Retro 70s & 80s: The Greatest Hits, Volume 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

AMCOS (the Australasian Mechanical Copyright Owners Society) might possibly have been named as publishers (Amcos) of the tracks in this release, and erroneously added in the discogs entry as the release label. there are several other releases linked to Amcos with images showing this publisher connection.

Annotazione modificata l'ultima volta il 2014-02-10 04:12 UTC.

Elenco tracce

1CD
#TitoloArtistaValutazioneDurata
1Road to Nowhere
edit di:
Road to Nowhere di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc., Warner Bros. Music Co., Ltd. e Warner Bros. Music Corp.
Talking Heads44:04
2I Don't Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:19
3Love of the Common PeoplePaul Young3:30
4Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.33:57
5Thorn in My Side
tecnico di registrazione:
Jon Bavin
assistente tecnico:
Fred Defaye e Serge Pauchard
tecnico:
Jon Bavin e Emmanuel Guiot (sound engineer)
produttore:
Dave A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Jon Bavin e Manu Guiot (sound engineer)
armonica (a bocca) e sassofono :
Jimmy Z (harmonica & sax player James Zavala)
batteria :
Clem Burke
chitarra :
Dave A. Stewart (UK guitarist/singer for Eurythmics)
chitarra basso :
John McKenzie (English blues bassist)
tastiera :
Patrick Seymour (UK producer, arranger, keyboardist, flutist & composer)
voce di accompagnamento:
Bernita Turner
voce principale:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1986), RCA/Ariola Ltd. (nel 1986) e BMG Records (UK) Limited (1987–1996) (nel 1991)
mixata presso:
Studio de la Grande Armée in Paris, Île-de-France, Francia
registrazione di:
Thorn in My Side
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
RCA Music Ltd. (publisher) e Universal Music Publishers MGB Australia Pty Ltd
Eurythmics3.54:13
6She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:37
7I Can't Go For That
tecnico di registrazione e tecnico di missaggio:
Neil Kernon
assistente tecnico:
Bruce Buckhhalter (Engineer)
co-produttore:
Neil Kernon
produttore:
Daryl Hall e John Oates
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 6)
registrazione di:
I Can’t Go for That (No Can Do)
paroliere:
Sara Allen, Daryl Hall e John Oates
compositore:
Daryl Hall
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Hall & Oates45:00
8Walk the Dinosaur
registrazione di:
Walk the Dinosaur
autore:
Randy Jacobs (guitarist and songwriter), David Was e Don Was
editore:
MCA Gilbey, MCA Music Ltd., MCA Music Pub. (renamed since c. 1996 as Universal Music Publishing Group), Monkeys Dogs Cattle Ltd., Semper Fi e Universal Music Corp. (USA, affiliated with ASCAP)
Was (Not Was)3:39
9Perfect
produttore:
Fairground Attraction e Kevin Moloney
assistente tecnico di missaggio:
Alistair Johnson (engineering)
tecnico di missaggio:
Kevin Moloney
voce principale:
Eddi Reader
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1988), BMG UK & Ireland Limited (holding company, do not add releases here) (nel 1988) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988)
registrata presso:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, Regno Unito
video musicali:
Perfect di Fairground Attraction
registrazione di:
Perfect
paroliere e compositore:
Mark Nevin
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music Ltd., Universal Music Limited (UK sound recording / publishing company) e Universal/MCA Music Ltd. (not for release label use!)
Fairground Attraction4.353:38
10Hold Me Now
tecnico di registrazione, tecnico e tecnico di missaggio:
Phil Thornalley
programmazione degli strumenti:
Tom Bailey (Thompson Twins)
produttore:
Tom Bailey (Thompson Twins) e Alex Sadkin
armonica (a bocca) , chitarra , contrabbasso [contrabass] , pianoforte e sintetizzatore :
Tom Bailey (Thompson Twins)
batteria , marimba , percussione e xilofono :
Alannah Currie
congas e sintetizzatore [Prophet V] :
