100 Nr. 1 Hits, Volume 2

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Other Catalog#:
cd1: 984.929-0
cd2: 984.929-1
cd3: 984.929-2
cd4: 984.929-3
cd5: 984.929-4

Anmerkung zuletzt geändert am 2015-06-23 16:37 UTC.

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Let Me Blow Ya Mind
Assistent recording engineer:
John Tyree (engineer)
recording engineer:
Mauricio “Veto” Iragorri
sonstige Unterstützung:
Larry Chatman
Produzent(in):
Dr. Dre (Andre Young, rap producer) und Scott Storch (producer)
Mix:
Dr. Dre (Andre Young, rap producer)
Gitarre:
Mike Elizondo
Keyboard [keyboards]:
Scott Storch (producer)
Hintergrundgesang:
Eve (US rapper/singer) und Stevie J. (US hip-hop producer/songwriter Steven Jordan)
Sologesang:
Gwen Stefani
Interpret(in):
Gwen Stefani
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 2001) und Ruff Ryders (in 2001)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
My VH1 Music Awards – There’s No “I” in Team (Best Collaboration) Nominees (2001) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 322)
recording of:
Let Me Blow Ya Mind
Verfasser(in):
A. Young (Andre Young, rap producer), E. Jeffers (US rapper/singer), M. Elizondo, S. Jordan (US hip-hop producer/songwriter Steven Jordan) und S. Storch (producer)
publisher:
Aint Nuthin’ Goin’On But F****’ Music, Blackjack Entertainment, Blondie Rockwell Publishing, Dead Game Publishing, Elvismambo Music, Fivecard, Music of Windswept, Scott Storch Music, TVT (copyright holder, no releases here please) und WB Music Corp. (1929–2019)
Eve feat. Gwen Stefani4.33:50
2Ms. Jackson
Assistent recording engineer:
Malik Albert, Vincent Alexander und Warren Bletcher (engineer)
recording engineer:
John Frye (hip hop / R&B mix engineer)
Programmierung und Produzent(in):
Earthtone III (production team consisting of OutKast and Mr. DJ)
assistierende(r) Mix:
Warren Bletcher (engineer)
Mix:
Neal Pogue (mix engineer)
Gast-Bassgitarre:
Aaron Mills (funk/jazz bassist, member of Cameo)
Gast-Conga:
Rajinder Kala
Gast-Keyboard:
Earthtone III (production team consisting of OutKast and Mr. DJ)
Gast-Klavier:
Marvin “Chanz” Parkman
Gitarre und Hintergrundgesang und Sologesang:
André 3000
Sologesang:
Big Boi
arranger:
Earthtone III (production team consisting of OutKast and Mr. DJ)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2020)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 145) und Indie 88: Top 500 Indie Rock Songs (Nummer: 277)
recording of:
Ms. Jackson
Verfasser(in):
Antwan André Patton, André Benjamin und David Sheats (US hip-hop producer David Sheats)
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Dungeon Ratz Music Inc. und Gnat Booty Music
OutKast4.154:31
3Mmmbop
Programmierung und Techniker(in):
Mac Quale (US composer)
leitende(r) Produzent(in):
Steve Greenberg (Record producer)
Produzent(in):
The Dust Brothers (production duo John King & Mike Simpson)
zusätzliche(r) Produzent(in):
Stephen Lironi
Mix:
Tom Lord‐Alge
Gitarre:
Isaac Hanson
Keyboard:
Taylor Hanson
Schlagzeug:
Zac Hanson
vocals:
Isaac Hanson, Taylor Hanson und Zac Hanson
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 61)
recording of:
MMMBop
Verfasser(in):
Isaac Hanson, Taylor Hanson und Zachary Hanson
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Heavy Harmony Music, Jam N Bread Music, Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Hanson3.54:28
4Save Tonight
phonographisches Urheberrecht (℗) von:
Diesel Music AB (in 1998)
recording of:
Save Tonight
Texter und Komponist(in):
Eagle‐Eye Cherry
publisher:
Diesel 2 Publishing und Warner Chapell
Eagle‐Eye Cherry43:53
5Teenage Dirtbag
recording engineer und Produzent(in):
Philip A. Jimenez und Wheatus
Mix:
David Thoener
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 2000)
recording of:
Teenage Dirtbag
Texter und Komponist(in):
Brendan B. Brown (Wheatus singer/guitarist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (in 2000) und Montauk Mantis Productions (in 2000)
Wheatus2.53:59
6Rise
Samples:
Knockin’ on Heaven’s Door von Bob Dylan
recording of:
Rise (in 1999)
Verfasser(in):
Ollie Dagois (UK producer/songwriter), Bob Dylan, Louise Gabrielle Bobb (British singer‐songwriter) und Ferdy Unger-Hamilton
publisher:
Ram’s Horn Music
Gabrielle3.753:35
7High
phonographisches Urheberrecht (℗) von:
The Wild Card Label Ltd (in 1997)
Musikvideos:
High von Lighthouse Family
recording of:
High
Texter:
Paul Tucker
Komponist(in):
Tunde Baiyewu und Paul Tucker
publisher:
