100 Classic Hits From “The King of Cool”

~ Release by Dean Martin (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1Absence Makes the Heart Grow Fonder (for Somebody Else)
vocals:
Dean Martin (American singer/actor) (in 1948)
orchestra:
Orchestral Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1948)
Dean Martin2:58
2Again
vocals:
Dean Martin (American singer/actor) (in 1949)
orchestra:
Paul Weston and His Orchestra (in 1949)
recording of:
Again
lyricist:
Dorcas Cochran
composer:
Lionel Newman
Dean Martin2:19
3All I Have to Give You
Dean Martin2:48
4As Pretty as a Picture
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
recording of:
Pretty as a Picture
lyricist and composer:
Johnny Anz
Dean Martin2:29
5As You AreDean Martin3:05
6Aw C’mon
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
recording of:
Aw C'mon
writer:
Walter Byron (“Aw c’mon” & “That ever lovin’ rag”) and Dave Gregory (“Aw c’mon”)
Dean Martin2:10
7Baby Obey Me
recording of:
Baby, Obey Me!
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
Dean Martin2:33
8Basin Street Blues
cover recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dean Martin2:22
9Be Honest With Me
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Orchestral Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1950)
recording of:
Be Honest With Me
lyricist and composer:
Gene Autry (“The Singing Cowboy”) (in 1940) and Fred Rose (songwriter) (in 1940)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Dean Martin2:27
10Because You’re Mine
recording of:
Because You’re Mine (Because You’re Mine)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
EMI Music Publishing (do not use as a release label!)
part of:
The 25th Academy Award for Best Original Song (number: 2)
Dean Martin2:21
11Bet‐I‐Cha
Dean Martin2:37
12Blue Smoke (Kohu‐Auwah)
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
cover recording of:
Blue Smoke
lyricist and composer:
Ruru Karaitiana
Dean Martin2:25
13Bonne nuit (Goodnight)
recording of:
Bonne nuit (Here Comes the Groom)
writer:
Ray Evans (American songwriter) and Jay Livingston
Dean Martin2:39
14Bye Bye, Blackbird
recording of:
Bye Bye Blackbird
lyricist:
Mort Dixon (in 1926)
composer:
Ray Henderson (in 1926)
publisher:
Francis, Day & Hunter, Olde Clover Leaf Music, Ray Henderson Music, Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!)
Dean Martin3:03
15Carolina Moon
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
cover recording of:
Carolina Moon (1928 song)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
Dean Martin2:32
16Change of Heart
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
recording of:
Change Of Heart
lyricist and composer:
John Rox
Dean Martin2:30
17Choo ’n’ Gum
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Paul Weston and His Orchestra (in 1950)
cover recording of:
Choo’n Gum
lyricist:
Mann Curtis
composer:
Vic Mizzy (US television & movie composer)
Dean Martin2:27
18Come Back to Sorrento
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
Come Back to Sorrento
lyricist:
Giambattista De Curtis
composer:
Ernesto De Curtis (composer) (in 1902)
translator:
Claude Aveling
translated version of:
Torna a Surriento
Dean Martin3:12
19Don’t Rock the Boat Dear
Dean Martin & Margaret Whiting2:33
20Dreamy Old New England Moon
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
cover recording of:
Dreamy Old New England Moon
writer:
Morty Berk, Frank Capano (songwriter) and Max C. Freedman (American songwriter and lyricist)
Dean Martin2:31
21Everybody Loves Somebody
vocals:
Dean Martin (American singer/actor) (in 1949)
orchestra:
Dick Stabile and His Orchestra (in 1949)
cover recording of:
Everybody Loves Somebody
lyricist:
Sam Coslow and Irving Taylor
composer:
Sam Coslow and Ken Lane
publisher:
Sands Music Corp. and フジパシフィックミュージック (Fujipacific Music, Inc.)
sub-publisher:
Warner Chappel Music Belgium NV
Dean Martin1:59
22Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Dean Martin3:01
23Hangin’ Around With You
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
cover recording of:
Hangin’ Around With You
writer:
Ray Doll, Bernard Matlin and Al Stillman
Dean Martin2:24
24Happy Feet
Dean Martin2:31
25Have a Little SympathyDean Martin2:20
26Hey Brothers Pour the Wine
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Hey, Brother, Pour the Wine
lyricist and composer:
Ross Bagdasarian (Sr.; creator of Alvin and the Chipmunks)
publisher:
Frank Music Corp.
