Wagner: Operatic Highlights; R. Strauss: Tone Poems

~ Release by Richard Wagner, Richard Strauss; Otto Klemperer (see all versions of this release, 1 available)

Annotation

© «2013 EMI Records Ltd»
℗ «2013 The copyright in this sound recording is owned by EMI Records Ltd»

Annotation last modified on 2024-04-14 22:08 UTC.

Tracklist

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#TitleArtistRatingLength
1Die Walküre, ACT 3, Dritte Szene: Leb’ wohl, du kühnes, herrliches Kind! (Wotan’s farewell)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
partial recording of:
Die Walküre, WWV 86B: Akt III, Scene III "War es so schmählich, was ich verbrach"
composer:
Richard Wagner (composer) (from 1854-06-28 until 1856-03-23)
librettist:
Richard Wagner (composer)
part of:
Die Walküre, WWV 86B: Akt III
Richard Wagner19:38
25 Gedichte für eine Frauenstimme, WWV 91: I. Der Engel
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:36
35 Gedichte für eine Frauenstimme, WWV 91: II. Stehe still! (Orch. Mottl)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:03
45 Gedichte für eine Frauenstimme, WWV 91: III. Im Treibhaus (Orch. Mottl)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:40
55 Gedichte für eine Frauenstimme, WWV 91: IV. Schmerzen (Orch. Mottl)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:38
65 Gedichte für eine Frauenstimme, WWV 91: V. Träume (Orch. Mottl)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (from 1962-03-21 until 1962-03-23)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner5:01
7Tristan und Isolde, WWV 90, Act 3: “Mild und leise wie er lächelt” (Isolde)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1962-03-21 until 1962-03-23)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:59
8Metamorphosen
producer:
Walter Legge (British classical producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1961-11)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1961-11)
balance engineer:
Douglas Larter
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1961-11)
recording of:
Metamorphosen, study for 23 solo strings (TrV 290; AV 142) (in 1961-11)
composer:
Richard Strauss (German composer) (from 1944-08 until 1945-03)
part of:
Thematisches Verzeichnis (Richard Strauss AV) (number: AV 142) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 290)
Richard Strauss28:04
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