Polygram Music und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Lighthouse Family3.355:08
8When Susannah Cries
Mix:
Bluefish (Norwegian producer Amund Bjørklund), Jens Dreyer und Sway (Norwegian musician Espen Lind)
Instrumente:
Sway (Norwegian musician Espen Lind)
Sampler:
Bluefish (Norwegian producer Amund Bjørklund)
Hintergrundgesang und Sologesang:
Sway (Norwegian musician Espen Lind)
conductor:
Gaute Storaas (Norwegian composer) (Saiteninstrumente)
arranger:
Bluefish (Norwegian producer Amund Bjørklund), Gaute Storaas (Norwegian composer) und Sway (Norwegian musician Espen Lind)
concertmaster:
Pauls Ezergalis (Pauls Ezergailis; Australian classical violinist)
recording of:
When Susannah Cries
Texter:
Espen Lind
Komponist(in):
Espen Lind und Sway (Norwegian musician Espen Lind)
Espen Lind33:38
9Big Big World
Produzent(in):
Urban "Hurb" Eriksson und Yogi (producer Günter Lauke)
phonographisches Urheberrecht (℗) von:
Rodeo Records (Swedish label) (in 1998)
recording of:
Big Big World
Verfasser(in):
Emilia Rydberg (Swedish singer Emilia Rydberg (Mitiku), “Big Big World”, “Twist of Fate”) und Yogi (producer Günter Lauke)
publisher:
Anderson Music und EMI Music Publishing Sweden AB
Emilia2.653:23
10Just a Friend of Mine
assistierende(r) Produzent(in):
Marc François
Produzent(in):
Dani Klein (Belgian singer (Vaya Con Dios)) und Dirk Schoufs
arranger:
Marc François
recording of:
Just a Friend of Mine
Texter:
Dani Klein (Belgian singer (Vaya Con Dios))
Komponist(in):
Willy Lambregt (Belgian musician, aka Willy Willy) und Dirk Schoufs
Vaya Con Dios3:23
11Because I Got High
phonographisches Urheberrecht (℗) von:
Universal Motown Records (not for release label use; use “Universal Motown” instead) (in 2001)
recording of:
Because I Got High
Texter und Komponist(in):
Joseph Foreman (Joseph Edgar Foreman, American rapper, singer and songwriter)
Afroman3.23:17
12I Think We’re Alone Now
zusätzlich recording engineer:
John Kerns (US engineer)
drum machine [drum]-Programmierung:
John Duarte
Techniker(in):
Bill Smith (US recording engineer)
Produzent(in):
George E. Tobin
Gitarre:
Chuck Yamek
Synthesizer:
John Duarte
Hintergrundgesang und Sologesang:
Tiffany (US 1980s pop star, "I Think We’re Alone Now")
remixer:
George E. Tobin und Bill Smith (US recording engineer)
arranger:
John Duarte
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 7)
cover recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
recording of:
I Think We’re Alone Now
Texter und Komponist(in):
Ritchie Cordell
publisher:
EMI Longitude Music
Tiffany3.83:45
13Walking on Sunshine
recorded in:
England, Vereinigtes Königreich
assistierende(r) Techniker(in):
Jon Goldberger (engineer)
Techniker(in) und Mix:
Scott Litt (producer and engineer)
Produzent(in):
Pat Collier und Katrina and the Waves (British‐American rock band)
zusätzliche(r) Produzent(in):
Scott Litt (producer and engineer)
Bassgitarre:
Vince de la Cruz
Gast-Blechblasinstrumente [Rumour Brass Section]:
Ray Beavis, Dick Hanson und John "Irish" Earl (Irish saxophonist)
Gast-Orgel:
Nick Glennie‐Smith
Gitarre [lead guitar]:
Kimberley Rew
Gitarre [rhythm guitar] und Sologesang:
Katrina Leskanich
Perkussion und Schlagzeug:
Alex Cooper (drummer, member of “Katrina and the Waves”)
Hintergrundgesang:
Alex Cooper (drummer, member of “Katrina and the Waves”), Vince de la Cruz und Kimberley Rew
Blechblasinstrumente arranger:
Eamon Fitzpatrick
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985)
aufgenommen bei:
Alaska Studios in London (Greater London), England, Vereinigtes Königreich und Greenhouse Studio (London) in London (Greater London), England, Vereinigtes Königreich
mixed at:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1984-12 bis 1985-03)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 91) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 378)
recording of:
Walking on Sunshine
Texter:
Kimberley Rew (in 1983)
Komponist(in):
Kimberley Rew
publisher:
EMI Music Publishing (do not use as a release label!), Kyboside Music, Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Katrina and the Waves3.953:56
14Girls Just Want to Have Fun
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Bass:
Eric Bazilian
E-Gitarre:
Rick DiFonzo
elektronisches Schlagzeug / E-Drums:
Anton Fig
Keyboard [keyboards] und Synthesizer [synthesizers]:
Rob Hyman
Hintergrundgesang:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart und Diane Wilson (vocals)
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1994)
produced for:
Red Sox Music Productions, Inc.