Dean Martin2:36
27How Do You Speak to an Angel?
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
How Do You Speak to an Angel?
lyricist:
Bob Hilliard
composer:
Jule Styne
Dean Martin3:07
28How D’ya Like Your Eggs in the Morning?Dean Martin & Helen O’Connell2:46
29I Don’t Care If the Sun Don’t Shine
cover recording of:
I Don’t Care If the Sun Don’t Shine
lyricist and composer:
Mack David (American lyricist and songwriter)
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Dean Martin1:54
30I Feel a Song Comin’ On
cover recording of:
I Feel a Song Comin’ On
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter) and George Oppenheimer
Dean Martin1:51
31I Feel Like a Feather in a Breeze
cover recording of:
I Feel Like a Feather in the Breeze
writer:
Mack Gordon and Harry Revel (British-born American composer)
Dean Martin2:47
32I Love the Way You Say Goodnight
recording of:
I Love the Way You Say Goodnight
lyricist:
Eddie Pola (in 1951)
composer:
George Wyle (in 1951)
Dean Martin3:10
33I Passed Your House Last Night
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
recording of:
I Passed Your House Last Night
writer:
Bennie Benjamin and George David Weiss
Dean Martin2:55
34I Ran All the Way HomeDean Martin2:34
35I Still Get a Thrill (Thinking of You)
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Paul Weston and His Orchestra (in 1950)
cover recording of:
I Still Get a Thrill (Thinking of You)
composer:
J. Fred Coots and Benny Davis (US vaudeville performer and songwriter)
Dean Martin2:36
36If
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1950)
orchestra:
Paul Weston and His Orchestra (in 1950)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1950)
cover recording of:
If (Song, popular in the 1950s) (in 1950)
lyricist:
Stanley J. Damerell and Robert Hargreaves (songwriter)
writer:
H. Tilsley
composer:
Tolchard Evans
Dean Martin2:46
37I’ll Always Love You (Day After Day)
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
Dean Martin2:33
38I’m Gonna Paper All My Walls With Your Love LettersDean Martin3:11
39I’m in Love With You
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
Dean Martin & Margaret Whiting2:55
40I’m Yours
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
cover recording of:
I’m Yours
lyricist:
Yip Harburg
composer:
Johnny Green (composer and conductor, often credited as John Green)
Dean Martin3:14
41In Napoli
Dean Martin2:55
42In the Cool Cool, Cool of the Evening
vocals:
Dean Martin (American singer/actor) (on 1951-04-09)
conductor:
Dick Stabile (on 1951-04-09)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
In the Cool, Cool, Cool of the Evening (from “Here Comes the Groom”) (on 1951-04-09)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 24th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1951 winner)
Dean Martin3:00
43Innamorata
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
Dean Martin2:25
44I’ve Got the Sun in the Morning
cover recording of:
I Got the Sun in the Morning (from “Annie Get Your Gun”)
lyricist and composer:
Irving Berlin
part of:
Annie Get Your Gun
Dean Martin2:53
45Johnny Get Your Girl
recording of:
Johnny Get Your Girl
writer:
Mann Curtis and Vic Mizzy (US television & movie composer)
Dean Martin2:32
46Just a Little Bit South of North Carolina
Dean Martin2:05
47Just for Fun
recording of:
Just For Fun (My Friend Irma)
writer:
Ray Evans (American songwriter) and Jay Livingston
Dean Martin2:46
48Just One More Chance
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just One More Chance
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
Dean Martin3:15
49Kiss
