love’s Made a Fool of You (from 1958-06-02 until 1964-01-07)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:02
6Wishing
recorded in:
Clovis, New Mexico, United States (on 1958-06-02)
producer:
Norman Petty
bass:
George Atwood (on 1958-06-02)
drums (drum set):
Bo Clarke (on 1958-06-02)
guitar:
Tommy Allsup (on 1958-06-02) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-02)
performer:
The Fireballs (USA 1960s surf rock band) (in 1963)
recording of:
Wishing (from 1958-06-02 until 1963)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2:03
7Early in the Morning
recorded in:
New York, New York, United States (on 1958-06-19)
producer:
Dick Jacobs (arranger, musician and bandleader)
bass:
Sanford Bloch (Bass player) (on 1958-06-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1958-06-19) and Philip Kraus (on 1958-06-19)
guitar:
George Barnes (on 1958-06-19), Al Chernet (on 1958-06-19) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-06-19)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1958-06-19)
background vocals:
The Helen Way Singers (on 1958-06-19), Theresa Merritt (on 1958-06-19), Maeretha Stewart (on 1958-06-19), Helen Way (on 1958-06-19) and Harriet Young (on 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
phonographic copyright (℗) by:
Geffen Records (in 1958)
cover recording of:
Early in the Morning (on 1958-06-19)
writer:
Bobby Darin and Woody Harris
publisher:
Good Music Ltd., Royalty and United Artists Music Co., Inc.
52:08
8Now We’re One
recorded in:
New York, New York, United States (on 1958-06-19)
producer:
Dick Jacobs (arranger, musician and bandleader)
bass:
Sanford Bloch (Bass player) (on 1958-06-19)
drums (drum set):
Philip Kraus (on 1958-06-19)
guitar:
George Barnes (on 1958-06-19)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-06-19)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1958-06-19)
background vocals:
The Helen Way Singers (on 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
performer:
Al Chernet (on 1958-06-19) and Panama Francis (US swing jazz drummer) (on 1958-06-19)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Now We’re One (on 1958-06-19)
lyricist and composer:
Bobby Darin
publisher:
Portrait
52:06
9Reminiscing
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
performer:
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-09-10)
recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
42:01
10True Love Ways
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1960) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
True Love Ways (on 1958-10-21)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.52:51
11It Doesn’t Matter Anymore
producer:
Dick Jacobs (arranger, musician and bandleader) and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
2.752:05
12Raining in My Heart
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
52:50
13What to Do (undubbed)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-03)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (on 1958-12-03)
recording of:
What to Do (on 1958-12-03)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
1:55
14Peggy Sue Got Married (undubbed)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (on 1958-12-05)
recording of:
Peggy Sue Got Married (on 1958-12-05)
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
1:51
15That Makes It Tough (undubbed)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-08)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (on 1958-12-08)
recording of:
That Makes It Tough (on 1958-12-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
2:18
16Crying, Waiting, Hoping (undubbed)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-14)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (on 1958-12-14)
recording of:
Crying, Waiting, Hoping (on 1958-12-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Peermusic (UK) Limited and Southern Music Pub. Co. Ltd.
1:52
17Learning the Game (undubbed)
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-17)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-17)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (on 1958-12-17)
recording of:
Learning the Game (on 1958-12-17)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Southern Music Pub. Co. Ltd.
1:35
18You’re the One (undubbed)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-27)
handclaps:
Ray "Slim" Corbin (on 1958-12-27) and Waylon Jennings (US country musician) (on 1958-12-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-27)
recorded at:
Radio KLLL in Lubbock, Texas, United States (on 1958-12-27)
recording of:
You’re the One (on 1958-12-27)
writer:
Slim Corbin, Buddy Holly (1950s rock & roll singer‐songwriter) and Waylon Jennings (US country musician)
publisher:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
1:31
19Smokey Joe’s Café (undubbed)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (from 1959-01-01 until 1959-01-20)
cover recording of:
Smokey Joe’s Cafe (from 1959-01-01 until 1959-01-20)
writer:
Jerry Leiber and Mike Stoller
publisher:
Sony/ATV Songs LLC
2:16
20Dearest (undubbed)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1959-01-01 until 1959-01-20)
recorded at:
Buddy & Maria Elena Holly's New York City apartment in New York, New York, United States (from 1959-01-01 until 1959-01-20)
recording of:
Dearest (from 1959-01-01 until 1959-01-20)
writer:
Mickey Baker, Ellas McDaniel (American singer, guitarist, songwriter and music producer) and Prentice Polk
publisher:
Ben-Ghazi Enterprises, Inc. (BMI) and Twenty Nine Black Music (BMI)
1:51

Credits

Release

art direction:Vartan (art direction)
liner notes:Bud Scoppa (in 2008-07)
producer:Andy McKaie
remastering:Erick Labson
design:Mike Fink
distributed by:Universal Music Distribution (major-label distribution subsidiary of UMG Commercial Services, Inc.)
copyrighted (©) by and phonographic copyright (℗) by:Geffen Records (in 2008)
remastered at:Universal Mastering West in Los Angeles, California, United States
Discogs:https://www.discogs.com/release/2704451 [info]
ASIN:US: B001G9LV9I [info]

Release group

Wikidata:Q16961542 [info]