Gold

~ Release by Billie Holiday (see all versions of this release, 1 available)

Tracklist

1▶CD
2▼CD
#TitleRatingLength
1Fine and Mellow
recording of:
Fine and Mellow
lyricist and composer:
Billie Holiday
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:20
2The Very Thought of You
recording of:
The Very Thought of You (on 1938-09-15)
lyricist and composer:
Ray Noble
publisher:
Quartet Music Inc., Range Road Music, Redwood Music Ltd. (Carlin) and Warner Bros. Music (publisher; do NOT use as release label)
2:45
3I Can't Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing and EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:28
4Pennies From Heaven
recorded in:
New York, New York, United States (on 1936-11-19)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1936-11-19)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1936-11-19)
drums (drum set):
Cozy Cole (on 1936-11-19)
guitar:
Allan Reuss (on 1936-11-19)
piano:
Teddy Wilson (on 1936-11-19)
tenor saxophone:
Ben Webster (on 1936-11-19)
trumpet:
Jonah Jones (on 1936-11-19)
vocals:
Billie Holiday (on 1936-11-19)
orchestra:
Teddy Wilson and His Orchestra (on 1936-11-19)
recording of:
Pennies From Heaven (on 1936-11-19)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
3:17
5It Had to Be You
recording of:
It Had to Be You (on 1955-08-23)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
54:03
6All or Nothing at All
recording of:
All or Nothing at All
lyricist:
Jack Lawrence (US songwriter)
composer:
Arthur Altman and Jack Lawrence (US songwriter)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Range Road Music Inc. and Universal‐MCA Music Publishing (US)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:41
7My Man
recorded in:
New York, New York, United States (on 1952-07-27)
double bass and double bass [bass]:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
J.C. Heard (on 1952-07-27) and Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1952-07-27)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
42:39
8One for My Baby (And One More for the Road)
recording of:
One for My Baby (and One More for the Road)
lyricist:
Johnny Mercer (in 1943)
composer:
Harold Arlen (in 1943)
publisher:
Chappell/Morris Ltd. and Harwin Music
part of:
The Sky’s the Limit (1943 film)
5:41
9Carelessly
alto saxophone:
Johnny Hodges (on 1937-03-31)
double bass:
John Kirby (jazz bass/trombone/tuba player) (on 1937-03-31)
drums (drum set):
Cozy Cole (on 1937-03-31)
guitar:
Allan Reuss (on 1937-03-31)
piano:
Teddy Wilson (on 1937-03-31)
reeds:
Harry Carney (on 1937-03-31)
trumpet:
Cootie Williams (on 1937-03-31)
vocals:
Billie Holiday (on 1937-03-31)
recording of:
Carelessly (on 1937-03-31)
writer:
Norman Ellis (songwriter), Charles Kenny (songwriter, violinist) and Nick Kenny
3:06
10Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:49
11Stormy Weather
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Stormy Weather (on 1952-07-27)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
53:43
12Love Me or Leave Me
recorded in:
Los Angeles, California, United States (on 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Love Me or Leave Me (on 1954-09-03)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
42:39
13Let's Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-01-09)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
translated version of:
Vamos a dejarlo ya (Let's Call the Whole Thing Off)
part of:
Shall We Dance (1937 film soundtrack)
3:25
14What a Little Moonlight Can Do
recorded in:
New York, New York, United States (on 1954-04-14)
double bass [bass]:
Ray Brown (jazz bassist) (on 1954-04-14)
drums (drum set):
Ed Shaughnessy (on 1954-04-14)
electric guitar:
Herb Ellis (jazz guitarist) (on 1954-04-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1954-04-14)
trumpet:
Charlie Shavers (on 1954-04-14)
vocals:
Billie Holiday (on 1954-04-14)
recording of:
What a Little Moonlight Can Do (on 1954-04-14)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
3.653:12
15I Loves You Porgy
recording of:
I Loves You, Porgy (use this for non-operatic performances)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
2:59
16A Fine Romance
alto saxophone:
Benny Carter (on 1954-08-25)
double bass:
John Simmons (bassist) (on 1954-08-25)
drums (drum set):
Larry Bunker (on 1954-08-25)
electric guitar:
Barney Kessel (on 1954-08-25)
piano:
Jimmy Rowles (on 1954-08-25)
trumpet:
Harry “Sweets” Edison (on 1954-08-25)
vocals:
Billie Holiday (on 1954-08-25)
cover recording of:
A Fine Romance (from “Swing Time”) (on 1955-08-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
43:34
17There'll Be Some Changes Made
vocals:
Billie Holiday (in 1959)
orchestra:
Ray Ellis and His Orchestra (in 1959)
recording of:
There’ll Be Some Changes Made
publisher:
Harry H. Pace (in 1921)
lyricist:
Billy Higgins (1920s composer and singer)
composer:
W. Benton Overstreet
publisher:
Herman Darewski Music Publishing Co Ltd. and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) (in 1924)
2:54
18All of You
vocals:
Billie Holiday (in 1959)
orchestra:
Ray Ellis and His Orchestra (in 1959)
recording of:
All of You (Silk Stockings musical)
lyricist and composer:
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Chappell Music (UK)
part of:
Silk Stockings (1957 musical film)
2:31
19I've Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:55
20I'm a Fool to Want You
recording of:
I’m a Fool to Want You
writer:
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) and Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:26
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