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
lyricist:
Haven Gillespie
composer:
Lionel Newman
Dean Martin52:22
50Let Me Go Lover
vocals:
Dean Martin (American singer/actor) (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Let Me Go, Lover (on 1954-11-26)
lyricist:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
composer:
Jenny Lou Carson
is based on:
Let Me Go, Devil
Dean Martin3:01
51Long Long Ago
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (US jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (in 1954, on 1954-09-07) and Dean Martin (American singer/actor) (in 1954, on 1961-09-07)
orchestra:
Billy May and His Orchestra (in 1954) and Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Long, Long Ago (Dean Martin & Nat King Cole version) (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
version of:
Long, Long Ago (Original version for voice and piano)
Dean Martin & Nat King Cole2:18
52Louise
cover recording of:
Louise (from "Innocents of Paris")
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Richard A. Whiting (composer)
Dean Martin2:20
53Luna mezzo mare
recording of:
Luna mezz'o mare (traditional Sicilian wedding song)
lyricist:
Paolo Citarelll (writer "Luna mezz'o mare")
composer:
[traditional] (special purpose artist)
Dean Martin2:05
54Ma come bali (Bella Bimba)
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Dick Stabile and His Orchestra (in 1951)
recording of:
(Ma come bali) Bella bimba
lyricist:
Marilou Harrington
composer:
Oscar De Mejo
publisher:
Gomace Music Inc.
Dean Martin2:46
55Mambo Italiano
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1954-11-26)
orchestra:
Dick Stabile and His Orchestra (on 1954-11-26)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (on 1954-11-26)
lyricist and composer:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Dean Martin2:16
56Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (on 1955-10-28)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
Dean Martin52:16
57Moments Like This
recording of:
Moments Like This (from "College Swing")
lyricist:
Frank Loesser
composer:
Burton Lane
publisher:
Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Dean Martin2:35
58Money Burns a Hole in My PocketDean Martin3:01
59Muskrat Ramble
cover recording of:
Muskrat Ramble (1950 vocal version)
lyricist:
Ray Gilbert
composer:
Kid Ory
version of:
Muskrat Ramble (1926 original instrumental version)
Dean Martin3:03
60My Heart Has Found a Home NowDean Martin3:06
61Never Before
recording of:
Never Before (Sailor Beware)
lyricist:
Mack David (American lyricist and songwriter)
composer:
Jerry Livingston (songwriter)
Dean Martin3:11
62Night Train to Memphis
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Night Train to Memphis
writer:
Owen Bradley, Marvin Hughes and Beasley Smith
publisher:
Peer International Corporation (BMI)
Dean Martin1:56
63Oh Marie!
recording of:
Oh Marie
lyricist and composer:
Eduardo Di Capua
arranger:
Louis Prima
Dean Martin2:23
64Open up the Doghouse (Two Cats Are Comin’ In)
alto saxophone:
Skeets Herfurt (on 1954-09-07) and Harry Klee (on 1954-09-07)
baritone saxophone:
Chuck Gentry (on 1954-09-07)
bass:
Charlie Harris (jazz bassist) (on 1954-09-07)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-09-07)
guitar:
John Collins (US jazz guitarist) (on 1954-09-07)
piano:
Lew Brown (on 1954-09-07)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1954-09-07)
trombone:
Ed Kusby (on 1954-09-07), Murray McEachern (on 1954-09-07) and Si Zentner (on 1954-09-07)
trumpet:
Johnny Best (jazz trumpeter) (on 1954-09-07), Conrad Gozzo (on 1954-09-07) and Manny Klein (on 1954-09-07)
vocals:
Nat King Cole (on 1954-09-07) and Dean Martin (American singer/actor) (on 1954-09-07)
orchestra:
Billy May & His Orchestra (on 1954-09-07)
conductor:
Billy May (on 1954-09-07)
arranger:
Billy May
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1954-09-07)
recording of:
Open Up the Doghouse (on 1954-09-07)
writer:
Roy Alfred (Tin Pan Alley lyricist and composer) and Marvin Fisher
Dean Martin & Nat King Cole2:26
65Powder Your Face With Sunshine (Smile! Smile! Smile)
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1948)
orchestra:
Paul Weston and His Orchestra (in 1948)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1948)
cover recording of:
Powder Your Face With Sunshine (in 1948)
writer:
Carmen Lombardo and Stanley Rochinski
Dean Martin52:33
66Rain
cover recording of:
Rain
writer:
Eugene Ford (songwriter), Carey Morgan and Arthur Swanstrom
Dean Martin2:39
67Relax‐Ay‐Voo
vocals:
Line Renaud
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
Relax Ay Voo
lyricist and composer:
Sammy Cahn and Arthur Schwartz
publisher:
Columbia ∙ Control
Dean Martin & Line Renaud2:54
68Return to Me (Ritorna a me)
vocals:
Dean Martin (American singer/actor) (in 1957)
orchestra:
Gus Levene and His Orchestra (in 1957)
cover recording of:
Return to Me
writer:
Daniel DiMinno (American composer, lyricist, author) and Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
arrangement of:
Return to Me (Regresa a mí)
Dean Martin2:42
69Ridin’ Into Love
vocals:
Dean Martin (American singer/actor)
conductor:
Ernie Freeman
cover recording of:
Release Me
additional writer:
W.S. Stevenson
writer:
Harris (James Pebworth; Guitarist - songwriter Wrote the standard "Release Me" along with Eddie Miller (3) and Robert Yount. In most cases one or both of his pseudonyms Dub Williams and Robert Harris are credited on the releases.), Miller (US country music songwriter), Williams (pseudonym used by James Pebworth) and Young (songwriter)
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing and Sony/ATV Music Publishing Ltd.
Dean Martin3:16
70Simpatico
recording of:
Simpatico
writer:
Sammy Cahn and Arthur Schwartz
Dean Martin2:50
71Solitaire
producer:
Lee Gillette
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Solitaire
writer:
Reneé Borek, King Guion (jazz tenor saxophonist, clarinetist and bass clarinetist) and Carl Nutter
Dean Martin2:51
72Standing on the Corner
producer:
Lee Gillette and Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
lyricist and composer:
Frank Loesser
part of:
The Most Happy Fella (full musical)
Dean Martin2:49
73Sway
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Sway (in 1954)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin2:42
74Tarra Ta‐Larra Ta‐Lar
Dean Martin3:00
75That Certain Party
cover recording of:
That Certain Party
lyricist:
Gus Kahn
composer:
Walter Donaldson
Dean Martin & Jerry Lewis3:02
76That Lucky Old Sun
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
That Lucky Old Sun
lyricist:
Haven Gillespie (in 1949)
composer:
Beasley Smith (in 1949)
publisher:
Beasley Smith Music, Haven Gillespie Music Publishing Co. and Robbins Music Corp.
Dean Martin3:00
77That’s Amore
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (on 1953-08-13)
conductor:
Dick Stabile (on 1953-08-13)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-08-13)
recording of:
That’s Amore (on 1953-08-13)
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, volume I)
Dean Martin4.353:06
78The Darktown Strutters Ball
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
recording of:
Darktown Strutters’ Ball
lyricist and composer:
Shelton Brooks (in 1917)
publisher:
J. Albert & Son Pty. Ltd. and Leo Feist, Inc.
included in:
Memories / Victory March / Memories II / The Darktown Strutter’s Ball (Stormy Weather, 1943)
part of:
For Me and My Gal (1942 movie)
Dean Martin2:32
79The Man Who Plays the Mandolino
recording of:
The Man Who Plays the Mandolino (Guaglione, english version)
lyricist:
Alan Bergman (American lyricist) and Nicola Salerno (Italian lyricist Nicola Salerno)
writer:
Marilyn Bergman
composer:
Giuseppe Fanciulli
translated version of:
Guaglione
Dean Martin2:50
80The Money Song
recording of:
The Money Song
composer:
Harold Rome
Dean Martin & Jerry Lewis3:07
81The Peddler’s Serenade
Dean Martin2:48
82The Sailor’s Polka
vocals:
Dean Martin (American singer/actor) (in 1951)
orchestra:
Paul Weston and His Orchestra (in 1951)
Dean Martin1:58
83There’s My Lover
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
There’s My Lover
lyricist:
Sylvia Dee (American lyricist)
composer:
Sidney Lippman (American songwriter)
Dean Martin2:59
84Three Wishes
recording of:
Three Wishes
writer:
Jack Elliott (1927-2001 US film composer) and Harold Spina (composer/conductor)
Dean Martin2:37
85Tonda Wanda Hoy
Dean Martin2:23
86Two Sleepy People
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
lyricist:
Frank Loesser
composer:
Hoagy Carmichael
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
Dean Martin & Line Renaud2:53
87Under the Bridges of Paris
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1954)
orchestra:
Dick Stabile and His Orchestra (in 1954)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Under the Bridges of Paris (on 1954-04-22)
lyricist:
Jean Rodor
composer:
Vincent Scotto
translator:
Dorcas Cochran
publisher:
Fortin Euromusic, Unichappell Music and Zodiac Music Corp.
translated version of:
Sous les ponts de Paris
Dean Martin52:47
88Until
recording of:
Until
writer:
Sylvia Dee (American lyricist), Sidney Lippman (American songwriter), Salvatore d'Esposito (Italian composer) and Domenico Titomaglio (Italian songwriter)
Dean Martin2:45
89Vieni Su
Dean Martin2:39
90Volare
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (on 1958-07-14)
orchestra:
Dick Stabile and His Orchestra (on 1958-07-14)
conductor:
Gus Levene (on 1958-07-14)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (on 1958-07-14)
lyricist:
Franco Migliacci and Domenico Modugno
composer:
Domenico Modugno
translator:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Robbins Music Corp.
translated version of:
Nel blu dipinto di blu (Volare)
Dean Martin42:59
91Walking My Baby Back Home
vocals:
Dean Martin (American singer/actor) (in 1949)
orchestra:
Paul Weston and His Orchestra (in 1949)
cover recording of:
Walkin’ My Baby Back Home
lyricist:
Roy Turk (in 1930)
composer:
Fred Ahlert (in 1930)
publisher:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Dean Martin2:53
92Wham! Bam! Thank You Ma’am!
cover recording of:
Wham! Bam! Thank You Ma’am!
writer:
Hank Penny
Dean Martin2:48
93When It’s Sleepy Time Down SouthDean Martin2:50
94Which Way Did My Heart Go?
Dean Martin2:50
95Who’s Your Little Who‐Zis?Dean Martin2:19
96With My Eyes Wide Open I’m Dreamin’
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
recording of:
With My Eyes Wide Open I’m Dreaming (Shoot the Works)
lyricist:
Mack Gordon
composer:
Harry Revel (British-born American composer)
Dean Martin3:05
97You and Your Beautiful Eyes
Dean Martin2:07
98You Belong to Me
cover recording of:
You Belong to Me
writer:
Pee Wee King, Chilton Price (country music songwriter) and Redd Stewart
publisher:
Hill & Range Inc. (publisher) and Ridgeway Music Co, Inc.
Dean Martin3:01
99You Was
vocals:
Peggy Lee (jazz vocalist) (in 1948) and Dean Martin (American singer/actor) (in 1948)
orchestra:
Orchestral Accompaniment ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1948)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
You Was
lyricist:
Paul Francis Webster
composer:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
Dean Martin & Peggy Lee2:47
100Young and Foolish (Plain and Fancy)
vocals:
Dean Martin (American singer/actor) (in 1956)
orchestra:
Dick Stabile and His Orchestra (in 1956)
cover recording of:
Young and Foolish
lyricist:
Arnold Horwitt
composer:
Albert Hague
publisher:
Chappell & Co. and Chappell Music (UK)
Dean Martin2:45