Top de la Pub (Les 22 meilleures musiques de pub)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Kings of the Highway
recording engineer und Mix:
Mark Needham
Produzent(in):
Erik Jacobsen
assistierende(r) Mix:
Lee Herschberg
Bassgitarre:
Rowland Salley
Gitarre:
Chris Isaak und James Calvin Wilsey
Schlagzeug:
Kenney Dale Johnson
Sologesang:
Chris Isaak
phonographisches Urheberrecht (℗) von:
Reprise Records und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
mixed at:
Amigo Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Kings of the Highway (in 1989)
Texter und Komponist(in):
Chris Isaak
publisher:
Arc Music Corp. (U.S. rock & blues publisher), C. Isaak Music Publishing Co. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Chris Isaak4.54:42
2Stop
vocals:
Sam Brown (UK singer/songwriter)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1988)
recording of:
Stop
Verfasser(in):
Bruce Brody, Sam Brown (UK singer/songwriter) und Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) und WayBlue Ltd. (publisher)
Sam Brown4.354:55
3Via con me
phonographisches Urheberrecht (℗) von:
CGD (Italian label) (in 1989)
live recording of:
Via con me
Texter und Komponist(in):
Paolo Conte
publisher:
Universal Music Publishing Ricordi srl
Paolo Conte2:28
4Oh, Lori
assistierende(r) Techniker(in):
Geoff Howe
Techniker(in):
Bones Howe (von 1976-07 bis 1976-09)
Produzent(in):
Bones Howe
vocals:
Billy Alessi und Bobby Alessi
conductor:
Mike Melvoin
arranger:
Mike Melvoin
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1976-07 bis 1976-09)
Teil von:
The Downloader’s Music Source Book (Nummer: 330)
recording of:
Oh Lori
Verfasser(in):
Billy Alessi und Bobby Alessi
publisher:
Alessi Music, Tenyor Music und 大洋音楽 (Taiyō Music)
Alessi43:21
5Georgia on My Mind
Produzent(in):
Sid Feller
Bassgitarre:
Edgar Willis (bass) (am 1960-03-25)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1960-03-25)
Schlagzeug:
Milton Turner (am 1960-03-25)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1960-03-25)
arranger:
Ralph Burns
phonographisches Urheberrecht (℗) von:
Ray Charles Ent. (in 1960)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-03-25)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 16), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 44) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 283)
cover recording of:
Georgia on My Mind (am 1960-03-25)
Nationalhymne von:
Georgia, Vereinigte Staaten (vom 1979 bis heute)
Texter:
Stuart Gorrell (in 1930)
Komponist(in):
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (vom 1930 bis heute) und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (vom 1930 bis heute)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Arrangement von:
Georgia on My Mind (Solo piano arrangement)
Ray Charles43:38
6Every Kinda People
cover recording of:
Every Kinda People
Texter und Komponist(in):
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Ola Onabule44:00
7Surfin’ Bird
phonographisches Urheberrecht (℗) von:
Disques Vogue (Copyright holder) (in 1994)
cover recording of:
Surfin’ Bird
Verfasser(in):
Al Frazier, Sonny Harris (US baritone singer and songwriter John Harris), Carl White (60s soul vocalist, member of the Rivingtons) und Turner Wilson (1960s doo wop)
publisher:
Beechwood Music Corp.
Medley von:
Papa‐Oom‐Mow‐Mow
Medley von:
The Bird’s the Word
The Frapmen & The L'Goona Legacy3:16
8J’ai faim de toi
phonographisches Urheberrecht (℗) von:
Macadam Transfert (in 1988)
recording of:
J’ai faim de toi
Texter:
Anne Moustrou
Komponist(in):
Pascal Stive
publisher:
Macadam Transfert SARL
Sandy Stevens3:40
9Shine
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1993)
recording of:
Shine (Charles & Eddie)
Texter und Komponist(in):
Eddie Chacon (US singer, songwriter, producer & photographer), J. Freed und Rafael A. Hernandez
publisher:
Big Black Jacket Music, EMI Blackwood Music Inc., Songs of PolyGram International, Inc. und Warner–Tamerlane Pub. Corp. (publisher; do NOT use as release label)
sub-publisher:
EMI Music Publishing France, Universal Music Publishing France (not for release label use!) und Warner Chappell Music France
Charles & Eddie5:11
10Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:58
11My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:37
12For What It’s Worth
Produzent(in):
Charles Greene (producer) und Brian Stone (producer)
Hintergrundgesang:
Richie Furay und Dewey Martin
vocals:
Stephen Stills
phonographisches Urheberrecht (℗) von:
Warner Music International (trademark of Warner Music International the company) (in 1967) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 63)
recording of:
For What It’s Worth (am 1966-12-05)
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Buffalo Springfield4.252:34
13Happy Together
phonographisches Urheberrecht (℗) von:
White Whale (late 60s/early 70s California) (in 1967)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 257)
recording of:
Happy Together (in 1967)
Verfasser(in):
Garry Bonner (singer and songwriter) und Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
publisher:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) und Trio Music Co., Inc.
Teil von:
Freaky Friday (2003)
The Turtles4.42:53
14Try a Little Tenderness
Produzent(in):
Steve Cropper und Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter)
