The Best of.. TV Music

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Rock Around the Clock
double bass:
Marshall Lytle (on 1954-04-12)
drums (drum set):
Billy Gussak (on 1954-04-12)
electric guitar:
Danny Cedrone (on 1954-04-12)
guitar:
Bill Haley (on 1954-04-12)
piano:
Johnny Grande (on 1954-04-12)
steel guitar:
William F. ‘Billy’ Williamson (on 1954-04-12)
tenor saxophone:
Joey D'Ambrosio (on 1954-04-12)
vocals:
Bill Haley (on 1954-04-12)
recording of:
Rock Around the Clock (Bill Haley’s version) (on 1954-04-12)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets42:13
2My Guy
bass:
James Jamerson (in 1964)
drums (drum set):
Benny Benjamin (US drummer) (in 1964)
guitar:
Robert White (US funk/soul guitarist) (in 1964) and Eddie Willis (in 1964)
instruments:
The Funk Brothers (in 1964)
organ:
Earl Van Dyke (in 1964)
piano:
Johnny Griffith (in 1964)
trombone:
George Bohanon (in 1964) and Paul Riser (in 1964)
trumpet:
Russell Conway (trumpet player) (in 1964) and Herbert Williams (trumpet player) (in 1964)
vibraphone:
Dave Hamilton (US guitar/vibraphone player) (in 1964)
background vocals:
The Andantes (in 1964), Marlene Barrow (in 1964), Louvain Demps (in 1964) and Jackie Hicks (in 1964)
lead vocals:
Mary Wells (Motown singer) (in 1964)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1964)
recorded at:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, United States (in 1964)
recording of:
My Guy (in 1964)
lyricist and composer:
Smokey Robinson
publisher:
Jobette Music (UK) Ltd.
Mary Wells4.22:53
3Woke Up This Morning
recording of:
Woke Up This Morning
writer:
Jake Black (member of Alabama 3), Chester Burnett, Simon Edwards (Sir Eddie Real), Piers Marsh and Robert Spragg
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated)
Alabama 35:19
4Unchained Melody
assistant engineer:
Dean Murphy (engineer) and Barrie Steele
engineer:
Peter Day
producer:
Matt Aitken and Mike Stock (of Stock Aitken Waterman)
mixer:
Peter Day and Dave Ford (remixer, producer & studio technician)
cover recording of:
Unchained Melody
publisher:
Hy Zaret
lyricist:
Hy Zaret
composer:
Alex North (US composer)
publisher:
Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), North Melody Publishing and Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The 28th Academy Award for Best Original Song (number: 2)
Robson & Jerome3:25
5Dance of the Sugar Plum Fairy
orchestra:
Slovak RSO (Slovak Radio Symphony Orchestra)
conductor:
Ondrej Lenárd (conductor)
recording of:
Dance of the Sugar Plum Fairy (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arrangement of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский1:52
6The Flower Duet
soprano vocals:
Adriana Kohutkova (soprano) and Denisa Slepkovska (mezzo-soprano)
orchestra:
Slovak Radio Symphony Orchestra
conductor:
Johannes Wildner (conductor)
phonographic copyright (℗) by:
Naxos Music
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (French composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes1:46
7Divertimento No.1 andante
engineer:
János Bohus (Hungarian sound engineer.) (from 1995-08-18 until 1995-08-21)
producer:
Ibolya Tóth
bassoon:
岡崎耕二 (bassoonist) (from 1995-08-18 until 1995-08-21)
clarinet:
Kálmán Berkes (clarinetist) (from 1995-08-18 until 1995-08-21) and Tomoko Takashima (clarinetist) (from 1995-08-18 until 1995-08-21)
recorded at:
Phoenix Studios in Budapest, Hungary (from 1995-08-18 until 1995-08-21)
recording of:
Divertimento in B-flat major, K. Anh. 229/439b no. 1: II. Minuetto. Allegretto & Trio (from 1995-08-18 until 1995-08-21)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Divertimento in B-flat major, K. Anh. 229/439b no. 1
Wolfgang Amadeus Mozart2:57
8William Tell Overture
orchestra:
Zagreb Festival Orchestra
conductor:
Michael Halász (conductor)
recording of:
William Tell Overture: Finale, March of the Swiss Soldiers (allegro vivace) (Lone Ranger theme)
composer:
Gioachino Rossini (composer)
part of:
Guillaume Tell : Ouverture (William Tell: Overture)
Gioachino Rossini5:13
9Requiem - In Paradisum
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer) (from 1993-05-17 until 1993-05-18) and Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
organ:
Colm Carey (keyboard instrumentalist) (from 1993-05-17 until 1993-05-18)
choir vocals:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18) and Schola Cantorum of Oxford (from 1993-05-17 until 1993-05-18)
vocals:
Oxford Camerata (English chamber choir)
orchestra:
Oxford Camerata (English chamber choir) (from 1993-05-17 until 1993-05-18)
conductor:
Jeremy Summerly (conductor) (from 1993-05-17 until 1993-05-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1994)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1993-05-17 until 1993-05-18)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1993-05-17 until 1993-05-18)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:25
10Brandenburg Concerto No. 2 in F major, BWV 1047
orchestra:
Kölner Kammerorchester (Cologne Chamber Orchestra)
conductor:
Helmut Müller‐Brühl (conductor)
partial recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
dedicated to:
Christian Ludwig (Margrave of Brandenburg)
part of:
Bach-Werke-Verzeichnis (number: BWV 1047)
part of:
Six concerts avec plusieurs instruments (Brandenburg Concertos, Brandenburg concertos)
Johann Sebastian Bach4:07
11Zadok the Priest
engineer:
Richard Millard (engineer)
producer:
Jonathan Freeman-Attwood
choir vocals:
Tallis Chamber Choir (from 2002-02-21 until 2002-02-22)
orchestra:
The Royal Academy Consort (from 2002-02-21 until 2002-02-22)
conductor:
Jeremy Summerly (conductor) (from 2002-02-21 until 2002-02-22)
recorded at:
Dukes Hall, Royal Academy of Music, London in London (Greater London), England, United Kingdom (from 2002-02-21 until 2002-02-22)
recording of:
The Four Coronation Anthems: “Zadok the Priest”, HWV 258 (from 2002-02-21 until 2002-02-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1727)
premiered at:
Westminster Abbey in London (Greater London), England, United Kingdom (on 1727-10-11)
part of:
Händel-Werke-Verzeichnis (number: HWV 258)
part of:
The Four Coronation Anthems
Georg Friedrich Händel5:48
12Land of Hope & Glory (Pomp & Circumstance March No.1)
choir vocals:
Leeds Festival Chorus
orchestra:
Orchestra of Opera North (English Northern Philharmonia)
conductor:
Paul Daniel (conductor)
recording of:
Land of Hope and Glory
anthem of:
England, United Kingdom (ended)
lyricist:
Arthur Christopher Benson
composer:
Edward Elgar (composer) (in 1902)
is based on:
Coronation Ode, op. 44: VI. Finale: “Land of Hope and Glory” (contralto soloist, with chorus)
Sir Edward Elgar5:58
13Cello Suite No.2
cello:
Alexander Rudin (classical cellist and conductor)
partial recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1008)
part of:
Six Suites for Unaccompanied Cello
Johann Sebastian Bach2:09
14Requiem: Lacrymosa
engineer:
Gustáv Šoral (in 1985-03)
producer:
Dr Igor Bohacek (producer) (in 1985-03)
organ:
Vladimír Rusó (organist) (in 1985-03)
choir vocals:
Slovak Philharmonic Chorus (Slovak Philharmonic Choir) (in 1985-03)
contralto vocals:
Jaroslava Horská (mezzo-soprano) (in 1985-03)
orchestra:
Slovak Philharmonic Orchestra (Slovak Philharmonic) (in 1985-03)
conductor:
Zdeněk Košler (conductor) (in 1985-03)
chorus master:
Stefan Klimo (conductor) (in 1985-03)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1985-03)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1985-03)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:25
15Danse Macabre
producer:
Günter Appenheimer (producer/engineer) (in 1988-06), Teije van Geest (engineer/producer) (in 1988-06) and Martin Sauer (engineer/producer) (in 1988-06)
orchestra:
CSR Symphony Orchestra (Slovak Radio Symphony Orchestra) (in 1988-06)
conductor:
Keith Clark (American conductor) (in 1988-06)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (in 1988-06)
recording of:
Danse macabre, op. 40 (symphonic poem for orchestra)
composer:
Camille Saint‐Saëns (composer) (in 1874)
part of:
Classic 100: Music of France (2012) (number: 16) and Works of Camille Saint-Saëns by opus number (number: op. 40)
is based on:
Danse macabre (song for voice and piano)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
Camille Saint‐Saëns7:10

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Trinity Mirror (in 2005)
Discogs:https://www.discogs.com/release/1012139 [info]