Piano Duos II - Live From Buenos Aires

~ Release by Schumann, Debussy, Bartók; Daniel Barenboim, Martha Argerich (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
16 Studien in kanonischer Form, op.56 (arr. 2 pianos): 1. Nicht zu schnell
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Six Etudes in Canonic Form, op. 56: I. Pas trop vite (for two pianos, Debussy) (on 2015-07-26)
composer:
Robert Schumann (German classical composer)
piano arranger:
Claude Debussy (French composer) (in 1891)
arrangement of:
Six Etudes in Canonic Form, op. 56: I. Pas trop vite
part of:
Six Etudes in Canonic Form, op. 56 (for two pianos, Debussy)
Robert Schumann arr. Claude Debussy2:27
26 Studien in kanonischer Form, op.56 (arr. 2 pianos): 2. Mit innigem Ausdruck
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Six Etudes in Canonic Form, op. 56: II. Avec beaucoup d' expression (for two pianos, Debussy) (on 2015-07-26)
composer:
Robert Schumann (German classical composer)
piano arranger:
Claude Debussy (French composer) (in 1891)
arrangement of:
Six Etudes in Canonic Form, op. 56: II. Avec beaucoup d' expression
part of:
Six Etudes in Canonic Form, op. 56 (for two pianos, Debussy)
Robert Schumann arr. Claude Debussy3:26
36 Studien in kanonischer Form, op.56 (arr. 2 pianos): 3. Andantino
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Six Etudes in Canonic Form, op. 56: III. Andantino (for two pianos, Debussy) (on 2015-07-26)
composer:
Robert Schumann (German classical composer)
piano arranger:
Claude Debussy (French composer) (in 1891)
arrangement of:
Six Etudes in Canonic Form, op. 56: III. Andantino
part of:
Six Etudes in Canonic Form, op. 56 (for two pianos, Debussy)
Robert Schumann arr. Claude Debussy1:55
46 Studien in kanonischer Form, op.56 (arr. 2 pianos): 4. Innig
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Six Etudes in Canonic Form, op. 56: IV. Espressivo (for two pianos, Debussy) (on 2015-07-26)
composer:
Robert Schumann (German classical composer)
piano arranger:
Claude Debussy (French composer) (in 1891)
arrangement of:
Six Etudes in Canonic Form, op. 56: IV. Espressivo
part of:
Six Etudes in Canonic Form, op. 56 (for two pianos, Debussy)
Robert Schumann arr. Claude Debussy3:27
56 Studien in kanonischer Form, op.56 (arr. 2 pianos): 5. Nicht zu schnell
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Six Etudes in Canonic Form, op. 56: V. Pas trop vite (for two pianos, Debussy) (on 2015-07-26)
composer:
Robert Schumann (German classical composer)
piano arranger:
Claude Debussy (French composer) (in 1891)
arrangement of:
Six Etudes in Canonic Form, op. 56: V. Pas trop vite
part of:
Six Etudes in Canonic Form, op. 56 (for two pianos, Debussy)
Robert Schumann arr. Claude Debussy2:16
66 Studien in kanonischer Form, op.56 (arr. 2 pianos): 6. Adagio
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Six Etudes in Canonic Form, op. 56: VI. Adagio (for two pianos, Debussy) (on 2015-07-26)
composer:
Robert Schumann (German classical composer)
piano arranger:
Claude Debussy (French composer) (in 1891)
arrangement of:
Six Etudes in Canonic Form, op. 56: VI. Adagio
part of:
Six Etudes in Canonic Form, op. 56 (for two pianos, Debussy)
Robert Schumann arr. Claude Debussy2:54
7En blanc et noir, L. 134: 1. Avec emportement
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
En blanc et noir: I. Avec emportement (on 2015-07-26)
composer:
Claude Debussy (French composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
A. Kussewitsky
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy4:21
8En blanc et noir, L. 134: 2. Lent. Sombre
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
En blanc et noir: II. Lent, sombre (on 2015-07-26)
composer:
Claude Debussy (French composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
Jacques Charlot
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy6:12
9En blanc et noir, L. 134: 3. Scherzando
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
En blanc et noir: III. Scherzando (on 2015-07-26)
composer:
Claude Debussy (French composer) (from 1915-06-04 until 1915-07-20)
dedicated to:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
En blanc et noir, L. 134, CD 142
Claude Debussy4:26
10Sonata for 2 Pianos and Percussion, Sz. 110: 1. Assai lento
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
percussion:
Lev Loftus (percussionist) and Pedro Manuel Torrejón González (classical percussionist)
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: I. Assai lento (on 2015-07-26)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók13:24
11Sonata for 2 Pianos and Percussion, Sz. 110: 2. Lento, ma non troppo
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
percussion:
Lev Loftus (percussionist) and Pedro Manuel Torrejón González (classical percussionist)
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: II. Lento, ma non troppo (on 2015-07-26)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:50
12Sonata for 2 Pianos and Percussion, Sz. 110: 3. Allegro non troppo
recording engineer:
Julian Schwenkner (engineer)
producer:
Friedemann Engelbrecht
percussion:
Lev Loftus (percussionist) and Pedro Manuel Torrejón González (classical percussionist)
piano:
Martha Argerich (Argentine pianist) (on 2015-07-26) and Daniel Barenboim (pianist and conductor) (on 2015-07-26)
phonographic copyright (℗) by:
Daniel Barenboim (pianist and conductor) (in 2015)
recorded at:
Teatro Colón in Buenos Aires, Argentina (on 2015-07-26)
live recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (on 2015-07-26)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók7:24