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Girls Just Want to Have Fun von Cyndi Lauper
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 63)
recording of:
Girls Just Want to Have Fun
Texter und Komponist(in):
Robert Hazard
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) und Heroic Music (publisher) (in 1983)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.13:48
15Manic Monday
Produzent(in):
David Kahne
Mix:
David Leonard (US producer and engineer)
Bassgitarre:
Michael Steele (American bassist, guitarist, songwriter, and singer)
Gitarre:
Susanna Hoffs und Vicki Peterson
Schlagzeug:
Debbi Peterson (drummer for The Bangles)
Sologesang:
Susanna Hoffs
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 208)
recording of:
Manic Monday
Texter und Komponist(in):
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und WB Music Corp. (1929–2019)
The Bangles43:03
16Breakout
Produzent(in):
Paul Staveley O’Duffy
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1986) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1986)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 72)
recording of:
Breakout (in 1986)
Verfasser(in):
Andy Connell (in 1986), Corinne Drewery (in 1986) und Martin Jackson (in 1986)
publisher:
10 Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishers, Sony Music Publishing (worldwide except Japan, ended 1995) und Virgin 10 Music Ltd.
Swing Out Sister3.83:43
17Never Gonna Give You Up
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (vom 1987 bis heute), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.353:33
18Tom’s Diner
zusätzliche(r) Produzent(in):
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
vocals und Interpret(in):
Suzanne Vega (American singer-songwriter)
remixer:
DNA (90s UK dance, key tracks “Tom’s Diner”, “Can You Handle It?”)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (UK) (in 1990) und A&M Records (in 1991)
Samples:
Tom’s Diner von Suzanne Vega (American singer-songwriter)
recording of:
Tom’s Diner
Texter:
Suzanne Vega (American singer-songwriter)
Komponist(in):
Suzanne Vega (American singer-songwriter) (in 1982)
publisher:
Waifer Songs Ltd., Warner Chappell North America und WB Music Corp. (1929–2019)
DNA feat. Suzanne Vega3.83:48
19From Sarah With Love
recording of:
From Sarah With Love
Verfasser(in):
Kay Denar und Rob Tyger
Sarah Connor4:12
20Fallin’
recording engineer und Programmierung:
Kerry "Krucial" Brothers
Produzent(in):
Alicia Keys
Mix:
Russell Elevado
Geige / Violine:
Miri
Instrumente:
Alicia Keys
Hintergrundgesang:
Andricka Hall, Alicia Keys, Cindy Mizelle und Tammy Saunders
arranger:
Alicia Keys
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2001)
aufgenommen bei:
KrucialKeys Studios in New York, New York, Vereinigte Staaten
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
My VH1 Music Awards - Damn I Wish I Wrote That! (song of the year) Nominees (2001)
recording of:
Fallin’
Texter und Komponist(in):
Alicia Keys
publisher:
EMI April Music Inc., EMI Music Publishing (do not use as a release label!), Lellow Music Publishing und Lellow Productions, Inc.
Alicia Keys3.853:30
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Veröffentlichungsgruppe

Teil von:100 Classics (Reihenfolge: 9)