E-Bass [electric bass], Klavier, Orgel und Vibraphon [vibes]:
Booker T. Jones
Gitarre:
Steve Cropper
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer)
Tenorsaxophon:
Gilbert Caple und Andrew Love
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
vocals:
Otis Redding
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966)
cover recording of:
Try a Little Tenderness (in 1966)
Texter:
James Campbell (British songwriter and music publisher) und Reginald Connelly
Komponist(in):
Harry M. Woods (American 1920/30s songwriter)
publisher:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Warner Chappell und Campbell Connelly & Co. Ltd. (am 1932-11-04)
Otis Redding33:17
15Souvenir
Produzent(in):
M. Howlett
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
phonographisches Urheberrecht (℗) von:
Virgin Records (worldwide imprint of Virgin Records Ltd. and all its subsidiaries) (in 1981)
recording of:
Souvenir
Verfasser(in):
Martin Cooper (OMD and The Listening Pool) und Paul Humphreys (Orchestral Manoeuvres in the Dark)
publisher:
Dinsong Music und Virgin Music (Publishers) Ltd.
O.M.D.33:34
16Orinoco Flow
Techniker(in):
Ross Cullum und Nicky Ryan
Koproduzent(in):
Ross Cullum und Enya (Irish singer-songwriter)
Produzent(in):
Nicky Ryan
Mix:
Jimbo Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
Instrumente und vocals:
Enya (Irish singer-songwriter)
arranger:
Enya (Irish singer-songwriter) und Nicky Ryan
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (vom 1988 bis heute) und WEA Records Ltd. (holding company based in the UK) (in 1988)
aufgenommen bei:
Orinoco Studios in Southwark, London (Greater London), England, Vereinigtes Königreich
mixed at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Orinoco Flow von Enya (Irish singer-songwriter)
recording of:
Orinoco Flow
Texter:
Roma Ryan
Komponist(in):
Enya (Irish singer-songwriter)
publisher:
Aigle Music, EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Enya4.34:24
17Dream a Little Dream of Me
Produzent(in):
Lou Adler
phonographisches Urheberrecht (℗) von:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1968)
cover recording of:
Dream a Little Dream of Me
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Mama Cass with The Mamas & The Papas3.353:10
18When a Man Loves a Woman
Produzent(in):
Marlin Greene (’60s teen artist, writer & engineer) und Quin Ivy
Farfisa-Orgel [farfisa organ]:
Spooner Oldham (am 1966-02-17)
Gitarre:
Marlin Greene (’60s teen artist, writer & engineer) (am 1966-02-17)
Kontrabass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (am 1966-02-17)
Schlagzeug:
Roger Hawkins (drummer and producer) (am 1966-02-17)
vocals:
Percy Sledge (am 1966-02-17)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) und Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
aufgenommen bei:
Norala Studio in Sheffield, Alabama, Vereinigte Staaten (am 1966-02-17)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 54) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (am 1966-02-17)
Verfasser(in):
Calvin Lewis, Percy Sledge und Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (vom 1966 bis heute), Quinvy Music Publishing Company, Inc. (vom 1966 bis heute), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (vom 1966 bis heute), Pronto (BMI‐affiliated publishing company) (in 1972) und Quinvy (record company and publisher) (in 1972)
Percy Sledge4.352:49
19My Blue Heaven
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1981)
cover recording of:
My Blue Heaven
Texter:
George A. Whiting (popular songwriter) (in 1924)
Komponist(in):
Walter Donaldson (in 1924)
publisher:
Leo Feist, Inc.
komponiert bei:
New York Friars Club in New York, New York, Vereinigte Staaten (in 1924)
Leon Redbone32:21
20Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) und John Mills (recording/mix engineer) (in 1972)
Produzent(in):
Jerry Leiber und Mike Stoller
E-Bass:
Tony Williams (bass) (in 1972)
Gitarre:
Paul Pilnick (in 1972) und Gerry Rafferty (in 1972)
Keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
Schlagzeug:
Rod Coombes (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) und Gerry Rafferty (in 1972)
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1972) und A&M Records, Ltd. (in 1972)
Musikvideos:
Stuck in the Middle With You von Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
Texter und Komponist(in):
Gerald Rafferty und Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. und Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:22
21The Love of a Woman
phonographisches Urheberrecht (℗) von:
BMG Ariola (company mostly named as distributor in Europe) (in 1993)
recording of:
The Love of a Woman
Verfasser(in):
Olivier Bloch-Lainé und Joe Hammer
publisher:
La Frette Studios
Bernie Lyon43:55
22Iris
phonographisches Urheberrecht (℗) von:
Les Disques du Crépuscule (in 1991)
recording of:
Iris (Wim Mertens)
Komponist(in):
Wim Mertens (Belgian composer & pianist)
publisher:
Usura
sub-publisher:
Warner Chappell Music France
Wim Mertens3:45

Nennungen

Veröffentlichung

urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:Carrère Music (imprint used by Carrère after 1989) (in 1994)
hergestellt bei:Warner Manufacturing Europe in Alsdorf, Nordrhein-Westfalen, Deutschland
Discogs:https://www.discogs.com/release/9849667 [Info]
ASIN:FR: B00004UQ3Q [Info]