Giuseppe Verdi

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

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1I vespri siciliani: Ouverture
recorded in:
Toluca, México (Mexico), Mexico (in 1993)
orchestra:
Orquesta Sinfónica Nacional de México (National Symphony Orchestra of Mexico)
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
I vespri siciliani: Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani
9:01
2Ernani: “Esultiamo”
recorded in:
Martina Franca, Taranto, Puglia, Italy (in 1991)
choir vocals:
Coro di Bratislava
orchestra:
Orchestra Internazionale d'Italia (Italian International Orchestra)
conductor:
Giuliano Carella (conductor)
recording of:
Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:38
3Ernani: “No vendetta più tremenda”
recorded in:
Martina Franca, Taranto, Puglia, Italy (in 1991)
baritone vocals [Silva]:
Michele Pertusi (operatic bass)
soprano vocals [Elvira]:
Daniela Dessì (soprano)
tenor vocals [Ernani]:
Vincenzo La Scola (tenor)
orchestra:
Orchestra Internazionale d'Italia (Italian International Orchestra)
conductor:
Giuliano Carella (conductor)
recording of:
Ernani: Atto II. (no. 8g) Stretta del Terzetto “No, vendetta più tremenda” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:06
4I Lombardi alla prima crociata: “O signore che dal tetto natio”
recorded in:
Ljubljana, Ljubljana (City Municipality of Ljubljana), Slovenia (in 1994)
choir vocals:
Coro della Radio di Lubiana (collective reference to any or all of its three choirs, associated with Simfonični orkester RTV Slovenija)
orchestra:
Orchestra della Radio di Lubiana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
I Lombardi: Atto IV. N°17 "O signore, dal tetto natio" (coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto IV (Il santo sepolcro)
4:10
5I Lombardi alla prima crociata: “La mia letizia infondere”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1950)
tenor vocals:
Giacomo Lauri-Volpi (tenor)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
2:00
6Un giorno di regno: Sinfonia
recorded in:
Como, Como (Province of Como), Lombardia, Italy (in 1985)
orchestra:
Orchestra Nazionale Rumena
conductor:
Ion Baciu (Romanian conductor)
recording of:
Un giorno di regno: N°1 Sinfonia
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno, ossia il finto Stanislao
5:28
7Brindisi
recorded in:
Lodi, Lodi, Lombardia, Italy (in 1995)
instruments:
Ensemble Salotto 800
baritone vocals:
Leo Nucci (baritone)
conductor:
Paolo Marcarini (pianist and composer)
recording of:
8 romanze per tenore e orchestra: Brindisi
orchestrator:
Luciano Berio (Italian composer)
lyricist:
Andrea Maffei (19th century poet, translator and librettist)
composer:
Giuseppe Verdi (Italian opera composer)
orchestration of:
Seste romanze: No. 6. Brindisi
part of:
8 romanze per tenore e orchestra
2:01
8Ad una stella
recorded in:
Lodi, Lodi, Lombardia, Italy (in 1995)
instruments:
Ensemble Salotto 800
baritone vocals:
Leo Nucci (baritone)
conductor:
Paolo Marcarini (pianist and composer)
recording of:
8 romanze per tenore e orchestra: Ad una stella
orchestrator:
Luciano Berio (Italian composer)
lyricist:
Andrea Maffei (19th century poet, translator and librettist)
composer:
Giuseppe Verdi (Italian opera composer)
orchestration of:
Seste romanze: No. 3. Ad una stella
part of:
8 romanze per tenore e orchestra
2:32
9Stornello
recorded in:
Parma, Parma, Emilia-Romagna, Italy (in 1989)
piano:
Vincenzo Scalera (pianist)
soprano vocals:
Renata Scotto (operatic soprano)
recording of:
Stornello
composer:
Giuseppe Verdi (Italian opera composer) (in 1869)
1:50
10L’Abandonnée
recorded in:
Parma, Parma, Emilia-Romagna, Italy (in 1989)
piano:
Vincenzo Scalera (pianist)
soprano vocals:
Renata Scotto (operatic soprano)
recording of:
L'Abandonnée ("Beaux jours que le cœur envie")
composer:
Giuseppe Verdi (Italian opera composer)
2:49
11Quartetto in mi minore: Prestissimo
recorded in:
Zagreb, Croatia (in 2000)
string quartet:
Zagreb Quartet
recording of:
Quartetto in E minor: III. Prestissimo
composer:
Giuseppe Verdi (Italian opera composer) (in 1873)
part of:
Quartetto in E minor
3:08
12Quattro pezzi sacri: Pater noster
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1984)
conductor:
Marin Constantin (Romanian composer & conductor)
performer:
Chœur et orchestre de l'Opéra de Bucarest
recording of:
Pater noster
composer:
Giuseppe Verdi (Italian opera composer) (in 1873)
5:45
13I due foscari: Barcarola
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1984)
orchestra:
Orchestra del Teatro Regio di Torino
conductor:
Maurizio Arena (conductor)
recording of:
I due Foscari: Atto III. “Tace il vento, è questa l'onda” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto III
2:27
14Don Carlo: “Io morrò, ma lieto in core”
recorded in:
Lodi, Lodi, Lombardia, Italy (in 1995)
instruments:
Ensemble Salotto 800
baritone vocals:
Leo Nucci (baritone)
conductor:
Paolo Marcarini (pianist and composer)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
3:35
15Divertimento su temi dell’Attila
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1998)
oboe:
Gianfranco Bortolato (oboist)
piano:
Roberto Arosio
recording of:
Divertimento su temi dell’Attila (for oboe and piano)
composer:
Giuseppe Verdi (Italian opera composer)
arranger:
Ricordano de Stefani (19th century oboist and composer)
is based on:
Attila
4:46
16Otello: “Esultate”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1941)
tenor vocals [Otello]:
Giacomo Lauri-Volpi (tenor)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
1:12
17Il trovatore: “Stride la vampa”
recorded in:
Torino (Turin), Torino, Piemonte, Italy (in 1940)
mezzo-soprano vocals [Azucena]:
Ebe Stignani (mezzo soprano)
recording of:
Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
2:50
18Il trovatore: “Miserere d’un alma già vicina”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1930)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Leonora]:
Maria Carena (soprano)
tenor vocals [Manrico]:
Aureliano Pertile (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Carlo Sabajno (conductor)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
4:53
19Simon Boccanegra: “Il lacerato spirito”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1923)
bass vocals [Fiesco]:
Ezio Pinza (operatic bass)
recording of:
Simon Boccanegra: Prologo. “Il lacerato spirito” (Fiesco)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Prologo
2:15
20Nabucco: “Va pensiero sull’ ali dorate”
recorded in:
Milano (Milan), Milano, Lombardia, Italy (in 1928)
choir vocals:
Coro del Teatro alla Scala di Milano
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Vittore Veneziani (Italian chorus master & composer)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
3:43
21Falstaff: “Ah, ah, ah, ah – tutto nel mondo ḕ burla”
recorded in:
New York, New York, United States (in 1950)
baritone vocals:
Giuseppe Valdengo (baritone)
mezzo-soprano vocals:
Cloë Elmo (mezzo-soprano)
soprano vocals:
Herva Nelli (soprano)
tenor vocals:
Antonio Madasi (tenor)
orchestra:
NBC Symphony Orchestra
conductor:
Arturo Toscanini (conductor)
recording of:
Falstaff: Atto III, scena 2. “Ah! Ah! Ah! Ah!” (tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
4:48