Joe Leeway
voce:
Tom Bailey (Thompson Twins)
voce di accompagnamento:
Alannah Currie e Joe Leeway
diritti fonografici (℗) detenuti da:
Arista Records Ltd. (not for release label use!) (nel 1983), BMG Arista Records Ltd. (nel 1983), BMG Eurodisc Ltd. (nel 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983), Arista Records Ltd. (not for release label use!) (nel 1984) e Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1984)
video musicali:
Hold Me Now di Thompson Twins
registrazione di:
Hold Me Now (Thompson Twins song)
autore:
Alannah Joy Currie, Joseph Martin Leeway e Thomas Alexander Bailey (Thompson Twins)
arrangiatore voci:
Tom Bailey (Thompson Twins), Alannah Currie e Joe Leeway
editore:
BMG Music Publishing Ltd., BMG Songs, Inc., Point Music (publisher) e Point Music Ltd.
Thompson Twins4.54:45
11A Good Heart
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Shelly Yakus
arrangiatore:
Feargal Sharkey e Dave Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
EMI Music Italy S.p.A. (company 1997–2007, not the same as "EMI Music Italy" its main imprint) (nel 1985) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
A Good Heart
paroliere e compositore:
Maria McKee
editore:
J. Albert & Son Pty. Ltd.
Feargal Sharkey3.64:31
12Trust Me
diritti fonografici (℗) detenuti da:
Regular Records (Australian label) (nel 1984)
registrazione di:
Trust Me
autore:
Kate Ceberano, Stephen Charlesworth (I'm Talking), Ian Cox, Robert Goodge, Barbara Hogarth e Cameron Newman
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music Publishing
I’m Talking3:50
13The Only Way Is Up
registrazione cover di:
The Only Way Is Up
autore:
Johnny Henderson (southern soul songwriter) e George Jackson (US soul songwriter/vocalist)
editore:
Big Life Music (nel 1988) e Malaco Music (publisher related to Malaco Records) (nel 1988)
Yazz & The Plastic Population4:01
14Pop MuzikM3:20
15Toy Soldiers
programmazione degli strumenti:
Michael Jay (producer/engineer)
assistente tecnico:
Peter Arata, Ric Butz, John Hegedes, Greg Loskorn (American sound engineer) e Karen Siegel (engineer)
tecnico e tecnico di missaggio:
Michael McDonald (engineer)
produttore:
Michael Jay (producer/engineer)
chitarra :
Mark Leggett (Guitarist/composer in Los Angeles)
tastiera [keyboards] :
Greg Smith (Producer/Keyboards)
altra voce [The Toy Soldiers]:
Marlen Landin, Kimberly McCullough, Rahsaan Patterson, Rasha Patterson, Devyn Puett, Renee Sands, Stacy Ferguson (American singer) e Alitzah Wiener (American female actress\singer)
remixer:
Humberto Gatica
arrangiatore:
Michael Jay (producer/engineer)
arrangiatore voci:
Michael Jay (producer/engineer) e Martika (American singer‐songwriter and actress)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1988), Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1988) e CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989)
registrata presso:
Trax Recording Studio in Hollywood, Los Angeles, California, Stati Uniti (dal 1988-04 al 1988-05)
mixata presso:
Garden Rake Studio in Studio City, Los Angeles, California, Stati Uniti
video musicali:
Toy Soldiers di Martika (American singer‐songwriter and actress)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 67)
registrazione di:
Toy Soldiers
autore:
Martika (American singer‐songwriter and actress) e Michael Jay (producer/engineer)
editore:
Sony/ATV Harmony UK, Curley Top Music (nel 1988), Ensign Music Corp. (nel 1988), Famous Chappell (nel 1988), Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1988) e Tika Tunes (publisher) (nel 1988)
Martika44:53
16Baby I Don't Care
diritti fonografici (℗) detenuti da:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (nel 1989)
registrazione di:
Baby I Don’t Care (Transvision Vamp) (il 1989-03-20)
paroliere e compositore:
Nick Christian Sayer
editore:
Notting Hill Music (publisher)
Transvision Vamp4.54:39
2CD

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